{"title":"Art Month 2026","description":"","products":[{"product_id":"wesley-tongson-tote-bag","title":"Wesley Tongson Tote Bag","description":"\u003cp\u003e- Size: 43.5 (L) x 34.5 (W) x 0.5 (H) cm \u003c\/p\u003e\n\u003cp\u003e- Material: Canvas\u003c\/p\u003e\n\u003cp\u003e- Feature: 12 types of Chinese ink art painting by Hong Kong famous artist Wesley Tongson \/ Full set of Wesley Tongson tote bag collection\u003c\/p\u003e\n\u003cp\u003e- Style: \u003cbr\u003e*Lotus 1, 2002\u003c\/p\u003e\n\u003cp\u003e*Spiritual Mountains 6, 2012\u003c\/p\u003e\n\u003cp\u003e*Slope, 1988\u003c\/p\u003e\n\u003cp\u003e*Approaching Rainstorm, 1988\u003c\/p\u003e\n\u003cp\u003e*Plum, 2002\u003c\/p\u003e\n\u003cp\u003e*\u003cspan data-mce-fragment=\"1\"\u003eLandscape - untitled, 2001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*Lotus Pond II, 1994\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*untitled, 1995\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*untitled, 2001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*Longivity\u003cbr\u003e\u003cbr\u003e*Tote, 290\u003cbr\u003e\u003cbr\u003e*Tote, 1623\u003cbr\u003e\u003cbr\u003eBerkeley Art Museum and Pacific Film Archive\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*BAMPFA collection - untitled, 1997\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*BAMPFA collection - Scudding Clouds, Misty Peaks, 1996\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*BAMPFA collection - Boundless Compassion, 1993\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAbout the artist\u003c\/strong\u003e\u003cbr\u003eHong Kong artist Wesley Tongson (1957-2012) has been fascinated by ink painting since childhood. Using it as his primary medium, he constantly explores its many methods and effects, striving to find and express his own, authentic voice.\u003cbr\u003eTrained in traditional ink painting, Tongson began to explore and teach himself splash ink painting, a technique that relies on the fortuitous interplay of ink and ink on rice paper. His art practice was increasingly focused on non-brush techniques, including inkrubbing and marbling, and eventually, in his later years, when he retired from the art world and worked mainly in solitude, he abandoned the brush entirely and worked only with his hands, fingers, and nails. His diagnosis of schizophrenia, along with his fervent commitment to the spiritual principles of Zen, shaped his bold artistic vision and his life.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wesley Tongson","offers":[{"title":"Approaching Rainstorm 1988","offer_id":33129621061771,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Plum 2002","offer_id":33129621094539,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Lotus 1 2002","offer_id":33129621127307,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Spiritual Mountains 6 2012","offer_id":33129621160075,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Slope 1988","offer_id":33129621192843,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Landscape - untitled 2001","offer_id":41067800559755,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"BAMPFA collection - untitled 1997","offer_id":41067804557451,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"BAMPFA collection - Scudding Clouds, Misty Peaks 1996","offer_id":41067807211659,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"BAMPFA collection - Boundless Compassion 1993","offer_id":41067809013899,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Lotus Pond II 1994","offer_id":41067811143819,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"untitled 1995","offer_id":41067813503115,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"untitled 2001","offer_id":41067815796875,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Longivity","offer_id":46314438099083,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Tote 290","offer_id":46314438131851,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"Tote 1623","offer_id":46314438164619,"sku":"2019WT02","price":250.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/IMG_E4449.jpg?v=1670128757"},{"product_id":"a-story-of-light-hon-chi-fun","title":"A Story of Light - Hon Chi-fun","description":"\u003cp\u003e- Size: 29 (L) x 21 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: hardcover, 118 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English, Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: Asia Society Hong Kong Center, 2019 \u003c\/p\u003e\n\u003cp\u003eThis catalogue is published on the occasion of Asia Society Hong Kong Center’s eponymous exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/story-light-hon-chi-funguangdegushi-hanzhixun\"\u003eA Story of Light: Hon Chi-fun\u003c\/a\u003e, from March 12 to June 9, 2019, the pioneering Hong Kong artist's first career-spanning exhibition in over a decade. The book includes a catalogue of all exhibited artworks, as well as four new essays by Kaitlin Chan, Louis Ho, Tina Pang and Michelle Wong and specially commissioned poems by Liu Wai-tong that illuminate the role that Hon played in the development of modern art in Hong Kong, and testifies to his enduring legacy as an artist who continually defied categorization and forged his own path of avant-garde abstraction. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ASHK","offers":[{"title":"Default Title","offer_id":33570600353931,"sku":"9789887873211","price":300.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/WhatsAppImage2021-01-30at5.09.02PM.jpg?v=1612242095"},{"product_id":"love-long","title":"Love Long","description":"\u003cp\u003e- Size: 30 (L) x 26 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: hardcover, 160 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English, Chinese \u003c\/p\u003e\n\u003cp\u003e- Publisher: Asia Society Hong Kong Center, 2018 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis catalogue is published on the occasion of Asia Society Hong Kong Center’s eponymous exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/love-long-robert-indiana-and-asia-aihualuoboteyindiannayuyazhou\"\u003eLOVE Long: Robert Indiana and Asia\u003c\/a\u003e, from February 7 to July 15, 2018. Edited by the curator, Miwako Tezuka, and the Center's Gallery Team, the book contains four essays and a catalogue of the exhibition with over 50 color artwork plates. The publication opens with a curatorial overview essay by Miwako Tezuka, followed by a contribution by Susan Elizabeth Ryan, a foremost Indiana scholar. The subsequent essay by assistant curator Kaitlin Chan reflects on Indiana’s signs in a Hong Kong context, preceding a revised version of an essay by artist Xu Bing on the pictographic origins of Chinese characters.\u003c\/p\u003e","brand":"ASHK","offers":[{"title":"Default Title","offer_id":33581398458507,"sku":"9789881227201","price":320.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/WhatsAppImage2021-01-30at4.18.11PM.jpg?v=1612243121"},{"product_id":"breathing-space","title":"Breathing Space","description":"\u003cp\u003e- Size: 26.6 (L) x 20 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 144 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English, Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: Asia Society Hong Kong Center, 2017 \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/breathing-space-contemporary-art-hong-kong\"\u003eBreathing Space: Contemporary Art from Hong Kong\u003c\/a\u003e is published by Asia Society Hong Kong Center on the occasion of the eponymous exhibition held from March 12 to August 13, 2017. Edited by the curator, Dominique Chan, the book contains a curatorial overview and catalogue of the exhibition with over 80 color photographs. The catalogue also includes texts by assistant curators Ashley Nga-sai Wu and Joyce Hei-ting Wong, as well as contributors Andre Chan and Alex Tam that discuss Hong Kong contemporary art in the context of history, current affairs, local art ecology and arts education. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ASHK","offers":[{"title":"Default Title","offer_id":33581436502155,"sku":"9789881227287","price":220.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/WhatsAppImage2021-01-31at4.22.06PM_1.jpg?v=1612242760"},{"product_id":"once-in-a-life-encounters-with-nara","title":"Once in a Life Encounters with Nara","description":"\u003cp\u003e- Size: 24.7 (L) x 19 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: hardcover, 160 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English, Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: Asia Society Hong Kong Center, 2015 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing from Asia Society Hong Kong Center’s preceding exhibition, L\u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/life-only-one-yoshitomo-nara\"\u003eife is Only One: Yoshitomo Nara\u003c\/a\u003e, from 6 March to 26 July 2015, this publication is not only a compilation of the works in the exhibition, but also an extension with the inclusion of other works and essays that present the artist and his art from his life experiences and memories. Extra thoughts into his inspirations are offered by looking at his childhood, his time in Germany, his love for music, and the aftermath of the 2011 Earthquake. Like small pieces of a puzzle, they piece together little-known stories about the artist and above all his thoughts on life.\u003c\/p\u003e","brand":"ASHK","offers":[{"title":"Default Title","offer_id":33581561544843,"sku":"9789881227256","price":280.