{"title":"Magazine","description":"","products":[{"product_id":"art-asia-pacific-almanac-2021-volume-xvi","title":"ArtAsiaPacific Almanac 2021 Volume XVI","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 112 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2021\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCovid-19 compelled all of us to dramatically adjust our daily lives in 2020. ArtAsiaPacific’s Almanac 2021 reflects these adaptations. For City Reports, we asked writers to reflect on the changes that have unfolded where they reside, from New Delhi and Ramallah to Beirut and Seoul. Additionally, five artists, curators, and collectives share their Perspectives on 2020, including Jakarta’s ruangrupa, who have been preparing for their edition of documenta 2022, and Olga Veselova, who curated an exhibition in one of the only physical locations still open in Almaty: the supermarket. The Almanac also compiles the most notable news about censorship issues, rights advocacy, developments in the arts infrastructure, and other milestone events. In Cultural Currency, we examine how the art market shifted gears in light of Covid-19, and how these strategies have paid off at fairs and auctions. Elsewhere, the editors select exhibitions and festivals that stood out in 2020, and events to look forward to in 2021. We also spotlight six artists who captured the zeitgeist with their projects and exhibitions: Yoshitomo Nara, Tarek Atoui, Brook Andrew, Mai-Thu Perret, Forensic Architecture, and Leelee Chan.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith these components, Almanac 2021 extends AAP’s archive of the artistic phenomena emerging from the dynamic Asia-Pacific region. We are grateful for the Almanac’s many contributors, as well as Burger Collection, CL3 Architects, Kukje Gallery, Simon Suen Foundation, Mapletree, Sunpride Foundation, and Stefan Rihs, who made this endeavor possible.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough 2020 was a challenging year for many, we hope that our readers will see the solidarity and connections that have remained intact in the global art community, despite the shifts and uncertainties of our ever-transforming world.\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":34440258945163,"sku":"2021AAP01","price":248.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/aaa.jpg?v=1609917588"},{"product_id":"artomity-no-19-winter-2021","title":"Artomity No.19 Winter 2021","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 23 (L) x 17 (W) cm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 112 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English and Chinese\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Profile: Andio Lai by John Batten\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Studio: Ng Tsz-kwan by Caroline Ha Thuc\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- City: Chan Ka Kiu: A Little NSFW, A Lot of Love at RNH Space by Fizen Yuen\u003cbr data-mce-fragment=\"1\"\u003eA’fair by Aaina Bhargava\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Art Guide: Galleries \u0026amp; Spaces \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Exhibition: Lau Hok Shing Hanison, So Wing Po, Zhang Ruyi at Blindspot Gallery by Christie Lee\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Reviews: \u003c\/p\u003e\n\u003cp\u003eYin Xiuzhen at CHAT, Hong Kong by Ysabelle Cheung\u003cbr\u003eAria at Forsgate Conservatory, Hong Kong Park by Caroline Ha Thuc\u003cbr\u003eHenry Shum at Empty Gallery, Hong Kong by Brady Ng\u003cbr\u003eLee Kai Chung at WMA Space, Hong Kong by Caroline Ha Thuc\u003cbr\u003eMit Jai Inn at Rossi \u0026amp; Rossi, Hong Kong by Aaina Bhargava\u003cbr\u003eVik Muniz at Ben Brown Fine Arts, Hong Kong by Valencia Tong\u003cbr\u003eYarli Allison, Yin Lo Yu at Videotage, Hong Kong by Christie Lee\u003cbr\u003e\u003cem\u003ePeer to Peer: UK\/HK\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eOnline by Margot Mottaz\u003cbr\u003eMicrowave New Media Arts Festival, Hong Kong by Brady Ng\u003cbr\u003e\u003cem\u003eunconstrained tone\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat soundpocket, Hong Kong by Jacqueline Leung\u003cbr\u003eLucia Bru at Axel Vervoordt Gallery, Hong Kong by Christine Chan Chiu\u003cbr\u003e\u003cem\u003eSpirits\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat Grand Theatre, Hong Kong Cultural Centre by Ernest Wan\u003c\/p\u003e\n\u003cp\u003e- Archive: \u003cem\u003eSound and Space\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby John Batten\u003c\/p\u003e\n\u003cp\u003e- Back Page: \u003cem\u003eSeafront assemblage, Peng Chau island, Hong Kong, 9 December 2020. by John Batten\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Artomity","offers":[{"title":"Default Title","offer_id":34481419845771,"sku":"2021DP01","price":85.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/148711309_10159504666737625_5693013105778240754_n.jpg?v=1615969887"},{"product_id":"journal-of-contemporary-chinese-art-sep-oct-2019","title":"Yishu: Journal Of Contemporary Chinese Art (Sep\/Oct 2019)","description":"\u003cp\u003e-Size: 29.8 (L) x 17.8 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Softcover, 109 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher: Art \u0026amp; Collection Group Ltd. 2019\u003c\/p\u003e\n\u003cp\u003eVolume 18, Number 5, September\/October 2019\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInside this issue\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Portrait of the Artist as Historian: On Shen Jiawei and His History Painting\u003cbr data-mce-fragment=\"1\"\u003eby Shuyu Kong\u003cbr data-mce-fragment=\"1\"\u003ep. 6\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chronicles of Yu Hong\u003cbr data-mce-fragment=\"1\"\u003eby Julie Chun\u003cbr data-mce-fragment=\"1\"\u003ep. 23\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eUp Against the Wall: Contemporary Chinese Performance Art and the Great Wall\u003cbr data-mce-fragment=\"1\"\u003eby Shing-Kwan Chan\u003cbr data-mce-fragment=\"1\"\u003ep. 39\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eRethinking the “Human”: Pond Society, Automation Fever, and the Disappearance of the Labouring Body\u003cbr data-mce-fragment=\"1\"\u003eby Linda Huang\u003cbr data-mce-fragment=\"1\"\u003ep. 52\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eVideo Reality: Trauma, (Non-)Fiction and Psychopolitics\u003cbr data-mce-fragment=\"1\"\u003eby Lu Mingjun\u003cbr data-mce-fragment=\"1\"\u003ep. 69\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eGu Dexin’s Aliens and the Ambivalent Aesthetics of Cuteness\u003cbr data-mce-fragment=\"1\"\u003eby Abigail Ashford\u003cbr data-mce-fragment=\"1\"\u003ep. 87\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiquid Space: A Conversation with Zheng Chongbin\u003cbr data-mce-fragment=\"1\"\u003eby Lisa Claypool\u003cbr data-mce-fragment=\"1\"\u003ep. 100\u003c\/p\u003e","brand":"Art \u0026 Collection Group Ltd.","offers":[{"title":"Default Title","offer_id":34504037335179,"sku":"4719294100087","price":70.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/yishu_2019910.jpg?v=1613462454"},{"product_id":"journal-of-contemporary-chinese-art-nov-dec-2019","title":"Yishu: Journal Of Contemporary Chinese Art (Nov\/Dec 2019)","description":"\u003cp\u003e - Size: 29.8 (L) x 17.8 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: softcover, 107 pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher: Art \u0026amp; Collection Group Ltd. 2019\u003c\/p\u003e\n\u003cp\u003eVolume 18, Number 6, November\/December 2019\u003cbr\u003e\u003cbr\u003eInside this issue\u003cbr\u003e\u003cbr\u003eThe 58th Venice Biennale: A Twenty-Year Opening\u003cbr\u003eby Stephanie Bailey\u003cbr\u003ep. 6\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSolidarity in Interesting Times: Hong Kong and Taiwan at the 58th Venice Biennale 2019\u003cbr\u003eby Vennes Cheng Sau-Wai\u003cbr\u003ep. 23\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNegotiating Time Differences Now Is the Time: 2019 Wuzhen Contemporary Art Exhibition\u003cbr\u003eby Julie Chun\u003cbr\u003ep. 35\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eImagining Fusang: Exploring Chinese and Indigenous Encounters\u003cbr\u003eby Haema Sivanesan\u003cbr\u003ep. 50\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIdentity Politics and Cultural Hybridity in Zheng Bo’s Sing for Her\u003cbr\u003eby Yeung Tin Ping\u003cbr\u003ep. 68\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSiyuan Tan at Fou Gallery\u003cbr\u003eby Jonathan Goodman\u003cbr\u003ep. 86\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRethinking Chinese Ink Painting in the Context of Sinophone Studies\u003cbr\u003eby Kunlin He\u003cbr\u003ep. 94\u003c\/p\u003e","brand":"Art \u0026 Collection Group Ltd.","offers":[{"title":"Default Title","offer_id":34504041103499,"sku":"2019YS01","price":70.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/yishu_19011012.jpg?v=1613463251"},{"product_id":"journal-of-contemporary-chinese-art-jan-feb-2020","title":"Yishu: Journal Of Contemporary Chinese Art (Jan\/Feb 2020)","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 29.8 (L) x 17.8 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 107 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher: Art \u0026amp; Collection Group Ltd. 2020\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\"\u003eVolume 19, Number 1, January\/February 2020\u003cbr\u003e\u003cbr\u003eInside this issue\u003cbr\u003e\u003cbr\u003eArchitectural and Spatial Metaphors: The Continued Representation of Migration in Contemporary Chinese Art\u003cbr\u003eby Sjoukje van der Meulen\u003cbr\u003ep. 6\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\"\u003e\u003cbr\u003eChinese Slow Cinema: A New Filmic Rhythm and a Cinematic Conscience Exploring Notions of Time, History, Memory, Absence, and Allegory in the Works of Chinese Auteurs\u003cbr\u003eby Rebecca Catching\u003cbr\u003ep. 25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\"\u003e\u003cbr\u003eHeaven is Hig\u003c\/span\u003e\u003cspan class=\"art_number\"\u003eh and the Emporer Is Far Away: Recontexualizing Performance Art Practices in China During the 1990s\u003cbr\u003eby Petra Poelzl\u003cbr\u003ep. 43\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\"\u003e\u003cbr\u003eIn Conversation with Rachelle Dang\u003cbr\u003eby Tansy Xiao\u003cbr\u003ep. 69\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\"\u003e\u003cbr\u003eKwok-hin Tang: From an Object-based to a Socially Aspired Art Practice\u003cbr\u003eby Yang Yeung\u003cbr\u003ep. 77\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\"\u003e\u003cbr\u003eA City in Progress: A Conversation with Jiū Society\u003cbr\u003eby Henry Heng Lu\u003cbr\u003ep. 96\u003c\/span\u003e\u003c\/p\u003e","brand":"Art \u0026 Collection Group Ltd.","offers":[{"title":"Default Title","offer_id":34504041300107,"sku":"2020YS01","price":70.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/yishu_200102.jpg?v=1613463761"},{"product_id":"journal-of-contemporary-chinese-art-mar-apr-2020","title":"Yishu: Journal Of Contemporary Chinese Art (Mar\/Apr 2020)","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 29.8 (L) x 17.8 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 107 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher: Art \u0026amp; Collection Group Ltd. 2020\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVolume 19, Number 2, March\/April 2020\u003cbr\u003e\u003cbr\u003eInside this issue\u003cbr\u003e\u003cbr\u003eAutonomy Above All—Awakenings: Art in Society in Asia 1960s–1990s\u003cbr\u003eby Stephanie Bailey\u003cbr\u003ep. 6\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eMaps in Confrontation: A Review of the 2019 2nd Anren Biennale\u003cbr\u003eby Sophia Kidd\u003cbr\u003ep. 22\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eZao Wou-Ki at Gagosian Gallery\u003cbr\u003eby Jonathan Goodman\u003cbr\u003ep. 30\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eQin Yifeng: Abstract in Negatives\u003cbr\u003eby Qu Chang\u003cbr\u003ep. 38\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe Ubiquitous Interface: Reviewing Painted Screen—Past and Future\u003cbr\u003eby Yang Zhiyan\u003cbr\u003ep. 45\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eThree Exhibitions at The National Gallery of Victoria, Melbourne\u003cbr\u003eby Inga Walton\u003cbr\u003ep. 61\u003c\/p\u003e","brand":"Art \u0026 Collection Group Ltd.","offers":[{"title":"Default Title","offer_id":34504044445835,"sku":"2020YS02","price":70.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/yishu_200304.jpg?v=1613464390"},{"product_id":"journal-of-contemporary-chinese-art-may-jun-2020","title":"Yishu: Journal Of Contemporary Chinese Art(May\/Jun 2020)","description":"\u003cp data-mce-fragment=\"1\"\u003e- \u003cspan data-mce-fragment=\"1\"\u003eSize: 29.8 (L) x 17.8 (W) cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 110 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher: Art \u0026amp; Collection Group Ltd. 2020\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVolume 19, Number 3, May \/ June 2020\u003cbr\u003e\u003cbr\u003eInside this issue\u003cbr\u003e\u003cbr\u003e“River Without a Beacon”: A Narrative of Art and History Revolving Around 1979\u003cbr\u003eby Lu Mingjun\u003cbr\u003ep. 6\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eA Dialogue Between Two Paintings: Reconsidering the Boundary between Chinese Art and Contemporary Art\u003cbr\u003eby Guo Xinran\u003cbr\u003ep. 54\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eExtended Moments and their Variations: A Conversation with Liu Ye\u003cbr\u003eby Alexandra Grimmer\u003cbr\u003ep. 63\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eI is Another\u003cbr\u003eby Penny Dan Xu\u003cbr\u003ep. 74\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eYingmei Duan: Relational Practices and Pièces de Résistance\u003cbr\u003eby Laia Manonelles Moner\u003cbr\u003ep. 82\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eA Conversation with Martin Guinard: 2020 Taipei Biennial\u003cbr\u003eby Leora Joy Jones\u003cbr\u003ep. 102\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Art \u0026 Collection Group Ltd.","offers":[{"title":"Default Title","offer_id":34504045953163,"sku":"2020YS03","price":70.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/yishu_98cover.250x416.jpg?v=1613539294"},{"product_id":"journal-of-contemporary-chinese-art-jul-aug-2020","title":"Yishu: Journal Of Contemporary Chinese Art (Jul\/Aug 2020)","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 29.8 (L) x 17.8 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 111 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher: Art \u0026amp; Collection Group Ltd. 2020\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVolume 19, Number 4, July\/August 2020\u003cbr\u003e\u003cbr\u003eInside this issue\u003cbr\u003e\u003cbr\u003eOf Quarantines, Masks and How a Museum in Shanghai was Completed . . . and Continues to Be Redefined\u003cbr\u003eby Julie Chun\u003cbr\u003ep. 6\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003ePoints of Departure: Metahaven’s Eurasia (Questions on Happiness) and The Sprawl (Propaganda About Propaganda)\u003cbr\u003eby Stephanie Bailey\u003cbr\u003ep. 25\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eCao Fei: Ghosts of Hongxia Theatre\u003cbr\u003eby Kate Wong\u003cbr\u003ep. 44\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eDisquiet Riot: The Gravity Behind the Insanity of Double Fly\u003cbr\u003eby Rebecca Catching\u003cbr\u003ep. 54\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eExperimental Material: Desire and Intimacy in the Work of Pixy Liao\u003cbr\u003eby Luise Guest\u003cbr\u003ep. 68\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eStella Zhang’s Expressive Body\u003cbr\u003eby Betti-Sue Hertz\u003cbr\u003ep. 78\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eZhang Peili: The Annual Report of OCD\u003cbr\u003eby Karen Smith\u003cbr\u003ep. 87\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003eMeiqin Wang: Socially Engaged Art in Contemporary China\u003cbr\u003eby Denisa Tomkova\u003cbr\u003ep. 100\u003c\/p\u003e","brand":"Art \u0026 Collection Group Ltd.","offers":[{"title":"Default Title","offer_id":34504046837899,"sku":"2020YS04","price":70.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/yishu_200708.jpg?v=1613464874"},{"product_id":"products-journal-of-contemporary-chinese-art-sep-oct-2020","title":"Yishu: Journal Of Contemporary Chinese Art (Sep\/Dec 2020)","description":"\u003cp\u003e-Size: 29.8 (L) x 17.8 (W) cm\u003c\/p\u003e\n\u003cp\u003e- Binding: Softcover, pages\u003c\/p\u003e\n\u003cp\u003e- Language: English\u003c\/p\u003e\n\u003cp\u003e- Publisher: Art \u0026amp; 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Video, Sofa, Bauhinia – Retrospective and Reconstruction of Ellen Pau by Leung Po Shan.\u003cbr\u003e\u003cbr\u003e-Hong Kong Gallery Guide: Galleries \u0026amp; Spaces\u003c\/p\u003e\n\u003cp\u003e-Exhibition: Chen Danqing at Tang Contemporary Art by Diana d’Arenberg Parmanand. \u003c\/p\u003e\n\u003cp\u003e-Folio: Cheng Yin Ngan, Lau Ching-wa Jess.\u003c\/p\u003e\n\u003cp\u003e‭-Reviews: São Paulo Symphony Orchestra at Concert Hall, Hong Kong Cultural Centre by Ernest Wan, Liu Bolin at Over the Influence by Katherine Volk, Liu Heung Shing at Star Gallery by Nooshfar Afnan, Zheng Bo, MAP Office, Leung Chi Wo at Oi! by Caroline Ha Thuc, Various artists at Para Site,by Valencia Tong, Xu Zhen at Perrotin by Katherine Volk, Sebastian Stöhrer at Caroline Chiu Studio by Christine Chan Chiu, Tung Wing Hong at CL3 Architects by Christie Lee, Various artists at CHAT, The Mills by Valencia Tong, Ho Tzu Nyen at Edouard Malingue Gallery by Caroline Ha Thuc, Samson Young at Centre A by Justin Ramsey, Various artists at Osage by Summer Kwok, McArthur Binion at Lehmann Maupin and Massimo de Carlo by Diana d’Arenberg Parmanand\u003c\/p\u003e\n\u003cp\u003e-Back Page: \u003cem\u003eSeated Gambler\u003c\/em\u003e by John Batten.\u003c\/p\u003e","brand":"Artomity","offers":[{"title":"Default Title","offer_id":39280584818827,"sku":"9772221664002","price":59.5,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/65667751_10157652485992625_5663090864277159936_o.jpg?v=1615969831"},{"product_id":"artomity-no-20-spring-2021","title":"Artomity No.20 Spring 2021","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 23 (L) x 17 (W) cm\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 112 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English and Chinese\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Profile: Siu Wai Hang by Christie Lee \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Studio: LeeLee Chan by Caroline Ha Thuc\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- City: Kung Chi Shing at Oi! by Aaina Bhargava. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Art Guide: Galleries \u0026amp; Spaces \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Exhibitions: Andrew Luk \u0026amp; Samuel Swope at de Sarthe by Brady Ng.\u003cbr\u003eBruce Nauman at White Cube by Diana d’Arenberg Parmanand. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Folio: Lau Wai, Florence Tan Xingyu, Liao Jiaming \u003c\/p\u003e\n\u003cp\u003e- Reviews:\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWOMEN 我們: From Her to Here\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat Chinese Cultural Center San Francisco by DeWitt Cheng.