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/WhatsAppImage2021-01-30at3.21.55PM.jpg?v=1612243180"},{"product_id":"it-begins-with-metamorphosis-xu-bing","title":"It Begins with Metamorphosis: Xu Bing","description":"\u003cp\u003e- Size: 26.6 (L) x 20.7 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 150 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English, Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: Asia Society Hong Kong Center, 2014 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis catalogue was published on the occasion of Asia Society Hong Kong Center’s exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/it-begins-metamorphosis-xu-bing\"\u003eIt Begins with Metamorphosis: Xu Bing\u003c\/a\u003e, on display from May 8th, 2014 to August 31, 2014. The exhibition is Xu Bing's first major solo exhibition in Hong Kong, and it features some of the latest works. It will highlight how metamorphosis marks the beginnings of the process of ideas and methods, and will provide a focused look at Xu Bing’s art. The book includes a catalogue of all exhibited artworks, an interview with Xu Bing, as well as four new essays by Yeewan Koon, Francesca Dal Lago, Kuiyi Shen, Julia F. Andrews and Adam Jaworski. \u003c\/p\u003e","brand":"ASHK","offers":[{"title":"Default Title","offer_id":33581571768459,"sku":"9789881227232","price":250.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/WhatsAppImage2021-01-31at4.33.44PM.jpg?v=1612242857"},{"product_id":"light-before-dawn","title":"Light before Dawn","description":"\u003cp\u003e- Size: 28 (L) x 24 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 184 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English, Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: Asia Society Hong Kong Center, 2013 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis catalogue is published on the occasion of Asia Society Hong Kong Center's exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/light-dawn-unofficial-chinese-art-1974-1985\"\u003eLight before Dawn, Unofficial Chinese Art 1974-1985\u003c\/a\u003e. On view from May 15, 2013 to September 1, 2013, this exhibition presents a revealing look at the creative spectrum of China’s most influential contemporary artists from three different artist groups of the period: Wuming (No Name), Xingxing (Star), and Caocao (Grass Society). The book includes a catalogue of all exhibited works, historical context, an essay from the curators, and artist biographies and descriptions of their works. Color plates and descriptions of works from 22 artists.\u003c\/p\u003e","brand":"ASHK","offers":[{"title":"Default Title","offer_id":33581581762699,"sku":"9789881227225","price":250.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/WhatsAppImage2021-01-30at4.52.07PM.jpg?v=1612242973"},{"product_id":"tradition-to-contemporary-ink-painting-and-artistic-development-in-20th-century-china-鑑古賞今-二十世紀中國的水墨與藝術發展","title":"Tradition to Contemporary Ink Painting and Artistic Development in 20th-century China 鑑古賞今：二十世紀中國的水墨與藝術發展","description":"\u003cp\u003e- Size: 27.1 (L) x 21.3 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 248 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English, Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: University Museum and Art Gallery, HKU, 2018\u003c\/p\u003e\n\u003cp\u003eThis catalogue is published on the occasion of the University Museum and Art Gallery (UMAG) of the University of Hong Kong’s eponymous exhibition, Tradition to Contemporary: Ink Painting and Artistic Development in 20th-century China, from August 24 to November 25, 2018. The exhibition is curated from artworks within the museum’s permanent collection. Works trace the evolution of ink painting in Hong Kong, and include many of the masters that have helped to build the city’s art scene and museum collections. It offers audiences a broad overview of the provenance and aesthetic quality of individual works, and the cultural interactions among twentieth-century Chinese artists, curators, collectors and scholars in Hong Kong, mainland China and abroad.\u003c\/p\u003e\n\u003cp\u003eThe 248-page softcover catalogue is bilingual in English and Chinese. Includes over 120 colour illustrations, critical introductions by Sarah Sau Wah Ng and Michelle Ying Ling Huang.\u003cbr\u003e\u003c\/p\u003e","brand":"University Museum and Art Gallery, HKU","offers":[{"title":"Default Title","offer_id":33592457232523,"sku":"9789881902559","price":200.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/1_8cbd05d6-3dc4-4c67-a58c-b3b2d62cb57d.jpg?v=1614129623"},{"product_id":"wesley-tongson-the-journey","title":"The Journey - Wesley Tongson","description":"\u003cp\u003e- Size: 25.5 (L) x 20.5 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 141 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English, Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: Chinese Culture Foundation of San Francisco, 2019 \u003cbr\u003e\u003cbr\u003eThis catalogue documents the acclaimed solo exhibition of Hong Kong ink artist, Wesley Tongson (1957-2012), held at the Chinese Culture Center in San Francisco (October 12, 2018 -March 9, 2019). 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In 2011, the partnership with Cynthia Sah, an established contemporary sculptor residing in Italy, has given birth to Ru Tu, a minimalist and serene marble rabbit.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProject Twelve transforms Ru Tu into two limited editions. The minimalist curves of Ru Tu and the smooth surface of the marble evoke tranquillity and innocence. The elegance of Ru Tu makes it a pleasant gift in various occasions, sending one’s most sincere blessings to the recipients. 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Its presence, suggestive if not reticent; its assurance, never beyond a hint of individuality but all the more significant, its pride and elegance radiates. With the hope of delineating these spirit and innate characters, the sculpture is an outline of a goat's essential features, reinterpreted, extracted and articulated in a succinct diagram. The sculpture is finished in oxidized bronze and will take on the color and feeling of time gradually. Eight circular points in polished gold toned brass to remind its eighth position in the Chinese zodiac.\u003cbr\u003e\u003c\/p\u003e","brand":"Project Twelve","offers":[{"title":"Default Title","offer_id":34141962436747,"sku":"19CLL001","price":8988.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/19CLL001.jpg?v=1597562148"},{"product_id":"shen-wei-in-black-white-and-gray","title":"Shen Wei in Black, White and Gray","description":"\u003cp\u003e- Size: 22 (L) x 28.5 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: hardcover, 89 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher: MDC Museum of Art + Design, 2014\u003c\/p\u003e\n\u003cp\u003eThis catalogue is published on the occasion of MDC Museum of Art + Design ’s eponymous exhibition, Shen Wei in Black, White and Gray, from from December 5, 2014 to February 1, 2015, the artist's first exhibition of large-scale, two-dimensional works.\u003c\/p\u003e\n\u003cp\u003eRecognized internationally as one of the great contemporary choreographers working today, Shen Wei has long had the passion and fortitude to devise elaborate productions and performances while feverishly adhering an intense and very private studio practice. His entrance into the visual art world comes without reservation of fear, but a certain naivete, which ultimately exposes candid access and a raw glimpse into his practice, forming a cliff that one leaps from with a loud bellow into a harbor of arresting and monumental paintings.\u003c\/p\u003e\n\u003cp\u003eThe 89-page hardcover catalogue is in English and includes color illustrations of artworks, archival photographs of selected performances.\u003c\/p\u003e","brand":"MDC Museum of Art + Design","offers":[{"title":"Default Title","offer_id":34142936891531,"sku":"SWEX","price":300.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/ShenWei_1_71952506-ee0b-4888-a2fe-816a91d42911.jpg?v=1597634539"},{"product_id":"concrete-x-resin-art-water-cave","title":"Concrete x Resin Art - \"Water Cave\"","description":"\u003cp\u003e- Size: 20.5 (L) x 9 (W) x 8 (H) cm\u003c\/p\u003e\n\u003cp\u003e- Weight: 1.5 kg\u003c\/p\u003e\n\u003cp\u003e- Material: Resin, Concrete\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- 100% handcrafted by Hong Kong Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*Caution: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Use a clean cloth with clear water, no cleansing material is needed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThis item is a fair faced concrete item. 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Rocky's playful posture pays homage to the Chinese guardian lions' symbology, with the hopes that it will bring good fortune.\u003c\/p\u003e","brand":"Project Twelve","offers":[{"title":"Default Title","offer_id":39438192509067,"sku":"21CLL001","price":3680.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/photo6077971099070607186.jpg?v=1628154710"},{"product_id":"extended-figure-the-art-and-inspiration-of-lalan-catalogue","title":"Extended Figure: The Art and Inspiration of Lalan Catalogue 延綿之軀：謝景蘭藝術展 展覽圖錄","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 27.1 (L) x 21.2 (W) cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: Hardcover , 160 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English and Chinese\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher: Asia Society Hong Kong Center, 2021   \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis catalogue is published on the occasion of Asia Society Hong Kong Center’s eponymous exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/extended-figure-art-and-inspiration-lalan-yanmianzhiquxiejinglanyishuzhan\"\u003eExtended Figure: The Art and Inspiration of Lalan\u003c\/a\u003e, from April 27, 2021 to October 24, 2021.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eXie Jing-lan (1921-1995), nicknamed Lalan, was an inspirational figure whose legacy lies in the art form known as integrated art, incorporating painting, music, and dance. Having received professional vocal training, Lalan studied composition and modern dance, and began her artistic career painting abstract art after relocating to Paris. Without making any sketches, Lalan choreographed the paintings with her instinct and voluntary gestures. The abstract presentation documented the transition of Lalan’s inner psychology and reflected the harmonious state she had been yearning for.