\u003cbr\u003eSam Francis \u0026amp; Walasse Ting at Alisan Fine Art, Hong Kong by Christine Chan Chiu.\u003cbr\u003e\u003cem\u003eThe Art of Hope: New School of Paris\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat Villepin, Hong Kong by Caroline Ha Thuc.\u003cbr\u003eAngel Hui Hoi Kiu at Touch Gallery, Hong Kong by Christine Chan Chiu.\u003cbr\u003eLu Song at Massimo De Carlo,Hong Kong by Valencia Tong.\u003cbr\u003e\u003cem\u003eLearning What Can’t Be Taught\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat Asia Art Archive, Hong Kong by Christie Lee. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Book review: \u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003eBesiege Me\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eby Nicholas Wong\u003cbr data-mce-fragment=\"1\"\u003eNoemi Press, 2021 by Jacqueline Leung. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e- Back Page: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem data-mce-fragment=\"1\"\u003eA chameleon sitting on its owner’s shoulder in the sun in a park, Sham Shui Po, Kowloon, Hong Kong, 30 January 2021\u003c\/em\u003e by John Batten.\u003c\/span\u003e\u003c\/p\u003e","brand":"Artomity","offers":[{"title":"Default Title","offer_id":39323738931339,"sku":"2021DP02","price":85.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/artomity.jpg?v=1619086668"},{"product_id":"journal-of-contemporary-chinese-art-spring-summer-2021","title":"Yishu: Journal Of Contemporary Chinese Art (Spring\/Summer 2021)","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 29.8 (L) x 17.8 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 142 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:  \u003cspan data-mce-fragment=\"1\"\u003eArt \u0026amp; Collection Group Ltd. 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003eVolume 20, Number 1, Spring\/Summer 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003eInside this issue\u003cbr\u003e\u003cbr\u003eHistorical Watermarks: Tao Yongbai Reveals the Unwritten Histories of Women Artists in China\u003cbr\u003eby Xie Congyang\u003cbr\u003ep. 8\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eMoving in Step with the Century: Tracing the Historical Footfalls of Chinese Women’s Art\u003cbr\u003eby Tao Yongbai\u003cbr\u003ep. 9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe Latest F Word: Undercurrents of Feminism in the Practices of Four Chinese Women Artists\u003cbr\u003eby Julie Chun\u003cbr\u003ep. 21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eAfter Communism and Capitalism: On Jen Liu’s Political Economy of Matter\u003cbr\u003eby Stephanie Bailey\u003cbr\u003ep. 37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eOn Representations of Sex and Race in Ye Funa’s Odalisque Funa and After Dinner Party\u003cbr\u003eby Clara Che Wei Peh\u003cbr\u003ep. 47\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eCensorship and Stereotypes of Senior Women in Chinese Visual Culture\u003cbr\u003eby Yan Zhou\u003cbr\u003ep. 57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eA Queer Way of Life: Ren Hang’s Photograph\u003cbr\u003eby Anthony Hongwei Bao\u003cbr\u003ep. 67\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eAngels Wear White: Sexuality, Marriage, Family, Sisterhood, and a New Feminist Consciousness in Chinese Films\u003cbr\u003eby Andrew Stooke\u003cbr\u003ep. 81\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eI am your Monolith, 2020\u003cbr\u003eby Zhang O\u003cbr\u003ep. 90\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eA Diary of the Lockdown Lifted\u003cbr\u003eby Zhang Zhihao\u003cbr\u003ep. 99\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe Record of the Month of Wu Yin in the Year of Gengzi\u003cbr\u003eby Lan Lan\u003cbr\u003ep. 100\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eReturns to the \u003c\/span\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003eHomeplace: Personal Topographies of Memory in Contemporary Art from China\u003cbr\u003eby Roberto Figliulo\u003cbr\u003ep. 105\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eMore than Forms: Decoding Circles in the Works of Zhang Jianjun and Yu Youhan\u003cbr\u003eby Li Yiqing\u003cbr\u003ep. 113\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eResistance Is Not Always Futile: Reflecting on Taiwanese Art Collective Nation Oxygen\u003cbr\u003eby Hsu Shih-Yu\u003cbr\u003ep. 129\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"art_number\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eMiffed About Miffy: Feng Feng Stirs Up an Age-old Debate on Artistic Shanzhai\u003cbr\u003eby Gu Ling\u003cbr\u003ep. 137\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Art \u0026 Collection Group Ltd.","offers":[{"title":"Default Title","offer_id":39352426659979,"sku":"2021YS01","price":180.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/10052021151737-0001.jpg?v=1620631294"},{"product_id":"artomity-no-21-summer-2021","title":"Artomity No.21 Summer 2021","description":"\u003cp\u003e- Size: 23 (L) x 17 (W) cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Binding: softcover, 128 pages\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Language: English and Chinese\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Studio: Maurice Benayoun by Caroline Ha Thuc \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- City: Phoebe Hui at Duplex Studio, Tai Kwun by Aaina Bhargava\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e- Art Guide: Galleries \u0026amp; Spaces \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Exhibitions: Rodel Tapaya at Tang Contemporary Art, by Caroline Ha Thuc\u003cbr data-mce-fragment=\"1\"\u003eLee Kit at at Oi! by John Batten\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e- Folio: Stephanie Sin, Wong Chun Hei, Vivian Ho\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Reviews:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe world is a show for my chosen eye’s delight at Gallery Exit, Hong Kong by Tiffany Leung\u003cbr data-mce-fragment=\"1\"\u003eZheng Bo at Kadoorie Farm, Hong Kong by Caroline Ha Thuc\u003cbr data-mce-fragment=\"1\"\u003eWe Are Our Own Demons at Negative Space, Hong Kong by Christie Lee\u003cbr data-mce-fragment=\"1\"\u003eSiu Wai Hang at Goethe-Gallery, Hong Kong by Ilaria Maria Sala\u003cbr data-mce-fragment=\"1\"\u003eLalan at Asia Society Hong Kong Center by Christine Chan Chiu\u003cbr data-mce-fragment=\"1\"\u003eHans-Peter Feldmann at Simon Lee Gallery, Hong Kong by Diana d’Arenberg Parmanand\u003cbr data-mce-fragment=\"1\"\u003eWu Chi-Tsung at Galerie du Monde, Hong Kong by Caroline Ha Thuc\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e- Archive:\u003cbr data-mce-fragment=\"1\"\u003eHa Bik Chuen¡’s Archive of Determination by John Batten\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Back Page:\u003cbr data-mce-fragment=\"1\"\u003eStatue of Sun Yat-sen on National Day, Shek Tong Tsui, Hong Kong, 1 October 2018. by John Batten\u003cbr\u003e\u003c\/p\u003e","brand":"Artomity","offers":[{"title":"Default Title","offer_id":39383987912843,"sku":"2021DP03","price":85.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/12062021161618-0001.jpg?v=1623486198"},{"product_id":"orientations-nov-dec-2021","title":"Orientations Nov Dec 2021","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 116 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFEATURES\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem 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On the Forefront of Research: Breakthrough Lectures at the Oriental Ceramic Society\u003c\/p\u003e\n\u003cp\u003eStacey Pierson. A Collecting Friendship: Sir Percival David, Oscar Raphae, and the Oriental Ceramic Society\u003c\/p\u003e\n\u003cp\u003eRosemary Scott. Exhibitions, the Oriental Ceramic Society, and China\u003c\/p\u003e\n\u003cp\u003eTianlong Jiao and Douglas Wagner. Linking Asia with the Mile High City: The Revitalization of the Denver Art Museum Asian Art Galleries in 2021\u003c\/p\u003e\n\u003cp\u003eTianlong Jiao. Recontextualizing Contemporary Chinese Art at the Denver Art Museum\u003c\/p\u003e\n\u003cp\u003eKobayashi Hitoshi. Culmination of Beauty: The National Treasure Yuteki Tenmoku Tea Bowl in the Collection of The Museum of Oriental Ceramics, Osaka\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAndrew Topsfield. Whither Mulla Two-Onions? A Page from the Udaipur Mulla Dopiyaza Series\u003c\/p\u003e\n\u003cp\u003eAnne N. Feng. The Aesthetics of Anxiety: Notes on Ice in Chinese Art\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":39542662758539,"sku":"2021ORI06","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/OrientationsNovDec.jpg?v=1635912593"},{"product_id":"artasiapacific-issue-126-nov-dec-2021","title":"ArtAsiaPacific Issue 126 - Nov\/Dec 2021","description":"\u003cdiv data-mce-fragment=\"1\" id=\"tcm_125176\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"align-center\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"offline-article-group margin-top-6\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Binding: softcover, 104 pages\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Language: English\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2021\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"offline-article-group margin-top-6\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"offline-article-group margin-top-6\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"align-center\"\u003e\n\u003cdiv id=\"tcm_125176\"\u003e\n\u003cdiv class=\"align-center\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eREPORTS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNews BY The Editors\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Point: Learning from Lichens BY Taeyoon Choi\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhispering Gallery: Booster Season BY DT\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAuction Report: Rare Goods BY The Editors\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArt Fair Report: Reawakenings BY The Editors\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNew Currents: Reorientations BY Pamela Wong, Suining Sim, Cassie Liu\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"align-center\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eESSAYS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen Archive Becomes Form. Or, how to live in Ha Bik Chuen’s head BY HG Masters\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePROFILES\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLeslie de Chavez: Legacies of Dissent BY Portia Placino\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChoy Ka Fai: Dancing between Domains BY Chloe Chu\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFEATURES\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMade Men: Going Back to Steven Shearer’s World BY Dieter Roelstraete\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eREVIEWS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eErrata BY Barrak Alzaid\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCamille Henrot: Is Today Tomorrow BY Hilary Thurlow\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYee I-Lann: Until We Hug Again BY Chloe Chu\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOnce Upon a Time Inconceivable BY Bala Gürcan\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSo long, thanks again for the fish BY Mike Watson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJitish Kallat, Reena Saini Kallat: Epicycles, Deep Rivers Run Quiet BY Jonatan Habib Engqvist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHo Rui An: The Ends of a Long Boom BY Brian Haman\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNairy Baghramian: Misfits BY Alessandra Alliata Nobili\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaysir Batniji: Quelques bribes arrachées au vide qui se creuse BY Line Ajan\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSawangwongse Yawnghwe: Cappuccino in Exile BY Emily Chun\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBook Reviews: Expanded Vocabularies BY Chloe Chu, Peter Chung, HG Masters\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWHERE I WORK\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChila Kumari Singh Burman: A Brignt Light BY Tiffany Leung\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTHE SKETCH\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRe- \/ De- \/ Un- \/ Co-Learning BY The Editors\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":39542727049355,"sku":"2021AAP06","price":156.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/126_cover__eflux___newsletter__v3.jpg?v=1635917286"},{"product_id":"arts-of-asia-winter-2021-issue","title":"Arts of Asia Winter 2021 issue","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 30 (L) x 23 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 139 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Arts of Asia Publications Ltd. 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\" style=\"display: none;\"\u003e\n\u003cp\u003e\u003cstrong\u003eEditorial\u003c\/strong\u003e by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Twelve to Seven Hundred: \u003c\/strong\u003e\u003cstrong\u003eThe Oriental Ceramic Society’s Transformation From a Gentleman-\u003c\/strong\u003e\u003cstrong\u003eCollector’s Club to an Academic Society\u003c\/strong\u003e by FRANCES WOOD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollectors, Curators and Connoisseurs: A Century of the Oriental Ceramic Society 1921–2021\u003c\/strong\u003e by SARAH WONG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Curatorial Connection\u003c\/strong\u003e by ROSE KERR and JESSICA HARRISON-HALL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne Century Revealed: A Look Into the Archives of The Oriental Ceramic Society\u003c\/strong\u003e by BETH GARDINER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn Inquisitive Mind: Sir Harry Garner and His Collections\u003c\/strong\u003e by XIAOXIN LI\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrinking at the Whites’ House: Some Sips From the Mary and Peter White Ceramic Collection\u003c\/strong\u003e by MARY WHITE\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Oriental Ceramic Society and Global Collecting\u003c\/strong\u003e by IVY YI YAN CHAN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecent Discoveries About the Dry-Lacquered Sculpture of a Seated Amitabha Buddha in Daedunsa Temple, South Korea\u003c\/strong\u003e by LIM YOUNG AE\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChinese Ceramic Religious Figures \u003c\/strong\u003eby HEENA YOUN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStatue-Making in Northern Vietnam: From Stasis to Regeneration \u003c\/strong\u003eby KERRY NGUYEN-LONG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Saleroom News) Sotheby’s New York: Asia Week Sales During September 20th–22nd and September 27th–29th, 2021\u003c\/strong\u003e by HANG YIN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Book Review) Textiles in Burman Culture\u003c\/strong\u003e by THWEEP RITTINAPHAKORN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Collectors World) Dazzling Official Jun Wares: From Museums and Collections Around the World\u003c\/strong\u003e by ROSE KERR\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"display: none;\" aria-labelledby=\"tab-title-description\" role=\"tabpanel\" id=\"tab-description\" class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" data-mce-style=\"display: none;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEditorial\u003c\/strong\u003e by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFrom Twelve to Seven Hundred: \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Oriental Ceramic Society’s Transformation From a Gentleman-\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollector’s Club to an Academic Society\u003c\/strong\u003e by FRANCES WOOD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollectors, Curators and Connoisseurs: A Century of the Oriental Ceramic Society 1921–2021\u003c\/strong\u003e by SARAH WONG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Curatorial Connection\u003c\/strong\u003e by ROSE KERR and JESSICA HARRISON-HALL\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOne Century Revealed: A Look Into the Archives of The Oriental Ceramic Society\u003c\/strong\u003e by BETH GARDINER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAn Inquisitive Mind: Sir Harry Garner and His Collections\u003c\/strong\u003e by XIAOXIN LI\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDrinking at the Whites’ House: Some Sips From the Mary and Peter White Ceramic Collection\u003c\/strong\u003e by MARY WHITE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Oriental Ceramic Society and Global Collecting\u003c\/strong\u003e by IVY YI YAN CHAN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecent Discoveries About the Dry-Lacquered Sculpture of a Seated Amitabha Buddha in Daedunsa Temple, South Korea\u003c\/strong\u003e by LIM YOUNG AE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChinese Ceramic Religious Figures \u003c\/strong\u003eby HEENA YOUN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStatue-Making in Northern Vietnam: From Stasis to Regeneration \u003c\/strong\u003eby KERRY NGUYEN-LONG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Saleroom News) Sotheby’s New York: Asia Week Sales During September 20th–22nd and September 27th–29th, 2021\u003c\/strong\u003e by HANG YIN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Book Review) Textiles in Burman Culture\u003c\/strong\u003e by THWEEP RITTINAPHAKORN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Collectors World) Dazzling Official Jun Wares: From Museums and Collections Around the World\u003c\/strong\u003e by ROSE KERR\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"display: none;\" aria-labelledby=\"tab-title-description\" role=\"tabpanel\" id=\"tab-description\" class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" data-mce-style=\"display: none;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEditorial\u003c\/strong\u003e by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFrom Twelve to Seven Hundred: \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Oriental Ceramic Society’s Transformation From a Gentleman-\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollector’s Club to an Academic Society\u003c\/strong\u003e by FRANCES WOOD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollectors, Curators and Connoisseurs: A Century of the Oriental Ceramic Society 1921–2021\u003c\/strong\u003e by SARAH WONG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Curatorial Connection\u003c\/strong\u003e by ROSE KERR and JESSICA HARRISON-HALL\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOne Century Revealed: A Look Into the Archives of The Oriental Ceramic Society\u003c\/strong\u003e by BETH GARDINER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAn Inquisitive Mind: Sir Harry Garner and His Collections\u003c\/strong\u003e by XIAOXIN LI\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDrinking at the Whites’ House: Some Sips From the Mary and Peter White Ceramic Collection\u003c\/strong\u003e by MARY WHITE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Oriental Ceramic Society and Global Collecting\u003c\/strong\u003e by IVY YI YAN CHAN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecent Discoveries About the Dry-Lacquered Sculpture of a Seated Amitabha Buddha in Daedunsa Temple, South Korea\u003c\/strong\u003e by LIM YOUNG AE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChinese Ceramic Religious Figures \u003c\/strong\u003eby HEENA YOUN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStatue-Making in Northern Vietnam: From Stasis to Regeneration \u003c\/strong\u003eby KERRY NGUYEN-LONG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Saleroom News) Sotheby’s New York: Asia Week Sales During September 20th–22nd and September 27th–29th, 2021\u003c\/strong\u003e by HANG YIN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Book Review) Textiles in Burman Culture\u003c\/strong\u003e by THWEEP RITTINAPHAKORN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Collectors World) Dazzling Official Jun Wares: From Museums and Collections Around the World\u003c\/strong\u003e by ROSE KERR\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"display: none;\" aria-labelledby=\"tab-title-description\" role=\"tabpanel\" id=\"tab-description\" class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" data-mce-style=\"display: none;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEditorial\u003c\/strong\u003e by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFrom Twelve to Seven Hundred: \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Oriental Ceramic Society’s Transformation From a Gentleman-\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollector’s Club to an Academic Society\u003c\/strong\u003e by FRANCES WOOD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollectors, Curators and Connoisseurs: A Century of the Oriental Ceramic Society 1921–2021\u003c\/strong\u003e by SARAH WONG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Curatorial Connection\u003c\/strong\u003e by ROSE KERR and JESSICA HARRISON-HALL\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOne Century Revealed: A Look Into the Archives of The Oriental Ceramic Society\u003c\/strong\u003e by BETH GARDINER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAn Inquisitive Mind: Sir Harry Garner and His Collections\u003c\/strong\u003e by XIAOXIN LI\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDrinking at the Whites’ House: Some Sips From the Mary and Peter White Ceramic Collection\u003c\/strong\u003e by MARY WHITE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Oriental Ceramic Society and Global Collecting\u003c\/strong\u003e by IVY YI YAN CHAN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecent Discoveries About the Dry-Lacquered Sculpture of a Seated Amitabha Buddha in Daedunsa Temple, South Korea\u003c\/strong\u003e by LIM YOUNG AE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChinese Ceramic Religious Figures \u003c\/strong\u003eby HEENA YOUN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStatue-Making in Northern Vietnam: From Stasis to Regeneration \u003c\/strong\u003eby KERRY NGUYEN-LONG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Saleroom News) Sotheby’s New York: Asia Week Sales During September 20th–22nd and September 27th–29th, 2021\u003c\/strong\u003e by HANG YIN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Book Review) Textiles in Burman Culture\u003c\/strong\u003e by THWEEP RITTINAPHAKORN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Collectors World) Dazzling Official Jun Wares: From Museums and Collections Around the World\u003c\/strong\u003e by ROSE KERR\u003c\/p\u003e\n\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\" style=\"display: none;\"\u003e\n\u003cp\u003e\u003cstrong\u003eEditorial\u003c\/strong\u003e by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Twelve to Seven Hundred: \u003c\/strong\u003e\u003cstrong\u003eThe Oriental Ceramic Society’s Transformation From a Gentleman-\u003c\/strong\u003e\u003cstrong\u003eCollector’s Club to an Academic Society\u003c\/strong\u003e by FRANCES WOOD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollectors, Curators and Connoisseurs: A Century of the Oriental Ceramic Society 1921–2021\u003c\/strong\u003e by SARAH WONG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Curatorial Connection\u003c\/strong\u003e by ROSE KERR and JESSICA HARRISON-HALL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne Century Revealed: A Look Into the Archives of The Oriental Ceramic Society\u003c\/strong\u003e by BETH GARDINER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn Inquisitive Mind: Sir Harry Garner and His Collections\u003c\/strong\u003e by XIAOXIN LI\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrinking at the Whites’ House: Some Sips From the Mary and Peter White Ceramic Collection\u003c\/strong\u003e by MARY WHITE\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Oriental Ceramic Society and Global Collecting\u003c\/strong\u003e by IVY YI YAN CHAN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecent Discoveries About the Dry-Lacquered Sculpture of a Seated Amitabha Buddha in Daedunsa Temple, South Korea\u003c\/strong\u003e by LIM YOUNG AE\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChinese Ceramic Religious Figures \u003c\/strong\u003eby HEENA YOUN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStatue-Making in Northern Vietnam: From Stasis to Regeneration \u003c\/strong\u003eby KERRY NGUYEN-LONG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Saleroom News) Sotheby’s New York: Asia Week Sales During September 20th–22nd and September 27th–29th, 2021\u003c\/strong\u003e by HANG YIN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Book Review) Textiles in Burman Culture\u003c\/strong\u003e by THWEEP RITTINAPHAKORN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Collectors World) Dazzling Official Jun Wares: From Museums and Collections Around the World\u003c\/strong\u003e by ROSE KERR\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"display: none;\" aria-labelledby=\"tab-title-description\" role=\"tabpanel\" id=\"tab-description\" class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" data-mce-style=\"display: none;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEditorial\u003c\/strong\u003e by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFrom Twelve to Seven Hundred: \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Oriental Ceramic Society’s Transformation From a Gentleman-\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollector’s Club to an Academic Society\u003c\/strong\u003e by FRANCES WOOD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollectors, Curators and Connoisseurs: A Century of the Oriental Ceramic Society 1921–2021\u003c\/strong\u003e by SARAH WONG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Curatorial Connection\u003c\/strong\u003e by ROSE KERR and JESSICA HARRISON-HALL\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOne Century Revealed: A Look Into the Archives of The Oriental Ceramic Society\u003c\/strong\u003e by BETH GARDINER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAn Inquisitive Mind: Sir Harry Garner and His Collections\u003c\/strong\u003e by XIAOXIN LI\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDrinking at the Whites’ House: Some Sips From the Mary and Peter White Ceramic Collection\u003c\/strong\u003e by MARY WHITE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Oriental Ceramic Society and Global Collecting\u003c\/strong\u003e by IVY YI YAN CHAN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecent Discoveries About the Dry-Lacquered Sculpture of a Seated Amitabha Buddha in Daedunsa Temple, South Korea\u003c\/strong\u003e by LIM YOUNG AE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChinese Ceramic Religious Figures \u003c\/strong\u003eby HEENA YOUN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStatue-Making in Northern Vietnam: From Stasis to Regeneration \u003c\/strong\u003eby KERRY NGUYEN-LONG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Saleroom News) Sotheby’s New York: Asia Week Sales During September 20th–22nd and September 27th–29th, 2021\u003c\/strong\u003e by HANG YIN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Book Review) Textiles in Burman Culture\u003c\/strong\u003e by THWEEP RITTINAPHAKORN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Collectors World) Dazzling Official Jun Wares: From Museums and Collections Around the World\u003c\/strong\u003e by ROSE KERR\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEditorial by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Twelve to Seven Hundred: The Oriental Ceramic Society’s Transformation From a Gentleman-Collector’s Club to an Academic Society by FRANCES WOOD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCollectors, Curators and Connoisseurs: A Century of the Oriental Ceramic Society 1921–2021 by SARAH WONG\u003c\/p\u003e\n\u003cp\u003eThe Curatorial Connection by ROSE KERR and JESSICA HARRISON-HALL\u003c\/p\u003e\n\u003cp\u003eOne Century Revealed: A Look Into the Archives of The Oriental Ceramic Society by BETH GARDINER\u003c\/p\u003e\n\u003cp\u003eAn Inquisitive Mind: Sir Harry Garner and His Collections by XIAOXIN LI\u003c\/p\u003e\n\u003cp\u003eDrinking at the Whites’ House: Some Sips From the Mary and Peter White Ceramic Collection by MARY WHITE\u003c\/p\u003e\n\u003cp\u003eThe Oriental Ceramic Society and Global Collecting by IVY YI YAN CHAN\u003c\/p\u003e\n\u003cp\u003eRecent Discoveries About the Dry-Lacquered Sculpture of a Seated Amitabha Buddha in Daedunsa Temple, South Korea by LIM YOUNG AE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChinese Ceramic Religious Figures by HEENA YOUN\u003c\/p\u003e\n\u003cp 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Rings\u003c\/strong\u003e by GUO FUXIANG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Beloved Story of the Red Cliff\u003c\/strong\u003e by CHI JO-HSIN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoetry and Tea: Two Delights of the Scholar\u003c\/strong\u003e by ROSE KERR\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLater Chinese Bronze Paperweights\u003c\/strong\u003e by PAUL BROMBERG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDepicting Myriad Gods for Efficacy: Carved Lacquer Boxes with the Qianlong Emperor’s Religious Pantheons and Enshrined Scriptures\u003c\/strong\u003e by ZHENPENG ZHAN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScholar’s Gallery at the Asian Civilizations Museum\u003c\/strong\u003e by PATRICIA BJAALAND WELCH\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Fly Whisk as Chinese Scholar’s Attribute\u003c\/strong\u003e by PAUL BROMBERG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTaking the Long View: 50 Years of Building the Art Collection 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Museum\u003c\/strong\u003e by PATRICIA BJAALAND WELCH\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Fly Whisk as Chinese Scholar’s Attribute\u003c\/strong\u003e by PAUL BROMBERG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTaking the Long View: 50 Years of Building the Art Collection and Advancing Scholarship at CUHK\u003c\/strong\u003e by Josh Yiu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Saleroom News) Sotheby’s Hong Kong: Important Chinese Art Sales on April 18th and 22nd, 2021\u003c\/strong\u003e by CRISTINE LI\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Saleroom News) Bonhams London: Asian Art Sales in Spring 2021\u003c\/strong\u003e by ASAPH HYMAN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Saleroom News) Sotheby’s Hong Kong: Mid-season Auctions Including the Collection of Tuyet Nguyet and Stephen Markbreiter and “CHINA\/5000 YEARS”\u003c\/strong\u003e by VIVIAN TONG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Book Reviews) Buddhist Ritual Art of 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data-mce-fragment=\"1\"\u003eForget Not \u003cbr data-mce-fragment=\"1\"\u003eby Derek Chung\u003cbr data-mce-fragment=\"1\"\u003ep. 65\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eWords Spoken into the Wind \u003cbr data-mce-fragment=\"1\"\u003eby Liu Waitong\u003cbr data-mce-fragment=\"1\"\u003ep. 65\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eAugust \u003cbr data-mce-fragment=\"1\"\u003eby Cao Shuying\u003cbr data-mce-fragment=\"1\"\u003ep. 66\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eDiasporic Drifts: A Visualization of Diverse Chineseness \u003cbr data-mce-fragment=\"1\"\u003eby Vennes Cheng Sauwai\u003cbr data-mce-fragment=\"1\"\u003ep. 69\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe Become . . . 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Nature and Empathy: Some Notable Flower Paintings at the Art Institute of Chicago\u003c\/p\u003e\n\u003cp\u003eColin Mackenzie. Glory Restored and Restored Glory: Tang and Song Buddhist Sculptures in the Art Institute of Chicago\u003c\/p\u003e\n\u003cp\u003eMadhuvanti Ghose. The Monumental Buddha from Nagapattinam: The Many Lives of an Art Institute Icon\u003c\/p\u003e\n\u003cp\u003eJanice Katz. A Centre for Japanese Prints\u003c\/p\u003e\n\u003cp\u003eYeonsoo Chee. A Journey to Salvation: Kshitigarbha Painting at the Art Institute of Chicago\u003c\/p\u003e\n\u003cp\u003eJin Xu and Taylor Chisato Stewart. Echo of a Distant Past: Sino-Sogdian Elements in Persian Book Illustrations\u003c\/p\u003e\n\u003cp\u003eYi Yi Mon (Rosaline) Kyo. Spiritual Mountains: Wesley Tongson’s Transcendence in Ink Painting\u003c\/p\u003e\n\u003cp\u003eBing Zhao. Painted Enamel Wares in Sino-French Exchanges During the 18th Century\u003c\/p\u003e\n\u003cp\u003eBing Zhao. 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Eighteenth-Century Swiss Luxury Watches in China\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":39719384383627,"sku":"2022ORI01","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/2022ORI01.jpg?v=1640417644"},{"product_id":"arts-of-asia-spring-2022-issue","title":"Arts of Asia Spring 2022 issue","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 30 (L) x 23 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 136 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Arts of Asia Publications Ltd. 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEditorial by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJapanese Imperial Silver Bonbonnières: Elegance in the Palm of Your Hand – The Nancy and Robin Markbreiter Collection by SUSAN TOSK AND DAVID COLE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnusual Japanese Samurai Helmets in the Shape of Animals, Objects and Plants by MARTYNA LESNIEWSKA\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpecial Aspects of Japanese Ceramics in the Oliver Smith Collection by OHASHI KŌJI\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVisual Perspectives: A Mirror of Events in the Life of the Last Shogun by PAULA SWART\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMind Over Matter: Zen Monk-Painters in Medieval Japan by YUKIO LIPPIT AND FRANK FELTENS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eColour in Kimonos: Early 20th Century Renaissance by ROGER YORKE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e#Popcolours: The Aesthetics of Hues in Antiquities from the HKMOA Collection by HILDA MAK AND AMBER CHAN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePhotographic Artists: Early Chinese Photography Studios by STACEY LAMBROW\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e(Saleroom News) Sotheby’s Hong Kong: Important Chinese Art Sales on October 12th and 13th, 2021 by CRISTINE LI\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e(Bonhams London) The Parry Collection of Chinese Art and Fine Chinese Art Sales on November 2nd 2021 by ASAPH HYMAN\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e(Book Review) Brushpots: A Collector’s View by ROSE KERR\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e(Collectors World) Chinese Odyssey: An Auctioneer’s Retrospective 1974–2021 by ROBIN MARKBREITER\u003c\/p\u003e","brand":"Arts of Asia Publications Ltd","offers":[{"title":"Default Title","offer_id":39995154071691,"sku":"2022AOA01","price":160.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/Arts-of-Asia-Spring-2022.png?v=1646360647"},{"product_id":"orientations-mar-apr-2022","title":"Orientations Mar Apr 2022","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 138 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRaffael D. 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Endpoints of the Ancient Silk Roads\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":40047317778571,"sku":"2022ORI02","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/WhatsAppImage2022-03-17at2.55.28PM.jpg?v=1647502552"},{"product_id":"artasiapacific-issue-127-mar-apr-2022","title":"ArtAsiaPacific Issue 127 - Mar\/Apr 2022","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Binding: softcover, 96 pages\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Language: EnglishArtAsiaPacific\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2022\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEDITOR'S LETTER\u003cbr\u003eImages of Identity BY ELAINE W. NG\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eREPORTS\u003cbr data-mce-fragment=\"1\"\u003eOne on One: Enoch Cheng on Michaela Coel BY ENOCH CHENG\u003cbr\u003eTribute: Etel Adnan, Lifelong Passion BY RAYYA BADRAN\u003cbr\u003eTribute: Hossein Valamanesh, Following a Path of Love BY RHANA DEVENPORT\u003cbr\u003eDispatch: Brunei BY OSVEANNE OSMAN AND AQILAH ALI\u003cbr\u003eThe Point: Self-organize and Self-educate BY LIANG JIANHUA\u003cbr\u003eNew Currents: Rule-breakers BY THE EDITORS\u003cbr\u003eMar\/Apr News BY THE EDITORS\u003cbr\u003eTaiwan Terminates Venice Biennale Plans Mired By Sexual Assault Allegations BY THE EDITORS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eESSAYS\u003cbr data-mce-fragment=\"1\"\u003eSynchronized Frequencies BY CHRISTOPHER WHITFIELD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePROFILES\u003cbr data-mce-fragment=\"1\"\u003eBarış Doğrusöz: Lamenting the Ruins BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eSin Wai Kin: Self, World, Universe BY TIFFANY LEUNG\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Young-Hae Chang Heavy Industries, Yuko Mohri, Breakwater BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eSimon Fujiwara: All the World’s a Cartoon BY FRANCES ARNOLD\u003cbr data-mce-fragment=\"1\"\u003eKidlat Tahimik: History Through the Bamboo Camera BY PORTIA PLACINO\u003cbr data-mce-fragment=\"1\"\u003eInside Burger Collection: Cao Fei BY JOHANNES HOERNING\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003eSingapore: Guo-Liang Tan BY LYNDA TAY\u003cbr data-mce-fragment=\"1\"\u003eNew Delhi: Kartik Sood BY KAMAYANI SHARMA\u003cbr data-mce-fragment=\"1\"\u003eDubai: Manal AlDowayan BY RUBA AL-SWEEL\u003cbr data-mce-fragment=\"1\"\u003eIstanbul: Candeğer Furtun BY BALA GÜRCAN\u003cbr data-mce-fragment=\"1\"\u003eBerlin: Thea Djordjadze BY FRANCES ARNOLD\u003cbr data-mce-fragment=\"1\"\u003eCambridge: Sutapa Biswas BY SUINING SIM\u003cbr data-mce-fragment=\"1\"\u003eNew York: Wifredo Lam BY EMILY CHUN\u003cbr data-mce-fragment=\"1\"\u003eWashington, DC: Hung Liu BY ARIANA HEFFNER\u003cbr data-mce-fragment=\"1\"\u003eChicago: Basel Abbas and Ruanne Abou-Rahme BY NOAH HANNA\u003cbr data-mce-fragment=\"1\"\u003eBook Review: In Full View BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eTaichung: 2021 Asian Art Biennial BY CHRISTOPHER WHITFIELD\u003cbr data-mce-fragment=\"1\"\u003eBrisbane: 10th Asia Pacific Triennial BY ZALI MATTHEWS\u003cbr data-mce-fragment=\"1\"\u003eManila: Cast But One Shadow BY PORTIA PLACINO\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTHE SKETCH\u003cbr data-mce-fragment=\"1\"\u003eJumana Manna: Wild Resilience BY THE EDITORS\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePROJECTS IN THE MAKING\u003cbr\u003eTino Sehgal: It takes an urban village BY NICOLE M. NEPOMUCENO AND VICTORIA CHAN\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":40049726980235,"sku":"2022AAP02","price":156.