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShowcasing over thirty masterpieces and archival materials of her cross-disciplinary attempts, \u003cem data-mce-fragment=\"1\"\u003eExtended Figure: The Art and Inspiration of Lalan\u003c\/em\u003e traces the artist’s transformative moments, and experimentation and introspection through the bodily focused art-making practice. As the fourth instalment in the 20th Century Chinese Female Artist Series, Asia Society Hong Kong Center (ASHK) hopes to commemorate the artist’s centennial, while celebrating her significance as a pioneer of cross-disciplinary art, and her impact on merging the aesthetic of East and West.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the aim to reconstruct Lalan’s imprint on integrated art, we will collaborate with local choreographer Allen Lam to deliver a retrospective performance combining elements of music, dance, and Augmented Reality technology. In her creative process, she explores diverse possibilities within cross-disciplinary art forms, while staying true to her authentic self. Her profound desire for breaking boundaries allows audiences to stretch their imagination, and contemplate the unfamiliar in the artistic realm.\u003c\/p\u003e\n\u003cp\u003e- 尺寸：27.1 (L) x 21.2 (W) cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e- 裝幀：\u003cspan data-mce-fragment=\"1\"\u003e精裝, 160 頁\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- 語言：繁體中文及英文 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e- 出版：亞洲協會香港中心, \u003cspan\u003e2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本圖錄為亞洲協會香港中心出版，以配合於\u003cspan\u003e2021\u003c\/span\u003e\u003cspan\u003e年4\u003c\/span\u003e\u003cspan\u003e月27\u003c\/span\u003e\u003cspan\u003e日至2021\u003c\/span\u003e\u003cspan\u003e年10\u003c\/span\u003e\u003cspan\u003e月24\u003c\/span\u003e\u003cspan\u003e日\u003c\/span\u003e舉辦之\u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/extended-figure-art-and-inspiration-lalan-yanmianzhiquxiejinglanyishuzhan\"\u003e《延綿之軀：謝景蘭藝術展》\u003c\/a\u003e。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e謝景蘭（1921-1995），綽號蘭蘭，是綜合藝術的先驅人物，其創作揉合繪畫、音樂和舞蹈等藝術形式。謝氏早期接受專業聲樂訓練，移居巴黎後學習作曲及現代舞蹈，並展開對抽象繪畫的探索。她作畫時從不繪製草圖，全程憑直覺和自發的姿態作畫，作品不僅紀錄自身的內在心理變化，更映照對融和之境的嚮往。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e《延綿之軀：謝景蘭藝術展》展示藝術家超過三十幅珍貴作品及跨界藝術創作的文獻資料，追溯藝術家創作的轉化歷程，力求在純粹的藝術實踐中探索和內省。作為「二十世紀中國女藝術家系列」的第四個展覽，亞洲協會香港中心希望藉著紀念謝景蘭的百歲誕辰，以頌揚這位跨界藝術先驅在融合東西方美學的深遠貢獻。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e為了體現謝景蘭對跨界藝術的巧思，本展覽與本地編舞家林偉源合作，集合音樂、舞蹈及擴增實境多媒體製作回顧表演向藝術家致敬。謝氏在其創作過程中探索跨界藝術形式中的各種可能，同時忠於自我。她對突破界限的強烈渴望擴闊了觀眾的想像力，並讓我們深思藝術領域中的新體驗。\u003c\/p\u003e","brand":"ASHK","offers":[{"title":"Default Title","offer_id":39458021867659,"sku":"9789887873235","price":300.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/lalancatelogue.jpg?v=1641698713"},{"product_id":"pre-order-lalan-two-friends-silk-scarf","title":"Asia Society Hong Kong Center x Shanghai Tang - Limited Edition Lalan Scarf","description":"\u003cp\u003e\u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/extended-figure-art-and-inspiration-lalan-yanmianzhiquxiejinglanyishuzhan\"\u003eExtended Figure: The Art and Inspiration of Lalan\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e27 April 2021 - 24 October 2021\u003cbr\u003e延綿之軀：謝景蘭藝術展\u003cbr\u003e2021年4月27日 – 10月24 日\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProduct Information\u003cbr\u003e-Features Lalan’s original artwork Two Friends | Deux Amis《雙友》, 1976\u003cbr\u003e-Crafted in Mainland China with pure, soft mulberry silk of exceptional quality\u003cbr\u003e-Edges rolled and handstitched by artisans\u003cbr\u003e-Comes with ASHK x Shanghai Tang woven label\u003cbr\u003e-Encased in ASHK x Shanghai Tang envelope, with the cover in Shanghai Tang’s iconic lime green\u003cbr\u003e-Dimensions: 90cm in length x 90cm in width\u003cbr\u003e\u003cbr\u003e產品資料\u003cbr\u003e- 靈感來自謝景蘭1976 年藝術品Two Friends | Deux Amis 《雙友》\u003cbr\u003e- 採用純正而柔軟的桑蠶絲於中國製造\u003cbr\u003e- 手工捲邊縫製工藝\u003cbr\u003e- 飾有亞洲協會香港中心 x 上海灘標籤\u003cbr\u003e- 附有亞洲協會香港中心 x 上海灘聯名包裝盒，封面採用上海灘品牌主色\u003cbr\u003e- 絲巾尺寸：長90厘米，寬90厘米\u003cbr\u003e\u003cbr\u003eOthers:\u003cbr\u003e- Scarf Net Weight: 62g\u003cbr\u003e- E\u003cspan data-mce-fragment=\"1\"\u003envelope \u003c\/span\u003eDimensions: 21.5 (L) x 32.5 (W) x 1 (H) cm\u003cbr\u003e\u003cbr\u003e其他\u003cspan data-mce-fragment=\"1\"\u003e資料：\u003c\/span\u003e\u003cbr\u003e- \u003cspan data-mce-fragment=\"1\"\u003e絲巾重量：62克\u003cbr\u003e- 包裝盒尺寸：21.5 (長) x 32.5 (闊) x 1 (高)  厘米\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"ASHK","offers":[{"title":"Default Title","offer_id":39482752860299,"sku":"2021LALAN01","price":2021.9,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/E-storePhotoEdit_Square.jpg?v=1633578857"},{"product_id":"concrete-x-resin-art-moai-column","title":"Concrete x Resin Art  - \"Moai\" Column","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 5.4 (Diameter) x 7 (H) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Weight: 230 g\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Material: Resin, Concrete\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- 100% handcrafted by Hong Kong Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Style: Blue - Bright \/ Blue - Green \/ Blue - Green\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e*Caution: \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Use a clean cloth with clear water, no cleansing material is needed\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis item is a fair faced concrete item. Tiny little bubble is expected\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConcrete and resin,\u003cbr data-mce-fragment=\"1\"\u003eThese two materials were in liquid\u003cbr data-mce-fragment=\"1\"\u003e            before they are set and turn into solid\u003cbr data-mce-fragment=\"1\"\u003eThese two materials were related to industrial and infrastructure use\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e            \u003c\/span\u003ebefore adding in creativity and turn into an art piece\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConcrete x resin art piece,\u003cbr data-mce-fragment=\"1\"\u003eTakes time to form,\u003cbr data-mce-fragment=\"1\"\u003ethe clue to obtain a fine piece is being patient besides craftsmanship\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is the [concrete x resin art | the ocean] collection.\u003c\/p\u003e","brand":"Shabibi Sheep Workshop","offers":[{"title":"Blue - Bright","offer_id":40746047340683,"sku":"moai004","price":530.0,"currency_code":"HKD","in_stock":true},{"title":"Blue - Green","offer_id":40746047373451,"sku":"moai005","price":530.0,"currency_code":"HKD","in_stock":true},{"title":"Green - Dark","offer_id":40746047406219,"sku":"moai006","price":530.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/moai_group.jpg?v=1661054198"},{"product_id":"concrete-x-resin-art-mystic-cube","title":"Concrete x Resin Art  - \"Mystic\" Cube","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 10.5 (W) x 10 (L) x 9.5 (H) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Weight: 1.2 kg\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Material: Resin, Concrete\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- 100% handcrafted by Hong Kong Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e*Caution: \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Use a clean cloth with clear water, no cleansing material is needed\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis item is a fair faced concrete item. Tiny little bubble is expected\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConcrete and resin,\u003cbr data-mce-fragment=\"1\"\u003eThese two materials were in liquid\u003cbr data-mce-fragment=\"1\"\u003e            before they are set and turn into solid\u003cbr data-mce-fragment=\"1\"\u003eThese two materials were related to industrial and infrastructure use\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e            \u003c\/span\u003ebefore adding in creativity and turn into an art piece\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConcrete x resin art piece,\u003cbr data-mce-fragment=\"1\"\u003eTakes time to form,\u003cbr data-mce-fragment=\"1\"\u003ethe clue to obtain a fine piece is being patient besides craftsmanship\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is the [concrete x resin art | the ocean] collection.\u003c\/p\u003e","brand":"Shabibi Sheep Workshop","offers":[{"title":"Default Title","offer_id":40746080403595,"sku":"2022SSW01","price":2500.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/image_101.jpg?v=1661057089"},{"product_id":"concrete-x-resin-art-dark-entanglement-rectangle","title":"Concrete x Resin Art  - \"Dark Entanglement\" Rectangle","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 20.5 (W) x 9 (L) x 11 (H) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Weight: 1.4 kg\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Material: Resin, Concrete\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- 100% handcrafted by Hong Kong Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e*Caution: \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Use a clean cloth with clear water, no cleansing material is needed\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis item is a fair faced concrete item. Tiny little bubble is expected\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConcrete and resin,\u003cbr data-mce-fragment=\"1\"\u003eThese two materials were in liquid\u003cbr data-mce-fragment=\"1\"\u003e            before they are set and turn into solid\u003cbr data-mce-fragment=\"1\"\u003eThese two materials were related to industrial and infrastructure use\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e            \u003c\/span\u003ebefore adding in creativity and turn into an art piece\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConcrete x resin art piece,\u003cbr data-mce-fragment=\"1\"\u003eTakes time to form,\u003cbr data-mce-fragment=\"1\"\u003ethe clue to obtain a fine piece is being patient besides craftsmanship\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is the [concrete x resin art | the ocean] collection.