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/127-Full-Digital-Single-1_copy1.jpg?v=1647576294"},{"product_id":"artomity-no-23-winter-spring-2021-22","title":"Artomity No.23 Winter\/Spring 2021\/22","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 23 (L) x 17 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 112 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English and Chinese\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- In-Residence: Leung Chi Wo \u0026amp; Sara Wong by Tiffany Leung\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Studio: \u003cspan data-mce-fragment=\"1\"\u003eWing Po So by Caroline Ha Thuc\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Art Guide: Galleries \u0026amp; Spaces \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Exhibitions:\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eCerith Wyn Evans by Diana d’Arenberg Parmanand\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSin Wai Kin by Brady Ng\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Folio: \u003cspan data-mce-fragment=\"1\"\u003eFlorence Lam, Bo Choy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Reviews:\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eKo Sin Tung at Edouard Malingue Gallery by Fizen Yuen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecucurrucucu (咕咕), Starry Kong, Liao Jiaming at RNH Space by Aaina Bhargava\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJacky Xie Chengxuan at Grotto SKW by Christie Lee\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShen Chen at Axel Vervoordt Gallery by Ashlyn Chak\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eUp Close – Hollywood Road II\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e by Christine Chan Chiu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Back Page: \u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003eEntrance lobby of Tang King Po School, Ma Tau Wei, Kowloon, Hong Kong, 29 December 2021.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eBy John Batten\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Artomity","offers":[{"title":"Default Title","offer_id":40154353303691,"sku":"2022DP01","price":85.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/artomity_7903511d-5226-4017-bd22-5fa5548bfdbb.jpg?v=1649910076"},{"product_id":"arts-of-asia-summer-2022-issue","title":"Arts of Asia Summer 2022 issue","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 30 (L) x 23 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 144 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Arts of Asia Publications Ltd. 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEditorial by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003eThe Hong Kong Palace Museum: Shaping a Connected Museum by LOUIS NG\u003cbr\u003e\u003cbr\u003ePalace Treasures in a New Light: Opening Exhibitions at the Hong Kong Palace Museum by DAISY YIYOU WANG\u003cbr\u003e\u003cbr\u003eClay to Treasure: Ceramics from the Palace Museum Collection by RAPHAEL WONG, EMILY GAO AND CATHERINE KWONG\u003cbr\u003e\u003cbr\u003ePrivate to Public: The History of Chinese Art Collecting in Hong Kong by DANNY M.C. CHING AND NICOLE T.C. CHIANG\u003cbr\u003e\u003cbr\u003eAn Experiment at the Hong Kong Palace Museum: No Boundaries—Reinterpreting Palace Museum Culture by KEVIN LAM, YAU SUM YIN AND RACHEL LEE\u003cbr\u003e\u003cbr\u003eThe Making of Masterpieces: Chinese Painting and Calligraphy from the Palace Museum by JIANG FANGTING, RAPHAEL WONG AND LUNG TAK CHUN\u003cbr\u003e\u003cbr\u003ePresenting the Military Arts of the Qing Dynasty by CHOU WEICHIANG AND ANITA SUN WAI KAN\u003cbr\u003e\u003cbr\u003eFrom Dawn to Dusk: Life in the Forbidden City by NICOLE T.C. CHIANG AND DAISY YIYOU WANG\u003cbr\u003e\u003cbr\u003e(Saleroom News) Bonhams New York: Chinese Paintings and Works of Art Sales on March 21st, 2022 by MICHAEL C. HUGHES\u003cbr\u003e\u003cbr\u003e(Saleroom News) Sotheby’s New York: Asia Week Sales During March 21st−23rd and on March 29th, 2022 by HANG YIN\u003cbr\u003e\u003cbr\u003e(Book Review) The RA Collection of Chinese Enamelled Copper: A Collector’s Vision by ROSE KERR\u003cbr\u003e\u003cbr\u003e(Collectors World) Sensing the Sacred: Ritual Textiles of the Tai Peoples in Vietnam and Laos by PATRICIA CHEESMAN\u003c\/p\u003e","brand":"Arts of Asia Publications Ltd","offers":[{"title":"Default Title","offer_id":40264035893387,"sku":"2022AOA02","price":160.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/Summer-2022.png?v=1651820049"},{"product_id":"artasiapacific-issue-128-may-june-2022","title":"ArtAsiaPacific Issue 128 - May\/June 2022","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Binding: softcover, 104 pages\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Language: English\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2022\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe simple activity of hanging out propelled the establishment of many of Indonesia’s collectives in the 2000s. Among the groups born of this era are Taring Padi, for whom hangouts serve as the basis for collective discussions, which can then lead to solidarity movements alongside women, Indigenous peoples, the \u003c\/span\u003e\u003cspan class=\"caps\"\u003eLGBTQ\u003c\/span\u003e\u003cspan\u003e community, farmers, and others fighting for their rights. In our cover Feature, contributing writer Kerstin Winking details the group’s approaches to pacifist activism as they respond to the evolving conditions of marginalized communities. In the second feature, deputy editor HG Masters talks with Jumana Manna about her new film Foragers (2022), which depicts Palestinians gathering wild herbs in defiance of Israeli laws. Reflecting on her interest in Levantine agricultural practices and ideas of resilience, Manna explores the film’s ties with her earlier films and her sculptures. In Up Close, the editors spotlight three recent works: Yang Yongliang’s video Five Dragons (2020); Tammy Nguyen’s Freehold (2022) paintings; and Leung Mee Ping’s installation Sound of Silence (2021). For Inside Burger Collection, curator Hendrik Folkerts examines the work of the enigmatic artist Vaginal Davis. Elsewhere, associate editor Pamela Wong profiles Tsubasa Kato, whose collaborative projects are occasions for community members to rally together. Managing editor Chloe Chu spoke to Shubigi Rao about her ten-year-project Pulp: A Short Biography of the Banished Book (2014- ), on view in the Singapore Pavilion at the 59th Venice Biennale. Essays delves into Jakarta’s Gudskul and the potentials of alternative art schools in Southeast Asia. For Dispatch, we hear from curator Olga Veselova about the aftermath of Almaty’s violent protests in January. In Where I Work, writer Emily Chun visits the Brooklyn studio of Stewart Uoo. Lastly, in One on One, James Clar explains how Pierre Huyghe taught him about constructing narrative experiences that reflect humanity’s values.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEDITOR'S LETTER\u003cbr\u003eBeing Together BY ELAINE W. NG\u003cbr\u003e\u003cbr\u003eREPORTS\u003cbr\u003eDispatch: Almaty BY OLGA VESELOVA\u003cbr\u003eAuction Report: Confidence Boost BY THE EDITORS\u003cbr\u003eArt Fair Report: Tokens of the Future BY THE EDITORS\u003cbr\u003eWhispering Gallery: A Tale of Many Covids BY DT\u003cbr\u003ePreviews: documenta fifteen BY THE EDITORS\u003cbr\u003eNew Currents: Everyday Poetry BY PAMELA WONG, CHLOE CHU, NICOLE M. NEPOMUCENO\u003cbr\u003eControversy, Career Moves, Public Domain BY THE EDITORS\u003cbr\u003eRussian War Against Ukraine Impacts Major Exhibitions BY THE EDITORS\u003cbr\u003eOne on One: James Clar on Pierre Huyghe BY JAMES CLAR\u003cbr\u003e\u003cbr\u003eESSAYS\u003cbr\u003eBad Students, Gudskuls BY CHLOE CHU\u003cbr\u003e\u003cbr\u003ePROFILES\u003cbr\u003eTsubasa Kato: Collective Possibilities BY PAMELA WONG\u003cbr\u003eShubigi Rao: Stories of Creation and Destruction BY CHLOE CHU\u003cbr\u003e\u003cbr\u003eFEATURES\u003cbr\u003eUp Close: Yang Yongliang's Five Dragons BY PAMELA WONG\u003cbr\u003eUp Close: Leung Mee Ping's Sound of Silence BY NICOLE M. NEPOMUCENO\u003cbr\u003eUp Close: Tammy Nguyen's Freehold BY HG MASTERS\u003cbr\u003eInside Burger Collection: Vaginal's Veil BY HENDRIK FOLKERTS\u003cbr\u003eTaring Padi: Solidarity in Public Space BY KERSTIN WINKING\u003cbr\u003eJumana Manna: Sustaining Resilience BY HG MASTERS\u003cbr\u003e\u003cbr\u003eREVIEWS\u003cbr\u003eAmsterdam: Revolusi! Indonesia Independent BY KERSTIN WINKING\u003cbr\u003eChronicles for the Future BY PETER CHUNG, CHLOE CHU, PAMELA WONG\u003cbr\u003eNew York: Baseera Khan BY EMILY CHUN\u003cbr\u003eNew Delhi: Atul Dodiya BY KAMAYANI SHARMA\u003cbr\u003eSharjah: CAMP BY RUBA AL-SWEEL\u003cbr\u003eSingapore: Chua Mia Tee BY LOUIS HO\u003cbr\u003eSydney: 23rd Biennale of Sydney BY JANE O'SULLIVAN\u003cbr\u003eMelbourne: Vivienne Binns BY HILARY THURLOW\u003cbr\u003eOxford: Ali Kazim BY DAVID ELLIOTT\u003cbr\u003eSeoul: Seeun Kim BY ANDY ST. LOUIS\u003cbr\u003eHong Kong: William Kentridge BY NICOLE M. NEPOMUCENO\u003cbr\u003eMilan: Anicka Yi BY ALESSANDRA ALLIATA NOBILI\u003cbr\u003e\u003cbr\u003eWHERE I WORK\u003cbr\u003eStewart Uoo: Conceptual Objects BY EMILY CHUN\u003cbr\u003e\u003cbr\u003eTHE SKETCH\u003cbr\u003eHa Chong-Hyun: Method Painter BY ANDY ST. LOUIS\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":40264582332555,"sku":"2022AAP03","price":172.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/ArtAsiaPacificIssue128-MayJune2022.jpg?v=1651985944"},{"product_id":"orientations-may-jun-2022","title":"Orientations May Jun 2022","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 108 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe devote this issue of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOrientations\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto textile arts, from majestic imperial silk robes to Persian carpets to humble garments made out of fish skin. We feature six articles on the ‘Weaving Splendor: Treasures of Asian Textiles’ exhibition at the Nelson-Atkins Museum of Art in Kansas City, Missouri, that was on view from 25 September 2021 to 6 March 2022. The museum, opened in 1933, grew from the combined estates of William Rockhill Nelson, founder of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Kansas City Star\u003c\/em\u003e, and Mary McAfee Atkins, a retired school teacher, who both believed in the importance of art and culture. Although renowned for its encyclopaedic collection, it is especially strong in its superb collection of Asian art, much of which was assembled under the guidance of the museum’s first curator of Asian art and second director, Laurence Sickman (1907–88). Even as the Covid pandemic brought great disruption to museums, it also created opportunities and a time to reflect. ‘Weaving Splendor’ is one of four exhibitions that re-examined and presented the museum’s rarely seen collections in a new light. The works span court dress, theatre costumes, furnishings, and textiles for trade and diplomacy.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2019, the Minneapolis Institute of Art (Mia) acquired a collection of textiles from Thomas Murray, which forms the majority of works included in the ‘Dressed by Nature: Textiles of Japan’ exhibition, on view from 25 June to 11 September 2022. These 18th and 19th century examples from the Japanese archipelago include ceremonial robes from the Ainu in the north to garments from Okinawa in the south and represent a diverse tradition. Clothing is functional and, at the same time, perhaps the most accessible form of projecting one’s social status and taste.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Mughal period (1526–1857) painting\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJahangir Embracing Shah Abbas\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein the collection of the Freer Gallery of Art, Smithsonian Institution, Washington, DC, is a painting that we revisit often in Orientations. The painter, Abu’l Hasan (c. 1587–c. 1630), influenced by Persian, Hindu, and European traditions, created a new hybrid aesthetic that was well-suited for the propaganda efforts of his patron, Jahingir (r. 1605–27). We also include aerial photography of Chasma-I Nur, near Ajmer, mentioned in an inscription on the painting to provide further context.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSwaim is a remote hamlet located in the political sub-unit of Himgiri in the very northwest of Chamba, close to the border with Kashmir. Except for a monograph on the cultural heritage of Chamba published by Dutch Indologist J. Ph. Vogel in 1911, there has been little interest from Western scholars, especially in the architectural remains. Being less portable than sculptures, the architectural fragments can be considered most likely original to the site, and thus are reliable sources for a tentative reconstruction of the history of the compound. Their stylistic and iconographic features provide fresh data for the study of art historical and religious developments in northern India, particularly of Chamba.\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":40279937187979,"sku":"2022ORI03","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/OrientationsMayJun2022.jpg?v=1652172531"},{"product_id":"artasiapacific-issue-129-jul-aug-2022","title":"ArtAsiaPacific Issue 129 - Jul\/Aug 2022","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Binding: softcover, 96 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Language: English\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEDITOR'S LETTER\u003cbr\u003eTransformative Powers BY ELAINE W. NG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eREPORTS\u003cbr\u003eWhispering Gallery: Nipping at the Heels BY DT\u003cbr\u003eThe Point: Letter to Young Artists BY AHMET ÖĞÜT\u003cbr\u003ePreviews: Embodied Adventures BY THE EDITORS\u003cbr\u003eDispatch: Shanghai BY HUTCH WILCO\u003cbr\u003eDocumenta Fifteen Faces Accusations of Antisemitism BY THE EDITORS\u003cbr\u003eArt Fair Report: Pushing Back BY THE EDITORS\u003cbr\u003eOne on One: Rushdi Anwar on Mulla Sadra Shirazi BY RUSHDI ANWAR\u003cbr\u003eControversy, Career Moves, Public Domain BY THE EDITORS\u003cbr\u003eAuction Report: The Great Plateau BY THE EDITORS\u003cbr\u003eNew Currents: On Essence BY PAMELA WONG, NICOLE M. NEPOMUCENO, CHLOE CHU\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eESSAYS\u003cbr\u003eImperatives to Reimagine BY HG MASTERS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003ePROFILES\u003cbr\u003eAngela Su: Elevating Extremes BY PAMELA WONG\u003cbr\u003eAmol K. Patil: Poetic Power BY KERSTIN WINKING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eFEATURES\u003cbr\u003eUp Close: Jennifer Tee BY CHLOE CHU\u003cbr\u003eUp Close: Chu Chun-Teng BY PAMELA WONG\u003cbr\u003eYuki Kihara: Trouble in Paradise BY NICOLE M. NEPOMUCENO\u003cbr\u003eUp Close: Tap Chan BY HG MASTERS\u003cbr\u003eNunelucio Alvarado: Sugar and Salt of Life BY PORTIA PLACINO\u003cbr\u003eHa Chong-Hyun: Method and Materiality BY ANDY ST. LOUIS\u003cbr\u003eInside Burger Collection: Elmgreen \u0026amp; Dragset BY KABIR JHALA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eREVIEWS\u003cbr\u003eSeoul: Hito Steyerl BY TAEYI KIM\u003cbr\u003eKathmandu Triennale 2077 BY NIRANJAN KUNWAR\u003cbr\u003eHong Kong: emo gym BY PETER CHUNG\u003cbr\u003eTokyo: Chim↑Pom from Smappa!Group BY EMILIA WANG\u003cbr\u003eManila: Pio Abad BY PORTIA PLACINO\u003cbr\u003eMunich: Fujiko Nakaya BY CHINNIE DING\u003cbr\u003eIstanbul: İpek Duben BY BALA GÜRCAN\u003cbr\u003eBerlin: Shuang Li BY FRANCES ARNOLD\u003cbr\u003eBlast from the Past BY CHLOE CHU, HG MASTERS, PETER CHUNG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eWHERE I WORK\u003cbr\u003eHanna Hur BY JENNIFER S. LI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eTHE SKETCH\u003cbr\u003eThao Nguyen Phan: Mekong Memoir BY PAMELA WONG\u003c\/span\u003e\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":40525787693195,"sku":"2022AAP04","price":172.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/SquareAap129.jpg?v=1657265828"},{"product_id":"orientations-jul-aug-2022","title":"Orientations Jul Aug 2022","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 172 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eJorge Santos Alves.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCultural Encounters in the Early Modern World: The Case of Portuguese Exoticism in Asia\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFrancisco Clode.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Island of Madeira in the Routes to the East\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eAlexandra Curvelo.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNanban Art in Iberia\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eSamuel Frédéric Luterbacher.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eResetting Nanban Lacquerware’s Transpacific Transits\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eFernando António Baptista Pereira and José António Falcão.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Bridge between East and West: Indo-Portuguese Art\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eMaria João Ferreira.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e‘To praise it, one need only say it was from China’: Chinese Textiles in Portugal in the Early Modern Period\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eMaria Antónia Pinto de Matos.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrom China to Portugal: Export Porcelain’s Earliest Commissions (1500–1644)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eAlexandre Nobre Pais.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEchoes from Distant Shores: Portuguese Ceramics from the 17th Century\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eCinta Krahe.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCollecting Ming Porcelain in Spain\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eRocío Díaz.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChinese Armorial Porcelain for the Spanish Market\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eManuel Parada López de Corselas.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChinese Christian Cloisonné in Spanish Collections\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eRui Oliveira Lopes.