\u003c\/p\u003e","brand":"Shabibi Sheep Workshop","offers":[{"title":"Default Title","offer_id":40746129817739,"sku":"2022SSW02","price":3500.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/Screenshot2022-08-21125204.jpg?v=1661057779"},{"product_id":"lovedthenabandoned","title":"LovedThenAbandoned","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 29.5 (L) x 22 (W) x 2 (H) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: Hardcover, 158 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Author: Sacha Yasumoto\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Feature: Complimentary Tote Bag \u0026amp; Scented Paper Fan inclusive\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis catalogue is published on the occasion of \u003cspan data-mce-fragment=\"1\"\u003eSacha Yasumoto\u003c\/span\u003e’s exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/lovedthenabandoned-aishizhongqi\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLovedThenAbandoned\u003c\/span\u003e\u003c\/a\u003e, from December 05, 2022 to December 18, 2022.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLoveThenAbandoned presents a glimpse of numerous patinaed visuals from abandoned structures all around Hong Kong, France, and Italy. The curve uneven surfaces, peeling paint or burnt edges bring to life a story of the emotions the place used to have within in. Sacha has dedicated her time during the pandemic to uncovering beautiful historical places that unfortunately are disappearing due to nature vices and emigration. Experience these once cherished places in their patinaed state to uncover the hidden essence of the dwelings.\u003c\/p\u003e","brand":"Sacha Yasumoto","offers":[{"title":"Default Title","offer_id":41107459932299,"sku":"2022SACHA01","price":300.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/IMG_E4597square.jpg?v=1670127105"},{"product_id":"fire","title":"Fire","description":"\u003cdiv class=\"title\"\u003e\n\u003ch4 class=\"card-title\"\u003e\n\u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/current\"\u003eFire 火\u003c\/a\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"datetime\"\u003e08 Feb 2023 - 28 Feb 2023\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eChantal Miller Gallery\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsia Society Hong Kong Center\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"teaser-text\"\u003e\n\u003cdiv\u003eThe Prix Pictet is the world's leading prize for photography and sustainability. The ninth cycle of the award takes the theme of Fire. The work of the 13 artists is a vision of what lies ahead: not only what has been but what is to come.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e- Size:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e25 \u003c\/span\u003e(L) x 32\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(W) cm \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: hardcover, 148 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher: \u003cspan data-mce-fragment=\"1\"\u003eteNeues Books, 2021\u003cbr\u003e\u003cbr\u003eFor the ninth time, the Prix Pictet honours the most impressive photographs of our society and environment\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eA powerful collection of photographic art, compelling for anyone interested in sustainability, climate change, and biodiversity\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing the award ceremony and exhibition at the Victoria \u0026amp; Albert Museum, London, in December 2021, further exhibitions follow in New York and other cities around the globe\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It stood out for me for a number of reasons. The first, and by far the most important to me, being that the composition is absolutely gorgeous.” — \u003cstrong\u003eTim \u003c\/strong\u003e\u003cstrong\u003eClinch, Amateur Photographer\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Packed with compelling visuals and important discussions around some of the planet’s biggest issues, it’s an excellent compendium of some of the world’s best photographers working today.” — \u003cstrong\u003eAmateur Photographer\u003c\/strong\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e“As compelling in its visuals as it is in its messaging, Fire is an unforgettable document.” — \u003cstrong\u003eJonathan McIntosh, Royal Photographic Society Journal\u003c\/strong\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eFire is the fourth element. It destroys and creates something new. In its heat, colours, and magnitude, it provides a terrifying spectacle as much as an existential threat. Today, it speaks as much to the fragility of human structures as to the damage wrought on nature: the fire at Notre Dame Cathedral in Paris, forest fires from the Amazon to Australia, and infernos in California so colossal that the sky turned red.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eReason enough for the Prix Pictet, the world’s leading award for photography and sustainability, to dedicate this year’s photo book to the many facets of fire. Selected by photography experts from around the world, this impressive publication features 100 images from the Prix Pictet shortlist and beyond. 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An Autumn's Tale 花在初秋 2023","description":"\u003cp data-mce-fragment=\"1\"\u003eBeacon in the Storm: The Art of Pang Jiun | Limited Edition Print - Signed by the Artist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e《決瀾之子 — 龎均的藝術》｜限量版畫 - 藝術家簽名\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e An Autumn's Tale 花在初秋 2023\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e - Dimension: Image: 380 x 472 mm           Sheet: 420 x 594 mm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e                       圖像：380 x 472 mm  紙張：420 x 594 mm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Medium:  Fine Art Print on Hahnemuhle Cotton Paper, Signed Edition \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e  Edition of 100\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e哈内姆勒棉紙版畫，藝術家簽名\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e此作品共100版\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Boundless Artists Collective Limited","offers":[{"title":"An Autumn's Tale  花在初秋 15\/100","offer_id":41750434250891,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":false},{"title":"An Autumn's Tale 花在初秋 16\/100","offer_id":41959393493131,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":false},{"title":"An Autumn's Tale 花在初秋 18\/100","offer_id":41833375826059,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":true},{"title":"An Autumn's Tale  花在初秋 20\/100","offer_id":41750434316427,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":false},{"title":"An Autumn's Tale 花在初秋 21\/100","offer_id":41833367797899,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":false},{"title":"An Autumn's Tale 花在初秋 22\/100","offer_id":41833368748171,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":true},{"title":"An Autumn's Tale 花在初秋 23\/100","offer_id":41833368912011,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":false},{"title":"An Autumn's Tale 花在初秋 24\/100","offer_id":41833369567371,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":false},{"title":"An Autumn's Tale 花在初秋 25\/100","offer_id":41833373991051,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":false},{"title":"An Autumn's Tale 花在初秋 38\/100","offer_id":41833376317579,"sku":"2023BAC02","price":6800.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/AnAutumn_sTale_638513a5-df6d-4566-a5a6-c75f047c2923.jpg?v=1700800918"},{"product_id":"monster-building","title":"Monster Building Knitart","description":"\u003cp\u003eDescrption: Monster Building – Wave, Size: A4, Color: Multi Color\u003c\/p\u003e\n\u003cp\u003eThe design of the exterior wall of Melbourne Plaza in Central looks like a series of endless waves. In fact, this landscape is composed of countless three-dimensional triangles. To enhance lighting, the designer installed windows on both sides of the triangle. At noon, the sunlight is reected by the glass, as if a wave is projected on the city center of Central. Like most commercial buildings in the 70s, the lower floors of Melbourne Plaza was designed as a shopping mall, luckily it has not undergone major renovations, and it still retains the charm of half a century ago.\\\u003c\/p\u003e\n\u003cp\u003e中環萬邦行的外牆設計看似一連串無窮無盡的波浪，實際上這片風景 是由無數立體三角形組成，為加強採光，設計師在三角形兩側設有窗 戶，正午時份陽光被玻璃反射，彷彿海浪投映在中環市中心一樣。如同 大多數七十年代商廈，萬邦行底層被設計成一個商場，幸好沒有經過 大裝修，讓它時至今日仍可保留着半世紀前的韻味。\u003c\/p\u003e\n\u003cp\u003eMonster Building – Triangle, Size: A5, Color: \u003cspan data-mce-fragment=\"1\"\u003eMulti Color\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJust like its triangular logo, Hong Kong Arts Centre is composed of triangles inside and outside. In addition to implementing the artistic style, another reason is the shortage of land. In order to make good use of the space, the architect cleverly created a triangular steel frame structure to construct a column-free interior space, using up every inch of land, and distributed classrooms, gallery and theater in this multi-storey building, providing a purely artistic land for the busy Wanchai.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e香港藝術中心如同其三角形標誌一樣，整座建築由內到外均以三角形 構成，除貫徹其藝術風格外，另一原因是土地不足。為善用空間，建築 師巧妙以三角形鋼架結構作支撐，建構出無柱室內空間，用盡每一寸 地方，並讓教室、劇場和美術館分佈在多層建築之中，為忙碌的灣仔保 留一片純粹的文藝土地。\u003c\/p\u003e\n\u003cp\u003eMonster Building – Triangle, Size: A4, Color: \u003cspan data-mce-fragment=\"1\"\u003eMulti Color\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJust like its triangular logo, Hong Kong Arts Centre is composed of triangles inside and outside. In addition to implementing the artistic style, another reason is the shortage of land. In order to make good use of the space, the architect cleverly created a triangular steel frame structure to construct a column-free interior space, using up every inch of land, and distributed classrooms, gallery and theater in this multi-storey building, providing a purely artistic land for the busy Wanchai.\u003c\/p\u003e\n\u003cp\u003e 香港藝術中心如同其三角形標誌一樣，整座建築由內到外均以三角形 構成，除貫徹其藝術風格外，另一原因是土地不足。為善用空間，建築 師巧妙以三角形鋼架結構作支撐，建構出無柱室內空間，用盡每一寸 地方，並讓教室、劇場和美術館分佈在多層建築之中，為忙碌的灣仔保 留一片純粹的文藝土地。\u003c\/p\u003e\n\u003cp\u003eMonster Building – Circuit, Size: A4, Color: \u003cspan data-mce-fragment=\"1\"\u003eMulti Color\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCCC Wanchai Church Kei To Primary School is not located in Wanchai, but in Yau Ma Tei. Its school organization, the CCC Wanchai Church, bought land from the government to run a primary school in the 1960s to cater for the rapidly growing young population in Kowloon. The five-storey building was tall by the standards of the time, accommodating nearly 1,000 schoolchildren in the area. The most special feature of the building is one of its exterior walls, which are said to look like gourds, hourglasses and crosses, as well as electronic circuits, interlaced and interconnected, adding a unique scenery to the ordinary streets of Yau Ma Tei.\u003c\/p\u003e\n\u003cp\u003e中華基督教會灣仔堂基道小學不在灣仔，而是在油麻地，其辦學團體 中華基督教會灣仔堂於六十年代向政府購入地皮開辦小學，以照顧九 龍區內急速增長的年輕人口。以當時的標準而言算高的五層建築，容 納油麻地區內近千名學童。建築最特別之處，是其中一面特別設計的 外牆，有說像葫蘆、沙漏和十字架，也像電子迴路，交錯而互相連結， 為尋常的油麻地街頭增添一幅獨特的風景。\u003c\/p\u003e","brand":"Laws Knitters Limited","offers":[{"title":"Monster Building – Wave (A4) 9\/10","offer_id":41890279653515,"sku":"23LK8MBWKA8MCA4","price":3800.0,"currency_code":"HKD","in_stock":false},{"title":"Monster Building – Triangle (A5) 7\/10","offer_id":41890279719051,"sku":"23LK8MBBKA8MCA5","price":2800.0,"currency_code":"HKD","in_stock":true},{"title":"Monster building: TRIANGLE (A4) Edition 9","offer_id":42950890750091,"sku":"23LK8MBCKA8MCA4","price":3800.0,"currency_code":"HKD","in_stock":true},{"title":"Monster building: CIRCUIT (A4) Edition 9","offer_id":42950909198475,"sku":"23LK8MBTKA8MCA4","price":3800.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/MonsterBuilding-Wave_A4.jpg?v=1706158500"},{"product_id":"never-end-exhibition-catalogue","title":"Never End Exhibition Catalogue","description":"\u003cp\u003e- Size:  26 (L) x 22 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Paperback, 197 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English and Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: Asia Society Hong Kong Center, 2024\u003c\/p\u003e\n\u003cp\u003eThis catalogue is published on the occasion of Asia Society Hong Kong Center’s eponymous exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/never-end-art-and-life-gaylord-chan\" data-mce-href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/never-end-art-and-life-gaylord-chan\"\u003eNever End: The Art and Life of Gaylord Chan\u003c\/a\u003e,19 June 2024 - 29 September 2024\u003c\/p\u003e\n\u003cp\u003eGaylord Chan (1925-2020) was a prominent Hong Kong artist who only formally began his painting career in his 40s, developing a unique, youthful, and iconographic mode of abstract painting that he continued into digital art in his later years. Chan was also a beloved teacher, basing his pedagogy off his own experiences as a painter and shaping the next generation of Hong Kong artists. Never End includes a selection of paintings, rarely exhibited digital drawings, and newly organized archival materials that pay tribute to the artist’s art, life, and ongoing legacy.\u003c\/p\u003e\n\u003cp\u003eThe exhibition is guest curated by Joyce Hei-ting Wong with Josephine Chow as Exhibition Consultant and Hain Yoon as Assistant Curator. With support provided by Hong Kong Arts Development Council, Virginia and Wellington Yee, Margie Yang and Dee Poon, Rita and KC Kung, and Mystic Island Winery. \u003c\/p\u003e\n\u003cp\u003eWe encourage visitors to share their experience in the gallery on social media with the tags #ASHKNeverEnd #ASHKGaylordChan and #NeverEndGaylordChan.\u003c\/p\u003e\n\u003cp\u003e- 尺寸：26 (L) x 22 (W) cm\u003c\/p\u003e\n\u003cp\u003e- 裝幀: 平裝, 197 頁\u003c\/p\u003e\n\u003cp\u003e- 語言: 繁體中文及英文\u003c\/p\u003e\n\u003cp\u003e- 出版：亞洲協會香港中心, 2024\u003c\/p\u003e\n\u003cp\u003e本圖錄為亞洲協會香港中心出版，以配合於\u003cspan\u003e2024\u003c\/span\u003e\u003cspan\u003e年6\u003c\/span\u003e\u003cspan\u003e月19\u003c\/span\u003e\u003cspan\u003e日至2024\u003c\/span\u003e\u003cspan\u003e年9\u003c\/span\u003e\u003cspan\u003e月29\u003c\/span\u003e\u003cspan\u003e日\u003c\/span\u003e舉辦之\u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/never-end-art-and-life-gaylord-chan\" data-mce-href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/never-end-art-and-life-gaylord-chan\"\u003e「明天會再來：陳餘生藝術展」\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e陳餘生（1925-2020）是香港著名藝術家，四十多歲時才正式開始繪畫生涯，發展出一種獨特、年輕、圖像化的抽象繪畫模式，並在晚年延續到數位藝術。陳先生也是一位受人愛戴的老師，他的教學基於他自己作為畫家的經歷，並塑造了下一代香港藝術家。 「明天會再來」包括精選的繪畫作品、罕見展出的數位繪畫以及新整理的檔案材料，向藝術家的藝術、生活和持續的遺產致敬。\u003c\/p\u003e\n\u003cp\u003e本展覽由客席策展人黃熙婷聯合展覽顧問周淑芬，及亞洲協會香港中心助理策展人Hain Yoon策劃。是次展覽得到多方支持，包括：香港藝術發展局、Virginia and Wellington Yee、Margie Yang and Dee Poon 、Rita and KC Kung及仙島酒莊。\u003c\/p\u003e\n\u003cp\u003e我們希望觀眾在社交媒體上使用標籤分享他們在畫廊的經歷#ASHKNeverEnd #ASHKGaylordChan and #NeverEndGaylordChan\u003c\/p\u003e","brand":"Asia Society Hong Kong Center","offers":[{"title":"Default Title","offer_id":42596333387915,"sku":"9789887873259","price":280.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/NeverEndCatalogueCover_256dd26a-c77e-4ee5-89d5-12779829dc8e.jpg?v=1721702474"},{"product_id":"wifredo-lam-homecoming-林飛龍-歸徒-catalogue","title":"Wifredo Lam: Homecoming《林飛龍：歸徒》Catalogue","description":"\u003cp\u003e- Size:  28.5 (L) x 22.5 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Paperback, 173 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English and Chinese\u003c\/p\u003e\n\u003cp\u003e- Publisher: Asia Society Hong Kong Center, 2025\u003c\/p\u003e\n\u003cp\u003eThis catalogue is published on the occasion of Asia Society Hong Kong Center’s eponymous exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/wifredo-lam-homecoming-linfeilongguitu\"\u003eWifredo Lam: Homecoming\u003c\/a\u003e, \u003ctime datetime=\"2024-03-23T00:00:00Z\"\u003e23 March 2024\u003c\/time\u003e\u003cspan\u003e - \u003c\/span\u003e\u003ctime datetime=\"2024-06-02T00:00:00Z\"\u003e02 June 2024\u003c\/time\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in Cuba in 1902, Wifredo Lam represents both the synergy and conflict born out of the merging of multiple cultural traditions: his mother was of Afro-Spanish heritage and his father, of Cantonese roots.\u003c\/p\u003e\n\u003cp\u003eHomecoming marks Wifredo Lam’s first major solo presentation in Hong Kong and also the pivotal return of Lam to Asia - tracing his Chinese father’s lineage and studying the significance of the Chinese diaspora. \u003c\/p\u003e\n\u003cp\u003eAn all-inclusive exhibition including prints, personal memorabilia, and paintings, Homecoming covers a range of Wifredo Lam’s key artistic periods: from his time in Havana and Spain in the 1920s to 1938, Paris from 1938 to 1940, Marseille in the early 1940s, and Cuba, France, and Italy in the 1950s and 60s. This exhibition is guest curated by Eskil Lam of the Wifredo Lam Estate, with Hain Yoon as assistant curator and support from Stephane Lam of Le Pavillon Rouge des Arts and the Wifredo Lam Estate. \u003c\/p\u003e\n\u003cp\u003eVisitors are welcome to share their experience on social media by tagging us #ASHKWifredoLam, #ASHKHomecoming or #WifredoLamHomecoming\u003c\/p\u003e\n\u003cp\u003e- 尺寸：28.5 (L) x 22.5 (W) cm\u003c\/p\u003e\n\u003cp\u003e- 裝幀: 平裝, 173頁\u003c\/p\u003e\n\u003cp\u003e- 語言: 繁體中文及英文\u003c\/p\u003e\n\u003cp\u003e- 出版：亞洲協會香港中心, 2025\u003c\/p\u003e\n\u003cp\u003e本圖錄為亞洲協會香港中心出版，以配合於\u003cspan\u003e2024\u003c\/span\u003e\u003cspan\u003e年3\u003c\/span\u003e\u003cspan\u003e月23\u003c\/span\u003e\u003cspan\u003e日至2024\u003c\/span\u003e\u003cspan\u003e年6\u003c\/span\u003e\u003cspan\u003e月2\u003c\/span\u003e\u003cspan\u003e日\u003c\/span\u003e舉辦之\u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/wifredo-lam-homecoming-linfeilongguitu\"\u003e《林飛龍：歸徒》\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e1902 年古巴出生，林飛龍代表了多種文化傳統融合所產生的協同效應和衝突：他的母親是非裔西班牙人，父親是廣東人。歸徒是林飛龍在香港舉辦的首個大型個人展覽，也是林飛龍重返亞洲的重要時刻--追溯其父親中國的血統，研究華人散居地的意義。歸徒是一個包羅萬有的展覽，包括版畫、個人紀念品和繪畫作品，當中涵蓋了林飛龍各個重要的藝術時期：從1920年代至1938年在哈瓦那和西班牙、1938年至1940年在巴黎、1940年代初在馬賽，到1950年和1960年在古巴、法國和義大利。\u003c\/p\u003e\n\u003cp\u003e本次展覽由客座策展人Wifredo Lam Estate的Eskil Lam，與亞洲協會香港中心助理策展人Hain Yoon共同策展，並由藝術紅亭子的創辦人兼首席執行官Stephane Lam及Wifredo Lam Estate支持。\u003c\/p\u003e","brand":"Asia Society Hong Kong Center","offers":[{"title":"Default Title","offer_id":43015504822411,"sku":"9789887873242","price":280.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/IMG_0825.heic?v=1773546091"},{"product_id":"concrete-x-resin-art-floating-ocean-swallow-pickup-at-store-only","title":"Concrete x Resin art - Floating Ocean - Swallow (pickup at store only)","description":"\u003cp\u003e- Size: 35 (W) x 20 (D) x 24.5 (H) cm\u003c\/p\u003e\n\u003cp\u003e- Material: Concrete, Resin, Dried Branch\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- 100% handcrafted by Hong Kong Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the [concrete x resin art | the ocean] collection. \u003c\/p\u003e\n\u003cp\u003eWhen the ocean tries to swallow you.\u003cbr\u003e\u003cbr\u003eWoo, Vincent C.Y. floating ocean - swallow. 2023. Concrete, Resin, Dried Branch.