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAsian Art in Portuguese Museums and Private Collections\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eJessica Hallett.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e‘An Oriental Collector’: Calouste Gulbenkian’s Taste for Arts of the Islamic World and China\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eCristina Castel-Branco.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Splendour of the Mughal Garden and Its Impact on Portugal’s Renaissance Gardens\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eJoanna Ciemińska.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChinese Porcelain ‘Embrechados’ in Portuguese Garden Architecture\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eDaniel Sastre de la Vega.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNihonga Painters in Spain: The Kokuga So¯saku Kyokai and its Encounter with Spanish Art\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePatrick Flores.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFernando Zóbel: A Modernism of Distance\u003c\/em\u003e\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":40611659022475,"sku":"2022ORI04","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/OrientationsJulAug2022.jpg?v=1658479948"},{"product_id":"arts-of-asia-autumn-2022-issue","title":"Arts of Asia Autumn 2022 issue","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 30 (L) x 23 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 148 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Arts of Asia Publications Ltd. 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEditorial by ROBIN MARKBREITER\u003cbr\u003e\u003cbr\u003eThe Philippine Dress: 500 Years of Straddling Polarities by GINO GONZALES\u003cbr\u003e\u003cbr\u003eGolden Spangles: Ancient Philippine Treasures From the Visayan Islands by FLORINA H. CAPISTRANO-BAKER\u003cbr\u003e\u003cbr\u003eUnfolding a Collection of Indigenous Philippine Textiles by PATRICIA ARANETA\u003cbr\u003e\u003cbr\u003eTrade and Exchange Between the Philippines and its Neighbours: “300 Years of Maritime Trade” Exhibition at the National Museum of the Philippines by BOBBY C. ORILLANEDA\u003cbr\u003e\u003cbr\u003eSome Philippine Traditional Weapons by CORAZON S. ALVINA\u003cbr\u003e\u003cbr\u003eGiuseppe Berger: Master Collector by RENZO FRESCHI\u003cbr\u003e\u003cbr\u003eVirabhadra: The Divine Warrior by MARILIA ALBANESE and RENZO FRESCHI\u003cbr\u003e\u003cbr\u003eGoryeo Celadons in The Metropolitan Museum of Art by CHRISTIAN BOEHM\u003cbr\u003e\u003cbr\u003eBronze Drums of Vietnam and South-West China: A Shared Heritage by HAJNI ELIAS\u003cbr\u003e\u003cbr\u003ePlaited Arts and Royal Patronage in Thailand by PAUL MICHAEL TAYLOR and SUPAMAS SNITWONGSE\u003cbr\u003e\u003cbr\u003e(Saleroom News) Sotheby’s Hong Kong: Important Chinese Art Spring Sales on April 29th, 2022 by CRISTINE LI\u003cbr\u003e\u003cbr\u003e(Saleroom News) Bonhams London: Fine Chinese Art Sale on May 12th, 2022 by XIAOYE GU\u003cbr\u003e\u003cbr\u003e(Book Review) Leaping the Dragon Gate: The Sir Michael Butler Collection of Seventeenth-Century Chinese Porcelain by ROSEMARY SCOTT\u003cbr\u003e\u003cbr\u003e(Collectors World) Rediscovering 20th Century Chinese Ceramics: An Interview with Peter Wain by COLIN SHEAF\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Arts of Asia Publications Ltd","offers":[{"title":"Default Title","offer_id":40780654936203,"sku":"2022AOA03","price":160.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/Autumn-2022-cover.png?v=1662003735"},{"product_id":"artasiapacific-issue-130-sep-oct-2022","title":"ArtAsiaPacific Issue 130 - Sep\/Oct 2022","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Binding: softcover, 104 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Language: English\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAre there alternatives to fighting power with power? The simultaneously whimsical and disturbing images of ArtAsiaPacific’s cover artist for Issue 130, Thao Nguyen Phan, suggest that there are. In her interview with associate editor Pamela Wong, Phan discusses how her multimedia projects revisit dark chapters in Vietnam’s history through folklores, oral histories, and prosaic accounts, and thus open official narratives up to poetic interpretation. Similarly, in her moving-image works, Nalini Malani foregrounds the effects of war, violence, and the repression of women while eschewing what she calls a “slogan-esque” approach. The acclaimed multimedia artist elaborates on art’s unique functions beyond didacticism and her preparations for her solo exhibition “Vision in Motion” at M+ in the second Feature. In Up Close, the editors delve into recent projects by Heidi Lau, Boo Sze Yang, Monique Yim, and Serene Hui Sze Lok. Lisa Movius, for Inside Burger Collection, reflects on the works of seminal artist Song Dong. Profiles examine the practices of socially engaged artists Kiri Dalena and Elia Nurvista. Imaad Majeed files a Dispatch from Colombo, where mass protests, initially sparked by rising living costs, continue to surge through the country with unprecedented support. In the Point, former art professor Kurt Chan argues how the pandemic could be an opportunity for Hong Kong’s universities to revamp their methods for teaching visual arts. Where I Work visits the Geneva studio of Mai-Thu Perret, whose sculptures and paintings speak to the experiences of womanhood through allusions and references. For One on One, artist Jakkai Siributr pays homage to the Gee’s Bend quilters, who use the quilt form to express their identity and experiences, in the face of the harrowing racism of the Deep American South. Besides encouraging us to recognize the multivalent nature of our world, the artists of this issue affirm that there is a time to reflect and also a time to act.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":40787151847563,"sku":"2022AAP05","price":172.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/130COVERWeb.jpg?v=1662185675"},{"product_id":"orientations-sep-oct-2022","title":"Orientations Sep Oct 2022","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 130 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Hong Kong Palace Museum, the newest addition to the city’s increasingly vibrant cultural landscape, opened to the public on 3 July with the presentation of more than 900 objects from the collection of the Palace Museum in Beijing. The seven-story building is located in the West Kowloon Cultural District with views of Victoria Harbour and contains almost 8,000 square metres of exhibition space across nine galleries. Designed by Rocco Design Architects Associates Limited, the building’s spatial configuration was inspired by the ‘central axis’ concept of the Forbidden City.\u003cbr\u003e\u003cbr\u003eTo mark this occasion, we include four articles on the opening exhibitions. While some of the objects have never been exhibited before, many are iconic treasures that have been shown widely, thus challenging curators to propose fresh interpretations. The first article looks at a selection of bronzes in the collection of the Qianlong emperor on view in three separate galleries. The contextual diversity of the exhibition themes of each offers alternative perspectives and new narratives. The second presents another of the nine inaugural exhibitions, ‘Encountering the Majestic: Portraits of Qing Emperors and Empresses’, and focuses on a single type of portraiture. The third examines the relationship between human and horse across time and beyond boundaries, juxtaposing objects from the Palace Museum with those from the Louvre. The last discusses the concept of design in China from past to present and similarities between contemporary works and traditional Chinese craftsmanship.\u003cbr\u003e\u003cbr\u003eIn our interview, the director of the Minneapolis Institute of Art (Mia), Dr Katherine Crawford Luber, who joined the museum at the beginning of 2020, discusses both the challenges and opportunities she faced while the museum was closed for the pandemic. We include a case study on the Mia’s Ya Chou lei, a piece from their collection of Chinese ritual bronzes that has attracted scholarly attention since the 20th century and generated fervent debate around its historical origin, and highlight the reinstalled Himalayan, South Asian, and Southeast Asian art galleries.\u003cbr\u003e\u003cbr\u003eThe next two articles encompass the theme of trade and exchange. Enamelled metalware was a Western art form that was imported into China but then became highly sought-after as an export. We probe the production of Canton enamels and their consumption both within and beyond the domestic sphere. Qing dynasty enamelled porcelains from the Kangxi (1662–1722), Yongzheng (1723–35), and Qianlong (1736–95) periods in the collection of the Baur Foundation, Museum of Far Eastern Art, in Geneva have seldom been exhibited in their own right. An exhibition opening this fall examines how the palette of coloured enamels developed as a result of interactions between China and the West.\u003cbr\u003e\u003cbr\u003eThe latest article of our map series looks at mapping projects initiated by the Korean royal court and the renowned geographer Gim Jeongho (1804–66) and aims to present an overview of the history of cartography in Korea during the late Joseon period.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":40798359257227,"sku":"2022ORI05","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/C1_Sep-Oct_2022_cover.png?v=1662448505"},{"product_id":"copy-of-arts-of-asia-winter-2022-issue","title":"Arts of Asia Winter 2022 issue","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 30 (L) x 23 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 135 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Arts of Asia Publications Ltd. 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditorial\u003c\/strong\u003e by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Gitter-Yelen Collection of Japanese Art at the Museum of Fine Arts, Houston\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby BRADLEY BAILEY\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Giuseppe Eskenazi\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Refined Form and Indescribable Delicacy of Colour”: Chinese Ceramics Brought to Life in Hobson \u0026amp; Hetherington’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt of the Chinese Potter\u003c\/em\u003e, 1923\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby KATE NEWNHAM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Closer Look — Power and Perspective: Early Photography in China\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby STEPHANIE HUEON TUNG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrength Renewed: Construction and Conservation of the Big Buddha in Hong Kong\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby GUOYING STACY ZHANG\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrancis Faust and His Collection\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby JAMES C.S. LIN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Global Lives of Qianlong’s Battle Pictures in 18th Century China and Beyond\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby ZHENPENG ZHAN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne Museum, Five Galleries, Five Thousand Years of Asian Art: Collections and Displays at the Museo D’arte Orientale in Turin\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby MARCO GUGLIELMINOTTI TRIVEL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimply Different: Recurating The Hong Kong Museum of Art\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby MARIA KAR-WING MOK\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat Is a Fake? Viewpoints on Chinese Republican Porcelain\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby LINN A. CHRISTIANSEN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt in New Dimensions: Chinese Miniature and Small Objects at the Cleveland Museum of Art\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby CLARISSA VON SPEE\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntroduction to Yaozhou Ware\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby ROSE KERR\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Saleroom News) Sotheby’s Hong Kong: Important Chinese Art Sales on October 8th and 9th, 2022\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eby CRISTINE LI\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Saleroom News) Aguttes: Painters and Arts from Vietnam Sale on October 3rd, 2022\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eby CHARLOTTE AGUTTES-REYNIER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Collectors World) Interview with Yang Xi\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eby E. BILLIE HUGHES\u003c\/p\u003e","brand":"Arts of Asia Publications Ltd","offers":[{"title":"Default Title","offer_id":40998772113547,"sku":"2022AOA04","price":160.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/ArtsOfAsia2022Winter.jpg?v=1666767850"},{"product_id":"artasiapacific-issue-131-nov-dec-2022","title":"ArtAsiaPacific Issue 131 - Nov\/Dec 2022","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Binding: softcover, 104 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Language: English\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEDITOR'S LETTER\u003cbr\u003eWhat Lies Beneath BY ELAINE W. NG\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eREPORTS\u003cbr\u003eThe Point: Reforming Relationships in the Classroom BY NAZ CUGUOĞLU\u003cbr\u003eArt Fair Report: New Hotspots BY THE EDITORS\u003cbr\u003ePreviews: Under the Spotlight BY THE EDITORS\u003cbr\u003eDispatch: Bangkok BY ANN PHATARAWADEE PHATARANAWIK\u003cbr\u003eOne On One: Leung Chi Wo on Christian Boltanski BY LEUNG CHI WO\u003cbr\u003eControversy, Career Moves, Public Domain BY THE EDITORS\u003cbr\u003eAuction Report: Southern Realignment BY THE EDITORS\u003cbr\u003eWhispering Gallery: The Re-Turning World BY THE EDITORS\u003cbr\u003eNew Currents: Taking On Tradition BY THE EDITORS\u003cbr\u003eCultural Voices in Solidarity with Iranian Women BY THE EDITORS\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eESSAYS\u003cbr\u003eQueering the Dot BY LOUIS HO\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePROFILES\u003cbr\u003eRadhika Khimji: Embodying the Mind’s Eye BY HG MASTERS\u003cbr\u003eAli Eyal: Land of Shadows Fertilized with Unbridled Memories BY AMIN ALSADEN\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFEATURES\u003cbr\u003eUp Close: Chang Yoong Chia BY BEVERLY YONG\u003cbr\u003eUp Close: Riya Chandiramani BY ANGELIQUE SANTOS\u003cbr\u003ePacita Abad: Stitched, Padded, and Layered Senses of Self BY NICOLE M. NEPOMUCENO\u003cbr\u003eLee Kai Chung: Crisscrossing Time BY CHLOE CHU\u003cbr\u003eUp Close: Mika Rottenberg And Mahyad Tousi BY CHLOE CHU\u003cbr\u003eInside Burger Collection: Yehudit Sasportas BY GESINE BORCHERDT\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eREVIEWS\u003cbr\u003eIstanbul: 17th Istanbul Biennial BY BALA GÜRCAN\u003cbr\u003eLos Angeles: Tala Madani BY RUBEN LUONG\u003cbr\u003eAuckland: Dane Mitchell BY BECKY HEMUS\u003cbr\u003eManila: Aquifer BY DONDIE CASANOVA\u003cbr\u003eBerlin: Forming Communities – Berliner Wege BY CLARA TANG\u003cbr\u003eNew York: Do Ho Suh BY JUDY CHIU\u003cbr\u003eToronto: Ken Lum BY BELINDA KWAN\u003cbr\u003eVoyages through Time BY CHLOE CHU, PAMELA WONG, HG MASTERS\u003cbr\u003eVenice: 59th Venice Biennale BY ALESSANDRA ALLIATA NOBILI\u003cbr\u003eTaipei: Walking the Crack BY ANNETTE AN-JEN LIU\u003cbr\u003eHong Kong: Pipilotti Rist BY TIFFANY LUK\u003cbr\u003eSultanhanı: Carved Conversations BY MATT HANSON\u003cbr\u003eWHERE I WORK\u003cbr\u003eHenry Shum BY HG MASTERS\u003cbr\u003eTHE SKETCH\u003cbr\u003eJes Fan: Nature and Nurture BY MIMI WONG\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":41048969707659,"sku":"2022AAP06","price":172.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/131COVER.jpg?v=1667964665"},{"product_id":"orientations-nov-dec-2022","title":"Orientations Nov Dec 2022","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 112 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shanghai Museum celebrates its 70th anniversary in 2022. Built in the shape of an archaic bronze ding, the museum has become one of the most important institutions of Chinese art in the world, with over one million objects. This issue was originally planned not only to mark the anniversary but also to highlight the opening of a second branch of the museum in the Pudong district. However, construction has been delayed due to the Covid pandemic. Thus, a later issue will spotlight the new branch, and we focus here on the anniversary with three articles on special exhibitions.\u003cbr\u003e\u003cbr\u003eThe museum last year launched a series of retrospective shows featuring donated objects, which constitute almost 9 per cent of its collection. The third and latest in this series, ‘Treasure of Prosperity: Gifts for the Shanghai Museum’, presents 145 works gifted by fifty individual and family donors from both inside and outside of China. Another of the many strengths in the collection is its early archaeological material. The exhibition ‘The Making of China: The Civilizations of the Xia, Shang, and Zhou Dynasties’ centres on some of the most significant discoveries in Henan province. In the exhibition ‘The Secret Treasures of Shanghai Museum: The Special Exhibition of the Kesi Lotus Pond and Ducks’, one of the treasures on display is a Southern Song kesi tapestry embroidered with ducks in a lotus pond by Zhu Kerou (act. 1127–62), a female master weaver from the area of present-day Shanghai. Since its acquisition by the museum in 1952, it has been preserved in storage except when it travelled to Japan in 1993 for a short exhibition. Its sophisticated design is reminiscent of the style developed by the Imperial Painting Academy and has evoked extensive discussions around the weaving technique, the art historical context, and the life of the mysterious artist.\u003cbr\u003e\u003cbr\u003eThis year also marks the 60th anniversary of the Hong Kong Museum of Art, which reopened in 2019 after several years of refurbishment. In the exhibition ‘In-Between’, a small selection of works that embody key moments in the history of the museum is presented.\u003cbr\u003e\u003cbr\u003eIn the early 20th century, the Metropolitan Museum of Art and the Philadelphia Museum of Art each acquired a hanging scroll painting of misty mountain scenes from the dealer V. G. Simkhovitch (1874–1959); the painting in the former is currently dated to the Joseon era (1392–1910), while the one in the latter is labelled as of either Korean or Chinese origin. An article argues that the two paintings were originally a pair meant to be viewed together. Another article examines the development of the imperial mounting style of painting and calligraphy under the Qianlong emperor (r. 1736–95), an enthusiastic art patron who was actively involved in every step during the production of imperial works.\u003cbr\u003e\u003cbr\u003eEarlier this year, the National Gallery of Prague opened ‘Zenga–Japanese Zen Paintings from the Kaeru-An Collection’, an exhibition of a newly donated collection of Japanese Zen art from Dutch collector and artist Felix Hess (b. 1941). An article presents highlights and shares the artistic, philosophical, and practical dimensions of Zen art.