\u003cbr\u003e\u003c\/p\u003e","brand":"Shabibi Sheep Workshop","offers":[{"title":"Default Title","offer_id":43569815191691,"sku":"2025SSW01","price":16500.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/P1170013.png?v=1749612373"},{"product_id":"tote-bags-2-design-patterns","title":"Friends of the Art Museum - Tote Bags","description":"\u003cp\u003eDescription:\u003c\/p\u003e\n\u003cp\u003eThe tote bag of \"The Collection\" by Wong Sze Wai. She obtained both her Bachelors and Master degree in Fine Arts from Chinese University. The strap of this bag comes in two different colours (Blue\/Red)\u003c\/p\u003e\n\u003cp\u003eThe tote bag of \"Percival Street\" by Shen Ping who is reputed for his ink on Hong Kong street scenes.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Friends of the Art Museum, CUHK","offers":[{"title":"The Collections (Red Hand Strap)","offer_id":43910148194443,"sku":"2025FOMA16","price":180.0,"currency_code":"HKD","in_stock":false},{"title":"The Collections (Blue Hand Strap)","offer_id":43910155534475,"sku":"2025FOMA16","price":180.0,"currency_code":"HKD","in_stock":false},{"title":"Percival Street","offer_id":43910155501707,"sku":"2025FOMA16","price":180.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/IMG_5354_892b5c94-d833-4993-825d-1948af0ff48a.jpg?v=1756608354"},{"product_id":"frame-print-limited-edition-by-young-artist","title":"Framed Print - Limited Edition by NGAI SE NGAA, ELSA","description":"\u003cp\u003eName: Chess Game in the Moon Palace\u003c\/p\u003e\n\u003cp\u003eSize: 22cm x 22 cm with frame.\u003c\/p\u003e\n\u003cp\u003eDescription: This artwork depicts a pair of jade rabbits having a tea and chess game in the moon palace. A branch of laurel is placed on the table, and outside the window, the planet Earth can be seen in the distance. The warm indoor environment has a concept that transcends time, where an elegant game of chess becomes a playful gamer of quantum chess. The moon palace is adorned with a familiar Chinese good luck calendar, and classical colors and techniques are blended with modern objects to create a wonderful and cozy scene\u003c\/p\u003e","brand":"Friends of the Art Museum, CUHK","offers":[{"title":"36\/50","offer_id":44368099508363,"sku":"2025FOMA17","price":250.0,"currency_code":"HKD","in_stock":false},{"title":"39\/50","offer_id":44368099541131,"sku":"2025FOMA18","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"42\/50","offer_id":44368099573899,"sku":"2025FOMA19","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"43\/50","offer_id":44368099606667,"sku":"2025FOMA20","price":250.0,"currency_code":"HKD","in_stock":true},{"title":"47\/50","offer_id":44368099639435,"sku":"2025FOMA21","price":250.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/FramedPrint_ElsaNgai2023.jpg?v=1760153516"},{"product_id":"artasiapacific-almanac-2026-volume-xxi","title":"ArtAsiaPacific Almanac 2026 Volume XXI","description":"\u003cp\u003e- Size: 28.4 (L) x 21.5 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 120 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher: ArtAsiaPacific, 2026\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEditor’s Letter\u003cbr\u003eNotes on Renewal by Elaine W. Ng\u003c\/p\u003e\n\u003cp\u003eNews\u003cbr\u003eBig Story: A Season of Goodbyes by Michele Chan\u003cbr\u003ePublic Domain: Global Discourse, Global Conversation? by The Editors\u003cbr\u003eObituaries by The Editors\u003cbr\u003eControversy: Fractures and Fault Lines by The Editors\u003cbr\u003eCareer Moves: The Great Reshuffle by The Editors\u003cbr\u003eInfrastructure: Building Through Uncertainty by The Editors\u003cbr\u003eAwards: Honors That Elevate by The Editors\u003cbr\u003eArt Fair Report: Diminishing Returns by Louis Lu\u003cbr\u003eAuction Report: A Market Catching Its Breath by Michele Chan\u003cbr\u003eLooking Ahead: The Chrysalis Phase by Elaine W. Ng\u003c\/p\u003e\n\u003cp\u003eArtists of the Year\u003cbr\u003eArtists of 2025: Shilpa Gupta by Annette Meier\u003cbr\u003eArtists of 2025: Ayoung Kim by Louis Lu\u003cbr\u003eArtists of 2025: Ho Tzu Nyen by Louis Lu\u003cbr\u003eArtists of 2025: Saodat Ismailova by Elaine W. Ng\u003cbr\u003eArtists of 2025: Gala Porras-Kim by Annette Meier\u003cbr\u003eOne to Watch: Han Mengyun by Michele Chan\u003c\/p\u003e\n\u003cp\u003eCity Reports\u003cbr\u003eBrisbane \u0026amp; Canberra: Hope as Practice: Interview with Tony Albert by Annette Meier\u003cbr\u003eTokyo: Living Memory: Interview with Yukie Kamiya by Louis Lu\u003cbr\u003eSeoul: Beyond the K-Wave: An Art World at Crossroads by Valentina Buzzi\u003cbr\u003eTaipei: Open-Call Pageantry at the Precipice by Zian Chen\u003cbr\u003eShanghai: The Zone of Dissonance: Interview with X Zhu-Nowell by Louis Lu\u003cbr\u003eManila: Introspections and Pauses by Bea Belen-Ferrer\u003cbr\u003eHong Kong: Practicing Difference: Interview with Jeremy Ip by Michele Chan\u003cbr\u003eSingapore: Finding Its Feet: An Art Scene in Transition by Yvonne Wang\u003cbr\u003eBangkok: On the Side of Angels by Kittima Chareeprasit\u003cbr\u003eDelhi: Worlds Within Worlds by Meera Menezes\u003cbr\u003eAlmaty: Kazakhstan’s Cinema Reborn: Interview with Jamilya Nurkalieva by Elaine W. Ng\u003cbr\u003eRiyadh: A Generator of Imagination: Interview with Abdulnasser Gharem by Elaine W. Ng\u003cbr\u003eIstanbul: Resurgent Intelligentsia by Matt A. Hanson\u003cbr\u003eLos Angeles: Mapping the Aftermath by Jennifer S. Li\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFestivals of the Year\u003cbr\u003eFestivals of 2025: Islamic Arts Biennale by The Editors\u003cbr\u003eFestivals of 2025: Sharjah Biennial 16 by The Editors\u003cbr\u003eFestivals of 2025: Bukhara Biennial by The Editors\u003cbr\u003eFestivals of 2025: Aichi Triennale by The Editors\u003cbr\u003eFestivals of 2025: Istanbul Biennial by The Editors\u003cbr\u003eFestivals of 2025: Singapore Biennale by The Editors\u003cbr\u003eFestivals of 2025: Taipei Biennial by The Editors\u003cbr\u003eFestivals of 2025: Shanghai Biennale by The Editors\u003cbr\u003eFestivals of 2025: Thailand Biennale Phuket by The Editors\u003cbr\u003eFestivals of 2025: Kochi-Muziris Biennale by The Editors\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eExhibitions of the Year\u003cbr\u003eExhibitions of 2025: “65,000 Years: A Short History\u2028of Australian Art” by Elaine W. Ng\u003cbr\u003eExhibitions of 2025: “The Architecture of Sou Fujimoto: Primordial Future Forest” by Louis Lu\u003cbr\u003eExhibitions of 2025: “Lee Bul: From 1998 to Now” by Michele Chan\u003cbr\u003eExhibitions of 2025: “Samson Young: Pavilion” by Michele Chan\u003cbr\u003eExhibitions of 2025: “Early Philippine Contemporary \u2028Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan” by Elaine W. Ng\u003cbr\u003eExhibitions of 2025: “Ma Qiusha: A Young Man” by Louis Lu\u003cbr\u003eExhibitions of 2025: “Stay Connected: Art and China Since 2008” by Arphy Li\u003cbr\u003eExhibitions of 2025: “Heman Chong: This is a dynamic list and may never be able to satisfy particular standards for completeness” by Elaine W. Ng\u003cbr\u003eExhibitions of 2025: “Araya Rasdjarmrearnsook: The Bouquet and the Wreath” by Annette Meier\u003cbr\u003eExhibitions of 2025: “Ala Younis: Past of a Temporal Universe” by Elaine W. 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Choi\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePreviews\u003cbr\u003eUp Next: 2026 by Arphy Li\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":45069923516555,"sku":"2026AAP01","price":248.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/ALM26-Cover_RGB-1.jpg?v=1767684512"},{"product_id":"abstract-evolutions-象外經心-sixty-years-of-paintings-by-fong-chung-ray","title":"Abstract Evolutions 象外經心-Sixty Years of Paintings by Fong Chung-Ray","description":"\u003cp\u003e- Size: 29.5 (L) x 24.5 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Hardcover, 186 pages\u003c\/p\u003e\n\u003cp\u003e- \u003cspan\u003eEdited\u003c\/span\u003e: \u003cspan\u003e Sarah Ng 吳秀華\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Publisher: HKU Museum and Art Gallery \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe significance of Fong Chung-Ray’s artistic oeuvre lies in his contribution both to the global art scene and the representation of Chinese artistic traditions in late twentieth- and early twenty-first-century California. 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It is a testament to the master’s contribution to late-twentieth-century Chinese painting in a global context.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e藝術家馮鍾睿的創作夙負盛名。二十世紀晚期至二十一世紀初，馮氏以中國傳統為基礎的作品於美國加州藝壇獨樹一幟，其畫風及作畫方式多元豐碩，展現出他對融合中西藝術的永恆追求。馮氏以自身創作於海外積極傳播中華文化，在推動跨文化交流方面扮演了重要的角色，幫助國際社會更深入地理解和欣賞中國藝術。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e是次富有紀念意義的出版物包括橫跨馮鍾睿整個創作生涯的多幅作品，回顧他過去六十年的藝術成就和風格發展，對這位大師在二十世紀晚期中國畫壇所作出的貢獻予以肯定。\u003c\/span\u003e\u003c\/p\u003e","brand":"Hong Kong University Press","offers":[{"title":"Default Title","offer_id":46199482876043,"sku":"9789887470878","price":300.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/AbstractEvolutions_-SixtyYearsofPaintingsbyFongChung-Ray_03990cb7-dedb-48cc-b504-90ffc174ed8c.jpg?v=1773476878"},{"product_id":"hung-hsien-between-worlds","title":"Hung Hsien: Between Worlds","description":"\u003cp\u003e- Size:  35 (L) x 22 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Hardcover, 216 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English and Chinese\u003c\/p\u003e\n\u003cp\u003e- Asia Society Texas in partnership with Asia Society Hong Kong Center\u003cbr\u003e\u003cbr\u003e- Edited by Tiffany Wai-Ying Beres, Einor Cervone, and Owen Duffy\u003c\/p\u003e\n\u003cp\u003eThis catalogue is published on the occasion of Asia Society Hong Kong Center’s eponymous exhibition, \u003ca href=\"https:\/\/asiasociety.org\/hong-kong\/exhibitions\/hung-hsien-between-worlds\" rel=\"noopener\" target=\"_blank\"\u003eHung Hsien: Between Worlds \u003c\/a\u003e,25 March 2026 - 21 June 2026\u003c\/p\u003e\n\u003cp\u003e92-year-old Hung Hsien (洪嫻, Margaret Chang) was born in Yangzhou, China in 1933, she moved to Taiwan in 1948, where she studied under revered scholar-painter Prince Pu Ru. She continued her studies at National Taiwan Normal University before relocating to the United States in 1958, where she engaged deeply with Abstract Expressionism, Surrealism, and other modernist movements while studying at Northwestern University and the School of the Art Institute of Chicago.