\u003cbr\u003e\u003cbr\u003eFEATURES\u003cbr\u003e\u003cbr\u003eChen Jie. ‘The Making of China’: An Exhibition on the Civilizations of the Xia, Shang, and Zhou Dynasties at the Shanghai Museum\u003cbr\u003eZhang Dong. Treasure of Prosperity: Gifts for the Shanghai Museum\u003cbr\u003eYu Ying. Auspicious Colour into Light: The Special Exhibition of the Shanghai Museum’s Secret Treasure, the Kesi Lotus Pond and Ducks\u003cbr\u003eRichard M. Barnhart. A Pair of Chinese Paintings Reconnected\u003cbr\u003eQin Chongtai. The Art of Mounting Calligraphy and Paintings in the Court of Qianlong\u003cbr\u003eMarkéta Hánová. Seeing Zen in Prague: A Unique Collection of Japanese Zen Art\u003cbr\u003eMaria Kar-wing Mok. Celebrating the Uncelebrated at the 60th Anniversary of the Hong Kong Museum of Art\u003cbr\u003eHugh Moss. The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s\u003cbr\u003eRachel Parikh. The Return Home: The Glasgow Museums’ Repatriation of Seven Objects to India\u003cbr\u003e\u003cbr\u003eREVIEWS\u003cbr\u003e\u003cbr\u003eUrsula Weekes. The Art of Cloth in Mughal India by Sylvia Houghteling\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":41053527572619,"sku":"2022ORI06","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/C1_NovDec_2022_cover.jpg?v=1668054305"},{"product_id":"artasiapacific-almanac-2023-volume-xviii","title":"ArtAsiaPacific Almanac 2023 Volume XVIII","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 112 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2022\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtAsiaPacific’s Almanac 2023 observes the year of transition. We compiled the major comings and goings-from art museum expansions to unfortunate closings, new hires and recent departures, big awards, and ambitious future plans. The Cultural Currency section reflects on the rocky sophomore year for NFT marketplaces, the return to large-scale art fairs, and the sudden popularity of “ultra-contemporary” artists at major international auctions. In City Reports, we hear from 14 artists, writers, and curators who have been closely following events in the places where they live and work. AAP’s Seoul desk editor Andy St. Louis reports on Korean art’s moment in the commercial limelight. Our correspondents Beverly Yong and Rachel Ng in Kuala Lumpur assessed how the pandemic motivated art organizations to reach new audiences. From Jakarta, Chabib Duta Hapsoro reports on Indonesia’s efforts to decentralize funding away from the capital region, while Quddus Mirza reflects on the year in art amid devastating floods in Pakistan. Associate editor Pamela Wong caught up with the artist collective Dumb Type, who represented Japan at the 59th Venice Biennale, while assistant editor Nicole M. Nepomuceno conversed with Pio Abad about his exhibition in Manila amid a contested presidential election in the Philippines. In Hong Kong, associate editor Tiffany Luk sat down with Sharon Lee to hear about her photo-based projects reflecting on changes in the city, while deputy editor HG Masters spoke with Munem Wasif about his long-term engagement photographing and filming in Old Dhaka. The issue also celebrates six Artists of the Year whose projects and exhibitions drew attention to pertinent issues and gained traction in 2022: Ali Cherri, Lu Yang, Mire Lee, Jes Fan, proppaNOW, and Tammy Nguyen. In the back of the issue are noteworthy exhibitions and festivals that captured the zeitgeist, along with the events that we will have our eyes on in 2023.\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":41167355019403,"sku":"2023AAP01","price":248.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/ALM23COVER.jpg?v=1672901467"},{"product_id":"orientations-jan-feb-2023","title":"Orientations Jan Feb 2023","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 86 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMany people will visit the Musée Guimet or the Musée Cernuschi in Paris to see Asian art. It is not often that the majestic Louvre Museum is associated with the arts of this region. We strive to highlight less well-known collections and were therefore pleased to work with Jean-Baptiste Clais, curator of the Asian collection and European porcelains in the Decorative Arts Department, to feature the Louvre Museum in this issue. In a series of five articles, we learn that Asian art has had a presence in the museum since its founding in 1792 and that despite the reorganization of French national museums in 1945, when the Musée Guimet became the national museum of Asian arts and absorbed most of the collection in the Louvre, the latter still managed to retain a substantial body of Asian art scattered amongst different departments. In one article, the author discusses how the Asian collection of Adolphe Thiers (1797–1877), first president of the French Third Republic, entered the museum and the treasures that it contains, including a Qianlong period (1736–95) porcelain vase with falangcai enamels. Another article is devoted to the Department of Islamic Art, which holds over 500 objects from Islamic India.\u003cbr\u003e\u003cbr\u003eIn November 2022, the Royal Ontario Museum launched a curated online exhibition entitled ‘Aftershocks: Japanese Earthquake Prints’. The exhibition features a selection of forty-two prints known as namazu-e (lit. ‘catfish pictures’), an uncommon type of woodblock print produced in reaction to several earthquakes that struck Japan in the late Edo period (1603–1868), when common folk belief held that earthquakes were caused by giant catfish living underground. We explore the history and socio-cultural meanings of namazu-e through a series of iconographical analyses of exhibition highlights.\u003cbr\u003e\u003cbr\u003eThe Qianlong emperor (r. 1736–95) commissioned several monumental paintings to commemorate his victories in battle, which he later had engraved on copper plates in France. A red-ink drawing for one of the copperplates is in the collection of the Museum of Applied Arts in Vienna and seems to be one of the lost reduced drawings that were prepared and sent to France as models for the copperplates.\u003cbr\u003e\u003cbr\u003eThe ‘Agusan Image’ is a figure of a seated woman with a naked torso wearing elaborate jewellery. Now in the Field Museum of Natural History in Chicago, it was discovered in 1917 on the island of Mindanao in the Philippines. Although it is one of the most significant archaeological discoveries of the area, there has been little research whether on its dating or identity. We propose that it represents a mixture of different influences from Java and Sri Lanka to Tibet and China, with a dating from the 11th to the 13th century.\u003cbr\u003e\u003cbr\u003eFor 2023, we have issues focusing on the Walters Art Museum, Asian art in East Africa, the ‘Tree and the Serpent: Early Buddhist Art of Southern India’ exhibition at the Metropolitan Museum of Art, the Dresden Porcelain Project, and more. We would like to thank our readers and advertisers for their continued support and to wish everyone happy holidays.\u003cbr\u003e\u003cbr\u003eFEATURES\u003cbr\u003e\u003cbr\u003eJean-Baptiste Clais. Asia at the Louvre\u003cbr\u003eJean-Baptiste Clais. An Asian Promenade through Rooms of the Decorative Arts Department\u003cbr\u003eJean-Baptiste Clais. From Curiosité to Cachet: A History of East Asia at the Louvre\u003cbr\u003eJean-Baptiste Clais. The Asian Collection of Adolphe Thiers\u003cbr\u003eJean-Baptiste Clais. The Indian Collections of the Department of Islamic Art\u003cbr\u003eAkiko Takesue. The Namazu-e Album at the Royal Ontario Museum and Its Online Exhibition\u003cbr\u003eNiklas Leverenz. A Unique Red-Ink Drawing of the Conquest of the Western Regions\u003cbr\u003eLei Hao Tien. Analysis of Reading in an Open Hall and the Image of Southern Song Dynasty Scholars\u003cbr\u003eVinzenz Schwegmann. In Search of Identity: The Agusan Image\u003cbr\u003e\u003cbr\u003eREVIEWS\u003cbr\u003e\u003cbr\u003eTheresa McCullough. Burmese Silver from the Colonial Period by Alexandra Green\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":41167443853451,"sku":"2023ORI01","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/JanFeb_2023_cover_crop.jpg?v=1672904784"},{"product_id":"arts-of-asia-spring-2023-issue","title":"Arts of Asia Spring 2023 issue","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 30 (L) x 23 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 144 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Arts of Asia Publications Ltd. 2023\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditorial\u003c\/strong\u003e by ROBIN MARKBREITER\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Naej Collection: Bamboo Culture in Japan\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby TUSHA BUNTIN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOut of the Blue: Rethinking Early Chinese Cloisonné Enamel\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby PENGLIANG LU\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew Galleries for South Asian and Islamic Art at the Brooklyn Museum\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby JOAN CUMMINS and AYŞİN YOLTAR-YILDIRIM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGoryeo Celadons in the Art Institute of Chicago\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby CHRISTIAN BOEHM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndigenous Arts of Indonesia: The Pierre Mondoloni Collection\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby ERIC KJELLGREN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaughter and Lamentation: Eastern Han Dynasty (AD 25–220) “Spirit” Entertainers From Sichuan, China\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby HAJNI ELIAS\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Gifts Given to Roald Amundsen, The Norwegian Explorer, While Visiting Japan in 1927\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby PER TERJE NORHEIM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKabuki Idols: Star Power and the Making of the Ichikawa Danjuro Lineage\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby PAULA SWART and ANTHONY F. INGRAM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Saleroom News) Bonhams Paris: The Robert and Jean-Pierre Rousset Collection of Asian Art: A Century of Collecting on October 25th and 26th, 2022\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eby ASAPH HYMAN\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Book Review) Art of India and Beyond\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eby PRATAPADITYA PAL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Collectors World) Fun of Collecting: Stories Behind Tea Ware from the K.S. Lo Collection, Flagstaff House Museum of Tea Ware, Hong Kong\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eby ANNE LAM\u003c\/p\u003e","brand":"Arts of Asia Publications Ltd","offers":[{"title":"Default Title","offer_id":41300092780683,"sku":"2023AOA01","price":160.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/Spring-2023-coversquare.jpg?v=1677658865"},{"product_id":"orientations-mar-apr-2023","title":"Orientations Mar Apr 2023","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 116 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e The Walters Art Museum was founded in 1934 in Maryland in the United States when Henry Walters (1848–1931) do-nated two buildings, an endowment to the City of Baltimore, and a collection started by his father, William T. Walters (1820–94), a businessman with interests in several industries. The founding collection of 22,000 objects across cultures reflected the tastes of the father and son, shaped by Western beliefs prevalent during the 19th and 20th centuries. It has now grown through purchases and further donations to more than 36,000 objects. The museum fulfils its mandate of ‘for the benefit of the public’ with free public admission year-round.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis issue focuses on the new installation ‘Across Asia: Arts of Asia and the Islamic World’ with nearly 600 works of art, many of which are either on display for the first time in almost a decade or for the first time ever. It strives to provide a cross-cultural view of the arts from this geographical expanse. One of the highlights is a 19th century wooden thammat, or a raised platform or pulpit used by seated monks, with lacquer, gold, and coloured cut and inlaid glass, a gift from the Duke Charitable Trust in 2002 but which was kept in storage until now. Despite being Thai in origin, its decorations connect it to Indian, Khmer, Mon Hindu-Buddhist, and Chinese architectural motifs. We also show the global popularity of tea and the transmission and localization of tea wares from East Asia to beyond.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing in the footsteps of its 2018 exhibition ‘Power and Beauty from China’s Last Dynasty’, produced in collabora-tion with experimental stage director Robert Wilson, the Minneapolis Institute of Art has teamed up again to open ‘Eternal Offerings: Chinese Ritual Bronzes’, this time with Oscar-winning art director and film designer Tim Yip. Some of Yip’s best-known works include Ang Lee’s film Crouching Tiger, Hidden Dragon and John Woo’s Red Cliff. The exhibition will showcase the museum’s archaic Chinese bronzes collection, one of the best in the United States, the core of which was bequeathed to the museum in 1950 by Alfred Fiske Pillsbury (1869–1950), whose dealer was C. T. Loo (1880–1957). Yip’s dramatic design emphasizes the power of the senses and as such seeks to transport visitors into the environment for which these works of art were produced. The absence of didactic materials is meant to encourage viewers to experience the exhibition more intuitively.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe China Institute Gallery in New York will finally open ‘Flowers on a River: The Art of Chinese Flower-and-Bird Paint-ing, 1368–1911’, featuring a selection of Ming (1368–1644) and Qing (1644–1911) flower-and-bird paintings from the Tianjin Museum and Changzhou Museum. We uncover the transmission of styles but also the invention of new representational modes in the rendering of flower-and-bird paintings from this period.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe include part two of an article series on Qing dynasty Guyue xuan enamelled glass wares, which suggests that these snuff bottles were given as prizes on imperial hunting trips.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdriana Proser. New Galleries at the Walters Art Museum: ‘Across Asia: Arts of Asia and the Islamic World’\u003cbr data-mce-fragment=\"1\"\u003eAdriana Proser. A Rare Early 19th Century Thammat at the Walters Art Museum\u003cbr data-mce-fragment=\"1\"\u003eDany Chan. Transmission and Localization: Steeped Tea in Japan, Russia, and France\u003cbr data-mce-fragment=\"1\"\u003eAshley Dimmig. Bridging the Distance: Forging Connections with Islamic Art at the Walters Art Museum, Baltimore\u003cbr data-mce-fragment=\"1\"\u003eMatthew Welch. The Making of ‘Eternal Offerings’: A Collaboration\u003cbr data-mce-fragment=\"1\"\u003eLiu Yang. Eternal Offerings: A Show of Chinese Bronze at Mia Unfolds with Drama\u003cbr data-mce-fragment=\"1\"\u003eWillow Weilan Hai. ‘Crab Apples Are Still in Bloom’: Notes on the Chinese Flower-and-Bird Paintings of Crab Apples and Bulbuls\u003cbr data-mce-fragment=\"1\"\u003eHugh Moss. The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s\u003cbr data-mce-fragment=\"1\"\u003ePongsit Pangsrivongse. Unlocking the Depiction of the Goddess Guhyakali’s Throne in Malla Era Works of Art\u003cbr data-mce-fragment=\"1\"\u003eChet Van Duzer. The Use of Hand Stamps in the Decoration of Two Qing Dynasty Manuscript Maps\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJessica Harrison-Hall, Birgitta Augustin\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":41341588439179,"sku":"2023ori02","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/2023ORI02.jpg?v=1678169881"},{"product_id":"artasiapacific-issue-132-mar-apr-2023","title":"ArtAsiaPacific Issue 132 - Mar\/Apr 2023","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Binding: softcover, 104 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Language: English\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eEDITOR'S LETTER\u003cbr data-mce-fragment=\"1\"\u003eEditor’s Letter: Forces for Change BY ELAINE W. NG\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eREPORTS\u003cbr data-mce-fragment=\"1\"\u003eOne On One: Sriwhana Spong on Hildegard of Bingen BY SRIWHANA SPONG\u003cbr data-mce-fragment=\"1\"\u003eDispatch: Singapore BY RACHEL LIM\u003cbr data-mce-fragment=\"1\"\u003eControversy, Career Moves, Public Domain BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eArt Fairs: Back in the Groove BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eWhispering Gallery: Bold Moves, Big Plays BY DT\u003cbr data-mce-fragment=\"1\"\u003eThe Point: The Museum of Without BY DANE MITCHELL\u003cbr data-mce-fragment=\"1\"\u003ePreviews: March–April, 2023 BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eNew Currents: Data Driven Dream BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eTribute: Ashley Bickerton BY ENTANG WIHARSO\u003cbr data-mce-fragment=\"1\"\u003eMain News: Cultural Sector Rallies for Earthquake Relief BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eESSAYS\u003cbr data-mce-fragment=\"1\"\u003eActive Spirits of Return BY CHRISTOPHER WHITFIELD\u003cbr data-mce-fragment=\"1\"\u003ePROFILES\u003cbr data-mce-fragment=\"1\"\u003eNikhil Chopra: Recomposing the Live BY MEERA MENEZES\u003cbr data-mce-fragment=\"1\"\u003eClub Ate: Mythologies of Movement BY JOHANNA BEAR\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003eJes Fan: Precious Wounds BY MIMI WONG\u003cbr data-mce-fragment=\"1\"\u003eA Better Tomorrow for Art Museums in Hong Kong: Looking Back at the 1990s BY ARTASIAPACIFIC X ASIA ART ARCHIVE\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Natasha Tontey BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Lo Lai Lai Natalie BY PAMELA WONG\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Ahmet Doğu İpek BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eInside Burger Collection: Kara Walker BY REBECCA PEABODY\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003eSingapore Biennale 2022: Natasha BY LOUIS HO\u003cbr data-mce-fragment=\"1\"\u003eTokyo: Roppongi Crossing 2022: Coming \u0026amp; Going BY EMILIA WANG\u003cbr data-mce-fragment=\"1\"\u003eBangkok Art Biennale 2022: Chaos : Calm BY BRIAN CURTIN\u003cbr data-mce-fragment=\"1\"\u003eManila: Phylogeny of Desire BY DONDIE CASANOVA\u003cbr data-mce-fragment=\"1\"\u003eIstanbul: The 90s Onstage BY SEDA YILDIZ\u003cbr data-mce-fragment=\"1\"\u003eParis: Ma Desheng BY BEATRICE GRENIER\u003cbr data-mce-fragment=\"1\"\u003eHong Kong: Jaffa Lam BY ELAINE W. NG\u003cbr data-mce-fragment=\"1\"\u003eTaipei: The Wild Eighties BY ANNETTE AN-JEN LIU\u003cbr data-mce-fragment=\"1\"\u003eLondon: Zadie Xa BY SUINING SIM\u003cbr data-mce-fragment=\"1\"\u003eLos Angeles: The Space Between: The Modern in Korean Art BY JENNIFER S. LI\u003cbr data-mce-fragment=\"1\"\u003eBook Review: The Contest of the Fruits BY TIFFANY LUK\u003cbr data-mce-fragment=\"1\"\u003eBook Review: O BY NICOLE M. NEPOMUCENO\u003cbr data-mce-fragment=\"1\"\u003eBook Review: What Do Museums Connect?: Museums in a Post-Pandemic World BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eWHERE I WORK\u003cbr data-mce-fragment=\"1\"\u003eİncİ Evİner: Movements for the interstitial body BY TIFFANY LUK\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTHE SKETCH\u003cbr data-mce-fragment=\"1\"\u003eImelda Cajipe Endaya: A lifetime of women’s labor BY THE EDITORS\u003cbr\u003e\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":41355393925259,"sku":"2023AAP02","price":180.