\u003c\/p\u003e\n\u003cp\u003eLiving in the U.S., in the mid-1960s, Hung Hsien invented a modern ink painting language entirely her own. She became one of a few women to exhibit with Taiwan’s avant-garde Fifth Moon Group, a collective dedicated to modernizing ink painting by synthesizing Eastern and Western approaches. Taking inspiration from multiple artists, Hung developed a distinct artistic language that fused lyrical brushstrokes, abstract forms, and bold color blocks. Hung’s work is distinguished by her ability to merge the technical mastery of traditional Chinese ink painting with the expressive energy of Western abstraction.\u003c\/p\u003e\n\u003cp\u003eDespite her profound contributions to global modernism, Hung remains largely under recognized in mainstream art historical narratives. While Hung’s work has been collected by institutions including the Smithsonian National Museum of Asian Art and Hong Kong Museum of Art, her legacy is only now beginning to receive the curatorial attention it deserves. Through Between Worlds, ASHK seeks to highlight Hung Hsien’s pivotal yet often overlooked role in modern ink painting.\u003c\/p\u003e\n\u003cp\u003eHung Hsien: Between Worlds exhibited at Asia Society Texas Center from April to September 2025. This marks the first exhibition collaboration between Asia Society Hong Kong Center and Asia Society Texas Center.\u003c\/p\u003e\n\u003cp\u003eThe exhibition is co-organized by Asia Society Hong Kong Center and Asia Society Texas Center, and guest curated by Tiffany Wai-ying Beres, with support provided by Asia Society Hong Kong Center Gallery \u0026amp; Exhibitions Team, Hain Yoon and Natalie Kung; Dr. Owen Duffy, Asia Society Texas, Nancy C. Allen Curator and Director of Exhibitions; Dr. Einor Cervone, Associate Curator of Arts of Asia at the Denver Art Museum; and Dr. B Li, independent researcher.\u003c\/p\u003e","brand":"Asia Society Hong Kong Center","offers":[{"title":"Default Title","offer_id":46278522798219,"sku":"9798218735463","price":320.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/21032026143833-0001.jpg?v=1774237799"},{"product_id":"orientations-may-jun-2026","title":"Orientations May\/Jun 2026","description":"\u003cp\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Softcover, 106 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher:\u003cspan\u003e Orientations Magazine Limited, 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eIn this issue, we explore the many facets of East Asian and Islamic art, emphasising cultural exchange, artistic transformation, and the lives of objects across borders and centuries. Jin Xu’s study of the Tang dynasty horse paintings \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eNight-Shining White\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eMan Herding Horses\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e argues that the former represents a deliberate synthesis of Central Asian realism with indigenous Chinese aesthetic priorities—a fusion that marked a transformative moment in 8th century Chinese art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eWe then turn to collecting histories and the afterlives of artworks. Itakura Masaaki and Yukio Lippit examine the Chinese painting collection of Japan’s Ōhara family, revealing through technical analysis that their \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eFive Oxen\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e handscroll is a modern forgery by Zhang Daqian, while Shuo Sue Hua traces Zhang’s mid-century networks in Hong Kong, showing how the city served as a critical hub for artistic exchange and documentation during periods of political upheaval.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\u003cbr\u003eMaterial culture and craftsmanship are central to Shilei Zeng’s survey of Ming dynasty textiles at the Victoria and Albert Museum, which demonstrates how \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ekesi\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e tapestries, satin damasks, and embroidered vestments embodied imperial authority, Buddhist devotion, and early globalised trade between China and Portugal. Melanie Gibson reconstructs the Islamic art collection of the Victorian painter Frederic Leighton, using archival photographs and exhibition catalogues to piece together a dispersed assemblage of Iznik ceramics, carpets, and tiles that once filled his celebrated Arab Hall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\u003cbr\u003eWe next examine the performative and ludic dimensions of art. Joe Nickols discusses how samurai from the Kamakura to Edo periods used portraiture, fantastical helmets, Nō theatre, and even playing cards to project authority and cultural refinement—a tradition of ‘playfulness’ that continues in contemporary video games. Michele Bambling and Tamae Sagi present the first US solo exhibition of the Japanese \u003c\/span\u003e\u003cem\u003e\u003cspan\u003emingei\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e potter Kawai Kanjirō, tracing his evolution from technical mastery of Chinese glazes to the production of modernist wood sculptures, while emphasising the communal life of his Kyoto home-studio. Barbara Banasik introduces the Warsaw Asia and Pacific Museum’s collection of Mithila painting from Bihar, India, focusing on works produced during the formative ‘Holi colours’ period (c. 1967–88). She analyses stylistic markers, caste-based genres (Bharni, Kachni, Godna), and the challenges of attribution in a commercialising art market.\u003cbr\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFinally, one of our two Susan Chen Foundation \u0026amp; Orientations Young Writers Award winners this year is Tong Su, who examines a 14th century Ilkhanid silk tapestry illustrating how Mongol rulers drew on Persian, Sogdian, Chinese, and Assyrian motifs—from lotus blossoms to lamassu guardians. In the tapestry, these motifs form a portable image of universal kingship, where alternating light and dark wefts become metaphors for cosmic order.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eTogether, these articles show how artistic ideas travel across cultures, how visual styles blend and change, and how collectors, dealers, and artisans actively shape what later generations accept as tradition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":46857996566667,"sku":"2026ORI03","price":195.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/OrientationsMayJun2026.png?v=1778131414"},{"product_id":"arts-of-asia-summer-2026-issue","title":"Arts of Asia Summer 2026 issue","description":"\u003cp\u003e- Size: 30 (L) x 23 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 131 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher:\u003cspan\u003e Arts of Asia Publications Ltd. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditorial\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrespondence\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby JOE EARLE\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA History of China in Silk: The Chris Hall Collection at The Hong Kong Palace Museum\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby DAISY YIYOU WANG, FENG ZHAO AND SUM YIN YAU\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Collector’s Journey\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby CHRIS HALL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrade Textiles: Two Export Coverlets in The Chris Hall Collection at The Hong Kong Palace Museum\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby SUM YIN YAU\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiversity and Innovation: Brocades Of China’s Northern Dynasties from The Chris Hall Collection at The Hong Kong Palace Museum\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby WANG CHEN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSamurai: Myth, Reality and Representation\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby ROSINA BUCKLAND\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Life and Work of Otomaru Jun (1929–2005): Ingenious Japanese Carved Lacquer Artist\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby JAN DEES, HARUMI OTOMARU AND KŌICHIRŌ SUMITANI\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThailand: The Layers of Splendour Masterpieces of Thai Art\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eby NAMHEE NOH\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassifying Qing Imperial Carpets: A Preliminary Proposal Inspired by The Museo Schneiberg in Turin\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby MARCO GUGLIELMINOTTI TRIVEL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeft Ikat, Plangi and Silk Brocades of Cambodia: The Thomas Murray Collection\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby LINDA S. MCINTOSH\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Book Review) Precious beyond Measure: A History of Korean Ceramics\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eby COLIN SHEAF\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Collectors World)\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eInto the Waters with Senju and Bingyi: Two Recent Acquisitions at the National Museum of Asian Art\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby JAN STUART AND FRANK FELTENS\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Arts of Asia Publications Ltd","offers":[{"title":"Default Title","offer_id":46857998827659,"sku":"2026AOA02","price":200.