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/products\/Cover_51dfd56c-c417-4047-b8ea-ecea27ffd38f.jpg?v=1678345080"},{"product_id":"orientations-may-june-2023","title":"Orientations May\/June 2023","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 107 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVOLUME 54 - NUMBER 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eI discovered a small shop in Lamu on my trip to the island off the coast of Kenya in 2017 where the owner made delightful silver jewellery with Chinese ceramics picked up from the beach. Although I have read of Zheng He’s voyages during the Ming dynasty through the South China Sea, Indian Ocean, Arabian Sea, Red Sea, and along the east coast of Africa —and have seen numerous depictions of giraffes on Chinese paintings in museums around the world—the lack of significant collections in East Africa does not bring this region of the world to mind when thinking of Chinese art. Thus, it was fortuitous that Bing Zhao, research director of the East Asian Civilizations Research Centre (French National Centre for Scientific Research) and regular contributor to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOrientations\u003c\/em\u003e, proposed a special issue focusing on archaeological finds of Chinese ceramics in East Africa, especially as we have been devoting since 2021 one issue per year to Asian art to Asian art in areas of the world less well known for it. We are pleased to have Bing Zhao as our guest editor and to share in her knowledge of the interchanges and influences between China and Africa.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLast June, I had the chance to visit legendary dealer C. T. Loo’s Pagoda Paris, a building I had wandered by numerous times before without the chance to see the magnificence of its interior. We interview the owner, Jacqueline von Hammerstein-Loxten, on the birth of the Pagoda and future plans. A part of Loo’s immense success was his wide and complex network of suppliers and collectors. We unravel his professional life and attempt to separate fact from myth. Many museums in the USA and Europe were clients of Loo, one being the Nelson-Atkins Museum of Art in Kansas City. A few years prior to the opening of the museum in 1933, trustees went on a buying spree and Loo was one of the dealers they worked with, purchasing more than 100 objects from him including two temple rooms and numerous iconic sculptures; recent provenance research by the museum on these objects can be found on its website. Lastly, we delve further into the Chinese Temple Room and the Indian Temple Room, their connections with Loo, and how he capitalized on the popularity of period rooms in museums in the late 19th to early 20th century. Regardless of the controversary surrounding his business practices, he undoubtedly made a lasting impact on Western tastes in Asian art and its presentation.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eBing Zhao.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIlluminating Sino-African Maritime Exchanges Through Archaeological Finds of Chinese Ceramics in Africa\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eClifford Pereira.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eImported Ceramics and the Swahili Culture of the Coast of Kenya\u003cbr\u003e\u003c\/em\u003eHannah Parsons-Morgan.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChinese Ceramic Consumption in Medieval Ethiopia: An Archaeological Perspective\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eBing Zhao.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Vohemar Necropolis, Madagascar, and the Regional Distribution of Chinese Ceramics in the Swahili World (13th–17th century)\u003cbr\u003e\u003c\/em\u003eDr Teresa Canepa and Beth Gardiner.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEspadarte (1558) Evidence of Early Portuguese Trade in Porcelain via Africa\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eRoberto Gardellin.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChinese Trade in the Red Sea: Two Shipwrecks with Yuan Blue-and-White Porcelains\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eRachel Parikh.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eForging a Legacy: The Jambiya, Yemen’s Iconic Weapon\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eJoanna M. Gohmann.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBig Business: The Evolution of C. T. Loo’s Professional Life\u003cbr\u003e\u003c\/em\u003eMacKenzie Mallon.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCollecting Relationships: C. T. Loo and the Nelson-Atkins Museum of Art\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eLing-en Lu, Kimberly Masteller, and Michele Valentine.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCreating Spaces for Asian Art: C. T. Loo and the Nelson-Atkins Museum of Art\u003c\/em\u003e\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":41430989144203,"sku":"2023ori03","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/a.png?v=1683176336"},{"product_id":"artasiapacific-issue-133-may-jun-2023","title":"ArtAsiaPacific Issue 133 - May\/Jun 2023","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Binding: softcover, 96 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Language: English\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eEDITOR'S LETTER\u003cbr data-mce-fragment=\"1\"\u003eEditor’s Letter: Time Memorialized BY ELAINE W. NG\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eREPORTS\u003cbr data-mce-fragment=\"1\"\u003eWhispering Gallery: All the Best People BY DT\u003cbr data-mce-fragment=\"1\"\u003eOne on One: Kawita Vatanajyankur on Marina Abramović BY KAWITA VATANAJYANKUR\u003cbr data-mce-fragment=\"1\"\u003eAuction Report: Season of Settling In BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003ePreviews: Radical Explorations BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eMain News: Ullens Center for Contemporary Art Co-Founder Killed BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eNew Currents: Urban Chaos Memory BY TONG TUNG YENG, CATHERINE LI, PAMELA WONG\u003cbr data-mce-fragment=\"1\"\u003eThe Point: Let’s Bring Down the Fence and Re-Build Together BY JOHANNA PALMEYRO\u003cbr data-mce-fragment=\"1\"\u003eArt Fair Report: True Optimism BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eNews Roundup 133: Controversy, Career Moves, Public Domain BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003e133 News Roundup: Controversies, Career Moves, Public Domain BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eDispatch: Los Angeles: Leaning In, All at Once BY DANIELLE SHANG\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eESSAYS\u003cbr data-mce-fragment=\"1\"\u003eSurface Matters: Yun Hyong-Keun’s Years In Paris BY BÉATRICE GRENIER\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003ePROFILES\u003cbr data-mce-fragment=\"1\"\u003eSung Tieu: Architectures of Control BY FRANCES ARNOLD\u003cbr data-mce-fragment=\"1\"\u003eCitra Sasmita: Imagined Cosmologies BY KERSTIN WINKING\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003eShim Moon-Seup: Harnessed From Nature BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Hajra Waheed BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Brook Hsu BY TIFFANY LUK\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Vaevae Chan BY NICOLE M. NEPOMUCENO\u003cbr data-mce-fragment=\"1\"\u003eImelda Cajipe Endaya: The History is Female BY PORTIA PLACINO\u003cbr data-mce-fragment=\"1\"\u003eInside Burger Collection: Iván Argote: This is the strategy BY TOBIAS OSTRANDER\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003eNew Delhi: Chitra Ganesh BY MEERA MENEZES\u003cbr data-mce-fragment=\"1\"\u003eBerlin: Martin Wong BY CLARA TANG\u003cbr data-mce-fragment=\"1\"\u003eNew York: Samson Young BY SOPHIE ROSE\u003cbr data-mce-fragment=\"1\"\u003eBook Review: I Am An Artist (He Said) BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Unit: A Glimpse into Singapore’s 1970s-’80s Private Apartments BY TONG TUNG YENG\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Internationalist Aesthetics: China and Early Soviet Culture BY TIFFANY LUK\u003cbr data-mce-fragment=\"1\"\u003eVienna: Christine Sun Kim BY BRIAN HAMAN\u003cbr data-mce-fragment=\"1\"\u003eAbu Dhabi: Bollywood Superstars: A Short Story of Indian Cinema BY PETER CHUNG\u003cbr data-mce-fragment=\"1\"\u003eSingapore: Liu Kuo-sung BY LOUIS HO\u003cbr data-mce-fragment=\"1\"\u003eSharjah Biennial 15: Thinking Historically in the Present BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eTokyo: Goro Kakei BY EMILIA WANG\u003cbr data-mce-fragment=\"1\"\u003eManila: Adaptation: A Reconnected Earth BY DONDIE CASANOVA\u003cbr data-mce-fragment=\"1\"\u003eHong Kong: Wang Tuo BY PAMELA WONG\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eWHERE I WORK\u003cbr data-mce-fragment=\"1\"\u003eWhere I Work: Seung Yul Oh and Jungeun Lee BY HUTCH WILCO\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHE SKETCH\u003cbr data-mce-fragment=\"1\"\u003eThe Sketch: Truong Cong Tung BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":41434977075339,"sku":"2023AAP03","price":180.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/NewImage.jpg?v=1683611607"},{"product_id":"orientations-jul-aug-2023","title":"Orientations Jul\/Aug 2023","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 100 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eVOLUME 54 - NUMBER 4\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe long-awaited ‘Tree \u0026amp; Serpent: Early Buddhist Art in India, 200 BCE–400 CE’ exhibition opens at the Metropolitan Museum of Art this summer, featuring more than 140 works, including major loans from India. We are honoured to have the curator of the exhibition, John Guy, the Florence and Herbert Irving Curator of the Arts of South and Southeast Asia, as our guest editor. Guy, whose interests are in the temple arts of the Hindu, Buddhist, and Jain traditions, and in the ceramic and textile trade of the Indian Ocean diaspora, is the mastermind behind numerous major exhibitions, including ‘Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia’ in 2014.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe new exhibition tells the story of the pre-Buddhist origins of figurative sculpture in India and shifts the narrative from northern India to the south in the Deccan, focusing on the art of the Satavahana and Ikshvaku dynasties. In addition to figurative imagery, Buddhist art was dominated by emblematic devices such as trees and serpents, which symbolize spirits taking natural forms and hark back to a pre-Buddhist time. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eExcavations of the Kanaganahalli stupa in the Indian state of Karnataka at the end of the last millennium have deepened our knowledge of the lives of monks through both images and inscriptions. The findings reveal information about monks’ interactions with both laity and royalty, yet surprisingly little about the lives of nuns, perhaps because they were accepted only reluctantly by the Buddha who had never ordained any himself. Unlike Hinduism, Buddhism encouraged trade and was ultimately spread through maritime trade networks in ancient South and Southeast Asia. Also worshipped by Buddhist traders were the god of wealth, Kubera, and his spirits of fortune, Shankhanidhi and Padmanidhi. Trade routes disseminated images of these gods adopted from Hindu mythology, from Andhra Pradesh in southeastern India to Sri Lanka, where their subsequent development made them unique to the island.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2022, the Saint Louis Art Museum mounted the exhibition ‘Chinese Silk Textiles of the Ming and Qing Dynasties’, highlighting works from the museum’s permanent collection. We bring readers some of the rarer examples, including late Ming (1368–1644) brocade fragments, an embroidered silk hanging, and, from the Qing (1644–1911) imperial workshops, a pictorial hanging, an altar frontal, and a hat.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA total of 946 ancient Chinese gold and silver objects from the Mengdiexuan Collection were generously donated to the Hong Kong Palace Museum in 2022, instantly elevating the museum’s Chinese gold and silver collection to one of the best of its kind. Alongside further loans from the Mengdiexuan Collection, these magnificent artworks are featured in ‘Radiance: Ancient Gold from the Hong Kong Palace Museum Collection and the Mengdiexuan Collection’, on display through this September. The objects reveal the depth of cultural exchanges between different societies in East Asia and the role gold played in the diplomacy and social life of the region.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFEATURES\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJohn Guy.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eUbiquitous Trees and Snakes— Early Buddhist Imagery of Āndhradeśa\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003eOskar von Hinüber\u003cem data-mce-fragment=\"1\"\u003e. Monks and Nuns in Early India: Glimpses of Life in the Satavahana Monastery\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003eJohn Guy\u003cem data-mce-fragment=\"1\"\u003e. Buddha and the Jewel-filled Casket: The Piprahwa Reliquaries and the Cult of Relics in Early Indian Buddhism\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003eOsmund Bopearachchi\u003cem data-mce-fragment=\"1\"\u003e. Images of Gods of Wealth: Kubera, Shankhanidhi, and Padmanidhi Sailing from Andhra to Sri Lanka\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003ePhilip K. Hu\u003cem data-mce-fragment=\"1\"\u003e. Chinese Silk Textiles of the Ming and Qing Dynasties from the Saint Louis Art Museum\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003eRaphael Wong\u003cem data-mce-fragment=\"1\"\u003e. Radiance: Ancient Gold from the Hong Kong Palace Museum Collection and the Mengdiexuan Collection\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003eNing Tang.\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThree Aspects of Sino-Japan Exchange Reflected in a Rare Handscroll\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003eHugh Moss\u003cem data-mce-fragment=\"1\"\u003e. The Origins of Guyue Xuan Enamelled Glass Wares: A Documentary Group of Qing Imperial Enamels Produced in the Inner Palace between 1767 and the 1770s\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eREVIEWS\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Bennett\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":41490643288203,"sku":"2023ori04","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/C1_JulyAug_cover__R1.jpg?v=1688361836"},{"product_id":"artasiapacific-issue-134-jul-aug-2023","title":"ArtAsiaPacific Issue 134 - Jul\/Aug 2023","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Binding: softcover, 96 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Language: English\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eEDITOR'S LETTER\u003cbr data-mce-fragment=\"1\"\u003eEditor’s Letter: Natural Collaborators BY ELAINE W. NG\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eREPORTS\u003cbr data-mce-fragment=\"1\"\u003eNews: Aboriginal Show Postponed Amid Authorship Disputes BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eOne on One: Han Mengyun on Gayatri Chakravorty Spivak BY HAN MENGYUN\u003cbr data-mce-fragment=\"1\"\u003eWhispering Gallery: Living the Dream BY DT\u003cbr data-mce-fragment=\"1\"\u003ePreviews: Shape Shifters BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eAuction Report: Flagging Hopes BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eNew Currents: Priyageetha Dia BY TONG TUNG YENG\u003cbr data-mce-fragment=\"1\"\u003eArt Fair Report: Hype Dance BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003e134 News Roundup: Controversy, Public Domain, Career Moves BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eNew Currents: Medina Bazarğali BY TIFFANY LUK\u003cbr data-mce-fragment=\"1\"\u003eNew Currents: Kyung-Me BY GRACE JEFFERD\u003cbr data-mce-fragment=\"1\"\u003e134 Dispatch: Ho Chi Minh City BY QUYÊN HOÀNG\u003cbr data-mce-fragment=\"1\"\u003e134 News Roundup: Awards, Obituaries BY THE EDITORS\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eESSAYS\u003cbr data-mce-fragment=\"1\"\u003eThe Postcolonial Condition After Enwezor BY KERSTIN WINKING\u003cbr data-mce-fragment=\"1\"\u003eHoly Motors: Getting Around in Manila BY DONDIE CASANOVA\u003cbr data-mce-fragment=\"1\"\u003ePROFILES\u003cbr data-mce-fragment=\"1\"\u003eDaniel Lie: In Relation to Rot BY CLARA TANG\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003eWong Ping: Animating Absurdity BY PAMELA WONG\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Oum Jeongsoon BY TIFFANY LUK\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Leung Chi Wo BY GRACE JEFFERD\u003cbr data-mce-fragment=\"1\"\u003eTruong Cong Tung: Spectral Ecology BY HUNG DUONG\u003cbr data-mce-fragment=\"1\"\u003eInside Burger Collection 50: Ebecho Muslimova BY MITCHELL ANDERSON\u003cbr data-mce-fragment=\"1\"\u003eThe Intersection of Video Art and Feminism in 1990s Hong Kong BY TRANSLATED BY XIYUN WU AND BRYNN GORDON, WITH PAMELA WONG. IN COLLABORATION WITH ASIA ART ARCHIVE\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Simryn Gill BY HG MASTERS\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003eChicago: Kongkee BY MARIA ROMANOVA\u003cbr data-mce-fragment=\"1\"\u003eTokyo: Masahisa Fukase BY EMILIA WANG\u003cbr data-mce-fragment=\"1\"\u003eManila: Parched Earth, Ardent Spring BY SEAN CARBALLO\u003cbr data-mce-fragment=\"1\"\u003e14th Gwangju Biennale: soft and weak like water BY PAMELA WONG\u003cbr data-mce-fragment=\"1\"\u003eBangkok: Kornkrit Jianpinidnan BY CHRISTOPHER WHITFIELD\u003cbr data-mce-fragment=\"1\"\u003eShanghai: Sun Xun BY YVONNE WANG\u003cbr data-mce-fragment=\"1\"\u003eBerlin: Indigo Waves and Other Stories BY CLARA TANG\u003cbr data-mce-fragment=\"1\"\u003eNew York: Kelly Akashi BY JENNIFER S. LI\u003cbr data-mce-fragment=\"1\"\u003eBrisbane: A Third Language BY HILARY THURLOW\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Kishio Suga, Writings, Vol. 1, 1969–1979 BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eHong Kong: Elisa Sighicelli BY ELAINE W. NG\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Toshio Shibata: Day For Night BY OLIVER CLASPER\u003cbr data-mce-fragment=\"1\"\u003eMumbai: Sameer Kulavoor BY NED CARTER MILES\u003cbr data-mce-fragment=\"1\"\u003eBook Review: The Geometries of Afro Asia BY GRACE JEFFERD\u003cbr data-mce-fragment=\"1\"\u003eSeoul: Dew Kim BY TAEYI KIM\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eWHERE I WORK\u003cbr data-mce-fragment=\"1\"\u003eAndrew Luk: Echoes of the Past BY OLIVER CLASPER\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHE SKETCH\u003cbr data-mce-fragment=\"1\"\u003eTarek Atoui: Sounds Unlikely BY PAMELA WONG\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":41497021251723,"sku":"2023AAP04","price":180.