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/ArtsofAsiaSummer2026issue.png?v=1778131989"},{"product_id":"orientations-may-jun-2026-copy","title":"Orientations Jul\/Aug 2026","description":"\u003cp\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Softcover, 80 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher:\u003cspan\u003e Orientations Magazine Limited, 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThis issue gathers articles that examine Asian art and material culture through specific case studies spanning the contested legacies of American colonial collecting in the Philippines, medieval Javanese bronze casting, and contemporary Korean fabric architecture. Together, they challenge conventional narratives of stylistic influence, cultural ownership, and transcultural exchange by attending closely to how objects were made, moved, collected, and reimagined across time and space.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eJim Moss, Bryan Miller, and Tiffany Fryer examine the University of Michigan’s 1922–25 Philippine Expedition, tracing how American imperial ambitions shaped the accumulation of Chinese ceramics and Indigenous Filipino materials while highlighting contemporary reparative efforts to reconnect these collections with descendant communities. Victor Estrella complements this with microscopic analysis of gold artefacts from the same expedition, revealing sophisticated local artisanry long obscured by colonial frameworks.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eYuheng Zhang’s study of celadon trade ceramics shows how Philippine sites became crucial nodes in maritime networks spanning China and Southeast Asia. Transcultural mimesis emerges as a central theme. Stella Wu analyses a Chinese reverse-glass painting of the Indian nawab Shuja-ud-Daula and his sons, tracing the image’s migration from a British artist through Indian painters to Cantonese workshops—and eventually to American collections—in a triangular relay that unsettles simple narratives of colonial visual dominance. Sizhao Yi examines a miniature Qing ivory book carved with Du Fu’s poem on the ‘Eight Drinking Immortals’, revealing a sophisticated interplay between materiality, text, and the embodied experience of reading.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe issue also features new research on South and Southeast Asian religious art. Gerald Kozicz and Di Luo revisit Robert Heine-Geldern’s 1925 study of the Heidsieck collection of Javanese bronzes, recovering both a remarkable corpus of Buddhist metalwork and the biography of a displaced scholar. Chaitanya Sambrani offers an introduction to Vishnu’s avataric forms across fifteen centuries of South and Southeast Asian art, framing these transformations within the devotional bhakti tradition.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eHongjiao Yang presents newly attributed self-portrait sculptures of the Tenth Karmapa, Choying Dorje, evidencing the 17th century master’s synthesis of Himalayan and Chinese styles. Stephen Little surveys the newly opened David Geffen Galleries at the Los Angeles County Museum of Art, where innovative installations—from a monumental 12th century thangka to Do Ho Suh’s fabric recreation of a Joseon palace hall—embody a curatorial vision prioritising connection, experimentation, and the dismantling of traditional hierarchies.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eWe also interview Wu Keyu, son of Wu Guanzhong, to highlight the significant donations of his father’s works to the Hong Kong Museum of Art.\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":47979233837195,"sku":"2026ORI04","price":195.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/Screenshot_2026-06-29_at_4.27.22pm_41b75eda-a4f8-4452-959a-901f76ea71f5.png?v=1783671421"},{"product_id":"arts-of-asia-autumn-2026-issue","title":"Arts of Asia Autumn 2026 issue","description":"\u003cp\u003e- Size: 30 (L) x 23 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 135 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher:\u003cspan\u003e Arts of Asia Publications Ltd. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEditorial by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003eIslands of Gold: The Thomas Murray Collection by ANNE RICHTER\u003c\/p\u003e\n\u003cp\u003eGold and Silver Treasures from the Nguyen Dynasty Collection by KERRY NGUYEN-LONG\u003c\/p\u003e\n\u003cp\u003eA New Discovery: Malay Gold Filigree for the 18th Century British Market by MICHAEL BACKMAN\u003c\/p\u003e\n\u003cp\u003eChinese Export Silver for the Peranakan Market: Collection of “The Hall of Phoenix and Peony” by WAI CHOONG LYE\u003c\/p\u003e\n\u003cp\u003eCollecting Chinese Export Silver: An Interview with Sam Marsh by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003eTreasures of Global Jewellery from The Metropolitan Museum of Art: The Body Transformed by MELANIE HOLCOMB, SUM YIN YAU AND JUDY ZHU\u003c\/p\u003e\n\u003cp\u003eThe Edrina Collection: Chinese Porcelain Exported to Europe and France from the 17th to the 19th Century by RAPHAEL WONG\u003c\/p\u003e\n\u003cp\u003eMasterpieces of Kamakura Period Sculpture in American Museums by CHRISTIAN BOEHM\u003c\/p\u003e\n\u003cp\u003eShadow Puppets of Siam: Thailand’s Royal Gift of “Perforated Leather Figures” to the 1876 Philadelphia Centennial Exposition by PAUL MICHAEL TAYLOR\u003c\/p\u003e\n\u003cp\u003e(Book Review) Marchant: One Hundred Years by PAUL BROMBERG\u003c\/p\u003e\n\u003cp\u003e(Collectors World) J. Moreno: Fashioning Philippine Identity by FLORINA H. CAPISTRANO-BAKER\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Arts of Asia Publications Ltd","offers":[{"title":"Default Title","offer_id":49303292903563,"sku":"2026AOA03","price":200.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/AOAA.png?v=1788423575"},{"product_id":"orientations-sep-oct-2026","title":"Orientations Sep\/Oct 2026","description":"\u003cp\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Softcover, 86 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher:\u003cspan\u003e Orientations Magazine Limited, 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis issue commemorates the 120th anniversary of the Museum für Asiatische Kunst's East Asian Art Collection in Berlin with a series of case studies that examine how objects were made, moved, collected, and reimagined across time and space. The volume opens with an exploration of the enduring motif of the 'old fisherman' in Chinese painting, revealing how seemingly serene landscapes served as metaphors for political withdrawal during dynastic turmoil—a theme that resonates with the collection's own survival through war and upheaval.\u003c\/p\u003e\n\u003cp\u003eThe museum's foundational 1907 acquisition of Japanese paintings from the dealer Hayashi Tadamasa is critically reassessed, exposing the early curatorial challenges and prevalence of forgeries that shaped the collection's initial profile. The complex 'afterlife' of a 14th century Goryeo Buddhist scroll is traced through its reclassification from Chinese to Korean, its material conservation, and its fragmented provenance—a journey that reflects broader shifts in East Asian art historiography. A conservator's perspective on a late Qing dynasty woman's jacket highlights its intricate embroidery and the meticulous restoration required to prepare it for public display, and a new model for transnational provenance research is proposed through the study of a Yongzheng period porcelain bowl, demonstrating how collaborative inquiry can address questions of an object's history from imperial production to wartime circulation. Together, these essays trace a collection forged through war and rebuilding, shaped by misattribution and reclassification, and sustained through collaborative scholarship and conservation. \u003c\/p\u003e\n\u003cp\u003eThis fall, the 'Ten Kings of Hell: The Afterlife in Medieval Korea' exhibition at the Cleveland Museum of Art will mark a historic moment: the reunification of a dispersed Goryeo dynasty set of hanging scrolls of the Ten Kings of Hell. Dislocated from a Japanese temple during the Meiji period, the set has been reassembled for this landmark exhibition, restoring both its artistic integrity and its liturgical function after more than a century of fragmentation.        \u003c\/p\u003e\n\u003cp\u003eThe 18th century robe à la chinoise is examined as a genuine hybrid object, revealing how hand-painted Chinese silks—produced through the Canton trade system and tailored into European fashions—embody a collaborative artistic process that unsettles simple binaries of East and West. The philosophical motif of the 'stringless qin' in Yuan dynasty literati painting is investigated to show that the deliberate absence of sound and strings served as a powerful device for evoking interiority, moral cultivation, and political withdrawal. A conversation with contemporary artist Imran Qureshi closes the volume, focusing on his monumental new mural for the Pergamonmuseum—his first permanent commission outside Pakistan. Situated in dialogue with a cupola from the Alhambra in Granada, the work deploys symbolic blues and reds to weave Mughal miniature traditions into a large-scale meditation on history and hope. \u003c\/p\u003e\n\u003cp\u003eFrom Goryeo Buddhist scrolls to Qing dynasty textiles, from Yuan literati paintings to 18th century export silks, the issue reveals how objects acquire new meanings as they move between cultures, institutions, and centuries.\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":49323438637195,"sku":"2026ORI05","price":195.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/Screenshot_2026-08-29_at_2.08.28pm.jpg?v=1788772362"}],"url":"https:\/\/shop.asiasociety.org.hk\/collections\/art-month-2026.oembed?page=3","provider":"Asia Society Hong Kong Center","version":"1.0","type":"link"}