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/2023aap04.jpg?v=1689068103"},{"product_id":"orientations-sep-oct-2023","title":"Orientations Sep\/Oct 2023","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 124 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003e VOLUME 54 - NUMBER 5\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis issue highlights bronzes excavated at Sanxingdui, near modern-day Chengdu in Sichuan, and Anyang. The Sanxingdui culture, dating to approximately 1800 to 900 BCE, was relatively contemporaneous to the Bronze Age in central China. Exploration of Sanxingdui began in earnest in 1986 and consensus since has been that the bronze manufacturing technology was imported; however, its application was strikingly unique, producing a style of human statues and eye-shaped objects and motifs not seen in other areas. Another 15,000 objects recently found have brought the site to the forefront of Chinese archaeology, leading to the opening of a new building at the Sanxingdui Museum this July. ‘Gazing at Sanxingdui: New Archaeological Discoveries in Sichuan’ opens this fall at the Hong Kong Palace Museum. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnyang was the last capital of the Shang kings and was occupied from around 1250 to 1050 BCE, during which the bronze industry became even more sophisticated. ‘Anyang: China’s Ancient City of Kings’ at the Smithsonian Institution’s National Museum of Asian Art (NMAA) marks the centennial of the opening of the Freer Gallery of Art and presents over 200 objects associated with Anyang and other cultures contemporary with the Shang, all exclusively from its collections. A key highlight of Shang bronzes is their inscriptions, which indicate a highly stratified society seeking to perpetuate social status and lineage even in the afterlife. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlso at the NMAA is the Peacock Room, initially designed and built in the 19th century for the London mansion of shipping magnate Frederick Leyland (1831–92) to house Kangxi era (1662–1722) blue-and-white porcelain, and featuring James McNeill Whistler’s (1834–1903) painting The Princess from the Land of Porcelain (1863). After Leyland’s death, the room was dismantled and transported to Detroit before finding a final home at the Smithsonian. In a multiphase restoration programme since 2016, conservators have carried out and recently completed in-depth work and repair of the room.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Death Is Not the End’ at the Rubin Museum of Art is a cross-cultural exhibition that looks at death and the afterlife in the art of Tibetan Buddhism and Christianity. The manifestation of the afterlife depended on how responsibly one lived. One common practice in Indian and Tibetan religious art was to include the names of donors to document their spiritual achievement and merit gained from the sponsorship. But with the exception of a few, artists’ names were rarely recorded.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA set of late imperial China photographs of battle paintings depicting three major rebellions that took place in the mid-19th century shows that photography was used to preserve the official narrative of the Qing court (1644–1911). Various maps of Guangdong and Guangzhou tell this region's long history as a trading and diplomatic port since the Tang dynasty (618–907). Lastly, the recent 350th anniversary of the death of Yinyuan Longqi (1592–1673), a monk from China’s Fujian province who founded the Ōbaku school of Zen, draws fresh attention to the tradition he established.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShengyu Wang, Tianlong Jiao. Gazing at Sanxingdui: Interactions and Ritual Arts\u003cbr data-mce-fragment=\"1\"\u003eKyle Steinke. ‘Anyang: China’s Ancient City of Kings’\u003cbr data-mce-fragment=\"1\"\u003eJenifer Bosworth, Ellen Chase, and Diana Greenwold. Conserving and Interpreting the Peacock Room at the National Museum of Asian Art\u003cbr data-mce-fragment=\"1\"\u003eElena Pakhoutova. Exploring Notions of the Afterlife in the Art of Tibetan Buddhism\u003cbr data-mce-fragment=\"1\"\u003eGerald Kozicz. Where Gupta Art Met the Architecture of Kashmir: The Lakshana Devi Temple of Brahmapura, Chamba\u003cbr data-mce-fragment=\"1\"\u003eHongxing Zhang. Investigating the Date, Maker, and Use of a Set of Photographic Albums of Late Qing Battle Paintings\u003cbr data-mce-fragment=\"1\"\u003eRichard A. Pegg. Historical Mapping of Guangdong and Guangzhou\u003cbr data-mce-fragment=\"1\"\u003eJohn Johnston. True Image: The Art of Ōbaku and Legacy of Yinyuan Longqi (Ingen Ryuki)\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":41574394462347,"sku":"2023ori05","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/SeptOct_cover_220823.jpg?v=1694079006"},{"product_id":"artasiapacific-issue-135-sep-oct-2023","title":"ArtAsiaPacific Issue 135 - Sep\/Oct 2023","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Binding: softcover, 104 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Language: English\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEDITOR'S LETTER\u003cbr data-mce-fragment=\"1\"\u003eEditor’s Letter: Bodily Material BY ELAINE W. NG\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eREPORTS\u003cbr data-mce-fragment=\"1\"\u003eDispatch: Zurich: Booming But Unseen BY LI ZHENHUA\u003cbr data-mce-fragment=\"1\"\u003eOne on One: Jin Meyerson on Park Seo-Bo BY JIN MEYERSON\u003cbr data-mce-fragment=\"1\"\u003e135 News Roundup: Controversies, Career Moves, Public Domain BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eArt Fair Report: The More the Merrier? BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003ePreviews: Tracing Movements BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eNew Currents: Alternative Worlds BY CHERYL KWAN, BRYNN GORDON\u003cbr data-mce-fragment=\"1\"\u003eThe Point: Grounds for Social Criticism BY FX HARSONO\u003cbr data-mce-fragment=\"1\"\u003eNews: Organizations Wrestle with Future of David Adjaye Projects BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eWhispering Gallery: It’s Typhoon Season, Again BY DT\u003cbr data-mce-fragment=\"1\"\u003e135 News Roundup: Awards, Obituaries BY THE EDITORS\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eESSAYS\u003cbr data-mce-fragment=\"1\"\u003eOn Preservation BY DONDIE CASANOVA\u003cbr data-mce-fragment=\"1\"\u003eTangled Authorship BY RYAN SU\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003ePROFILES\u003cbr data-mce-fragment=\"1\"\u003eJose Tence Ruiz: Fear of the Setting Sun BY PORTIA PLACINO\u003cbr data-mce-fragment=\"1\"\u003eJean Shin: We Are All Here BY YUTONG SHI\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003eThe Sorrow and Desire of Abysmal Life Machines: An Interview with Mire Lee BY BILLY TANG\u003cbr data-mce-fragment=\"1\"\u003eJourney Across Sound: An Interview with Tarek Atoui BY PAMELA WONG\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Corinne de San Jose BY ELAINE W. NG\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Elvis Yip Kin Bon BY OLIVER CLASPER\u003cbr data-mce-fragment=\"1\"\u003eInside Burger Collection: KP Brehmer: Screen Negatives BY ELISA R. LINN AND LENNART WOLFF\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Yooyun Yang BY NED CARTER MILES\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003eTokyo: Charles Munka BY STUART MUNRO\u003cbr data-mce-fragment=\"1\"\u003eMinneapolis: Pacita Abad BY ERIN ROBIDEAUX GLEESON\u003cbr data-mce-fragment=\"1\"\u003eShanghai: The Threads of Destiny: Maryn Varbanov, Works from the 1970s, with Song Huai-Kuei BY ARTHUR SOLWAY\u003cbr data-mce-fragment=\"1\"\u003eSeoul: Only the Young: Experimental Art in Korea, 1960s–1970s BY ELAINE W. NG\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Japanese Photography Magazines: 1880s to 1980s BY OLIVER CLASPER\u003cbr data-mce-fragment=\"1\"\u003eMelbourne: Mithu Sen BY CLAIRE SUMMERS\u003cbr data-mce-fragment=\"1\"\u003eKyoto: Re: Startline 1963–1970\/2023 BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eHong Kong: Madame Song: Pioneering Art and Fashion in China BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eBerlin: Dui Jip Ki BY FRANCES ARNOLD\u003cbr data-mce-fragment=\"1\"\u003eGhent: Haegue Yang BY MANUELA LIETTI\u003cbr data-mce-fragment=\"1\"\u003eSingapore: See Me, See You: Early Video Installation of Southeast Asia BY TONG TUNG YENG\u003cbr data-mce-fragment=\"1\"\u003eBangkok: Nontawat Numbenchapol, Kridpuj Dhansandors, Rungruang Sittirerk, and Viriya Chotpanyavisut: Uncountable Time BY HUNG DUONG\u003cbr data-mce-fragment=\"1\"\u003eLondon: Andro Wekua: There BY NED CARTER MILES\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Big Tail Elephant: Build and Resist BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Art in the After-Culture BY PETER CHUNG\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eWHERE I WORK\u003cbr data-mce-fragment=\"1\"\u003eWhere I Work: Lee Bae BY VALENTINA BUZZI\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTHE SKETCH\u003cbr data-mce-fragment=\"1\"\u003eThe Sketch: Simone Fattal BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":41579869405323,"sku":"2023AAP05","price":180.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/AAP135_Cover_Forshopify.jpg?v=1694495497"},{"product_id":"artasiapacific-issue-136-nov-dec-2023","title":"ArtAsiaPacific Issue 136- Nov\/Dec 2023","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Size: 28.5 (L) x 21.5 (W) cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Binding: softcover, 104 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Language: English\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Publisher: ArtAsiaPacific, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e EDITOR'S LETTER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEditor’s Letter: Objectified Relations BY ELAINE W. NG\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eREPORTS\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Point: Art after Evidence BY PIO ABAD\u003cbr data-mce-fragment=\"1\"\u003eDispatch: Taipei: Sticking Close to Home BY SHIH-YU HSU\u003cbr data-mce-fragment=\"1\"\u003eOne on One: Tsherin Sherpa on Urgen Dorje Sherpa BY TSHERIN SHERPA\u003cbr data-mce-fragment=\"1\"\u003eNew Currents: Divergent Dichotomies BY ANNA LENTCHNER, ALEX YIU, BRYNN GORDON\u003cbr data-mce-fragment=\"1\"\u003eArt Fair Report: Demand for More, or Less? BY HG MASTERS AND ALEX YIU\u003cbr data-mce-fragment=\"1\"\u003ePreviews: Worlding Adventures BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eMain News: Israel-Gaza War Fractures Region BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eAuction Report: Correction Point BY ALEX YIU\u003cbr data-mce-fragment=\"1\"\u003e136 News Roundup: Controversy, Public Domain, Career Moves BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003e136 News Roundup: Awards, Obituaries BY THE EDITORS\u003cbr data-mce-fragment=\"1\"\u003eWhispering Gallery: Who Runs the World? BY DT\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eESSAYS\u003cbr data-mce-fragment=\"1\"\u003eYu Hong: On the Verge BY BÉATRICE GRENIER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePROFILES\u003cbr data-mce-fragment=\"1\"\u003eCici Wu: Of Light and Shadow BY TIFFANY LEUNG\u003cbr data-mce-fragment=\"1\"\u003eSung Neung Kyung: More Beautiful When Botched BY HG MASTERS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFEATURES\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Elysa Wendi \u0026amp; Lee Wai-Shing BY OLIVER CLASPER\u003cbr data-mce-fragment=\"1\"\u003eInside Burger Collection: Treasures of a Drifter: Ida Ekblad BY JENNIFER PIEJKO\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Tromarama BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eThe Stories We Tell: An Interview with Simone Fattal BY RUBA AL-SWEEL\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Yeondoo Jung BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eUp Close: Mark Chung BY ALEX YIU\u003cbr data-mce-fragment=\"1\"\u003eKim Beom: I Can’t Hear You Screaming BY ELAINE W. NG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eREVIEWS\u003cbr data-mce-fragment=\"1\"\u003eNew York: Tuan Andrew Nguyen BY SOPHIA POWERS\u003cbr data-mce-fragment=\"1\"\u003eTaipei: Edward Yang BY BRIAN HIOE\u003cbr data-mce-fragment=\"1\"\u003eMumbai: Matthew Krishanu BY ZEENAT NAGREE\u003cbr data-mce-fragment=\"1\"\u003eManila: Eunice Sanchez BY SAM DEL CASTILLO\u003cbr data-mce-fragment=\"1\"\u003eLondon: Kader Attia \u0026amp; Mandy El-Sayegh BY RABIA KAPOOR\u003cbr data-mce-fragment=\"1\"\u003eHong Kong: signals . . . 瞬息 BY HG MASTERS\u003cbr data-mce-fragment=\"1\"\u003eVancouver: Maiko Jinushi BY VANESSA FAJEMISIN\u003cbr data-mce-fragment=\"1\"\u003eIstanbul: Cengiz Çekil BY BALA GÜRCAN\u003cbr data-mce-fragment=\"1\"\u003eYogyakarta: Jompet Kuswidananto BY DUONG MANH HUNG\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Aam Aastha: Indian Devotions BY BRYNN GORDON\u003cbr data-mce-fragment=\"1\"\u003eBerlin: Daido Moriyama Retrospective BY SOPHIA POWERS\u003cbr data-mce-fragment=\"1\"\u003eAuckland: She could lie on her back and sink BY HUTCH WILCO\u003cbr data-mce-fragment=\"1\"\u003eTokyo: After the Landscape Theory BY EMILIA WANG\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Dear Franklin BY ANNA LENTCHNER\u003cbr data-mce-fragment=\"1\"\u003eBook Review: Hong Kong After Hong Kong BY OLIVER CLASPER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWHERE I WORK\u003cbr data-mce-fragment=\"1\"\u003eWhere I Work: Ha Manh Thang BY DUONG MANH HUNG\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHE SKETCH\u003cbr data-mce-fragment=\"1\"\u003eThe Sketch: Trevor Yeung BY ALEX YIU\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"issue__category\"\u003e\n\u003ch1 class=\"issue__category-name\"\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e","brand":"ArtAsiaPacific","offers":[{"title":"Default Title","offer_id":41684771012747,"sku":"2023AAP06","price":180.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/AAP_136_Cover_HiRes_RGB.jpg?v=1698892458"},{"product_id":"orientations-nov-dec-2023","title":"Orientations Nov\/Dec 2023","description":"\u003cp data-mce-fragment=\"1\"\u003e- Size: 28.6 (L) x 21.1 (W) cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Binding: softcover, 100 pages\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Language: English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Publisher:\u003cspan data-mce-fragment=\"1\"\u003e Orientations Magazine Limited, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eVOLUME 54 - NUMBER 6\u003c\/p\u003e\n\u003cp class=\"\"\u003eI had the pleasure of visiting the Philadelphia Museum of Art in 2019 and seeing its many treasures, just before the start of the Covid-19 pandemic. A new exhibition, ‘Mythical Creatures: China and the World’, opening there this December compares mythical creatures across cultures and highlights the universal importance of myths and legends to each culture’s core beliefs. The Philadelphia Museum of Art is also home to a collection of Japanese swords formed by Edmund Zalinski (1849–1909), the inventor of the ‘dynamite gun’, who, during his travels to Japan in the 1890s, was able to acquire over 200 blades which he later donated to the museum.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOpening this fall on the 75th anniversary of Myanmar’s independence from Britain is the exhibition ‘Burma to Myanmar’, at the British Museum. Given the country’s complex history and ethnic diversity, the objects in this exhibition serve as both historical records and as cultural conduits. The Burrell Collection in Glasgow reopened last year after five years of extensive refurbishment. The museum holds a significant number of Chinese and Islamic artworks amassed by shipowner Sir William Burrell (1861–1958), including a collection of notable Chinese ceramics.\u003c\/p\u003e\n\u003cp class=\"\"\u003e‘Ruby back’ eggshell porcelain is a type of polychrome Chinese ceramic likely produced in the early 18th century. We focus on examples with a specific motif of a woman with two boys to explore whether this style is of Chinese or Western origin. We trace how a particular form of a Buddhist reliquary stupa that originated in the Wuyue Kingdom (907–78; situat-ed in today’s Zhejiang, southeastern Jiangsu, and parts of Fujian) acquired new meanings along the southeast coast of Chi-na during the Song period (960–1279) as a result of China’s increased engagement with maritime activities. There is a known group of almost 200 paintings associated with the Taklung Monastery of the Kagyu Buddhist tradition located north of Lhasa. We present a dating system for these 12th to mid-16th century paintings through their visual lineages.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe highlight the works of Shen Jingdong (b. 1965), a contemporary Chinese artist best known for his portrait series, and offer a contextual investigation of his works, notably his depictions of soldiers and significant figures from past and present.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe discover Wu Junyong’s humour and creativity in his paintings of wild animals and creatures in the exhibition, ‘Oth-erworldly Realms of Wu Junyong’, at the Museum of Fine Arts (MFA) in Boston.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLastly, we speak to Chris Hall, a renowned textiles collector based in Hong Kong, who shares his passion for this par-ticular art form.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003eFEATURES\u003c\/p\u003e\n\u003cp class=\"\"\u003eHiromi Kinoshita. \u003cem\u003eMythical Creatures at the Philadelphia Museum of Art\u003cbr\u003e\u003c\/em\u003eHarrison Schley. \u003cem\u003eEdmund Zalinski: American Civil War Soldier to Japanese-Sword Scholar\u003cbr\u003e\u003c\/em\u003eMizuho Ikeda with Alexandra Green. \u003cem\u003eA Kaleidoscope of Cultures and Peoples: ‘Burma to Myanmar’ at the British Museum\u003c\/em\u003e\u003cbr\u003eYupin Chung. \u003cem\u003eRevisiting Chinese Works of Art in the Burrell Collection\u003c\/em\u003e\u003cbr\u003eWilliam R. Sargent. \u003cem\u003eChinese and European Ruby-Back Porcelains\u003c\/em\u003e\u003cbr\u003eHsueh-man Shen. \u003cem\u003eStupas by the Bridge\u003c\/em\u003e\u003cbr\u003eJane Casey. \u003cem\u003eTaklung Painting: A Study in Chronology\u003c\/em\u003e\u003cbr\u003ePatricia Eichenbaum Karetzky. \u003cem\u003eWe Could Be Heroes: The Art of Shen Jingdong\u003c\/em\u003e\u003cbr\u003eNancy Berliner. \u003cem\u003eOtherworldly Realms of Wu Junyong\u003c\/em\u003e\u003c\/p\u003e","brand":"Orientations Magazine Limited","offers":[{"title":"Default Title","offer_id":41685082112139,"sku":"2023ori06","price":130.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0371\/9505\/5243\/files\/C1_NovDec_cover__R2.jpg?v=1698907525"}],"url":"https:\/\/shop.asiasociety.org.hk\/collections\/magazine.oembed?page=7","provider":"Asia Society Hong Kong Center","version":"1.0","type":"link"}