- Size: 28.5 (L) x 21.5 (W) cm
- Binding: softcover, 109 pages
- Language: English
- Publisher: ArtAsiaPacific, 2025
Editor's Letter
Editor’s Letter: Horizon Bound By Elaine W. Ng
Reports
Big Story: An Engulfing Calamity By The Editors
Public Domain: Grand Designs By The Editors
Controversy: Shrinking Spaces By The Editors
Looking Ahead: Growth Potential By The Editors
Obituaries: Celebrated Lives By The Editors
Art Fair Report: New Marketing Strategies By The Editors
Career Moves: Stepping Up By The Editors
Infrastructure: Mergers and Refurbs By The Editors
Awards: Kudos Plus Cash By The Editors
Auction Report: Stable Homes, Falling Prices By The Editors
Profiles
Artists of 2024: Manal AlDowayan By Anna Lentchner
One to Watch: Steph Huang By Annette Meier
Artists of 2024: Yuko Mohri By Oliver Clasper
Artists of 2024: Archie Moore By Oliver Clasper
Artists of 2024: Trương Công Tùng By Louis Lu
Artists of 2024: Do Ho Suh By Anna Lentchner
Features
Taipei: Shifting Ground By CHRISTOPHER WHITFIELD
Tokyo: Questions of Healing: Interview with Ei Arakawa-Nash By Elaine W. Ng
Lahore and Karachi: Biennales and Beyond By Quddus Mirza
Singapore: Progress, Pitfalls, and Possibilities By Yvonne Wang
Ho Chi Minh City: From the Ground Up: Interview with Art Labor’s Arlette Quỳnh-Anh Trần By Annette Meier
Kuala Lumpur: Yielding Cooperative Returns By Beverly Yong & Rachel Ng
Inside Burger Collection: Julia Phillips By Harry C.H. Choi
Istanbul: The Center Cannot Hold By Matt A. Hanson
Beijing: Stepping out of the Shadows: Interview with Xiyadie By Louis Lu
Hong Kong: Performing Life: Interview with Florence Lam By HG Masters
Manila: Weather Report: Art Against Time By Sam Del Castillo
London: Collectivity and Solidarity By Chelsea Pettitt
Los Angeles: Where the Sun Always Shines By Jennifer S. Li
Ulaanbaatar: The Space Between Worlds: Interview with Anunaran Jargalsaikhan By Annabel Preston
Seoul: Everyone Wants A Slice By Valentina Buzzi
Auckland: The Need for Roots: Interview with Brett Graham By Annabel Preston
Reviews
Festivals of 2024: Busan Biennale By The Editors
Festivals of 2024: 24th Biennale of Sydney By The Editors
Festivals of 2024: 8th Yokohama Triennale By The Editors
Exhibitions of 2024: Theaster Gates’s “Afro-Mingei” By The Editors
Festivals of 2024: 2024 Asian Art Biennial By The Editors
Exhibitions of 2024: Walid Raad’s “Another Festival of (In)gratitude” By The Editors
Exhibitions of 2024: Lala Rukh’s “In the Round” By The Editors
Exhibitions of 2024: Kim Lim’s “The Space Between. A Retrospective” By The Editors
Exhibitions of 2024: Wong Ping’s “anus whisper” By The Editors
Exhibitions of 2024: Amanda Ba’s “Developing Desire” By The Editors
Exhibitions of 2024: David Medalla’s “In Conversation with the Cosmos” By The Editors
Festivals of 2024: Bangkok Art Biennale By The Editors
Exhibitions of 2024: Nicholas Mangan’s “A World Undone” By The Editors
Festivals of 2024: The 11th Asia Pacific Triennial
of Contemporary Art By The Editors
Exhibitions of 2024: Ayoung Kim’s “Delivery Dancer’s Arc: Inverse” By The Editors
Exhibitions of 2024: “Art Spectrum: Dream Screen” By The Editors
Exhibitions of 2024: Wu Tsang’s “La gran mentira de la muerte” By The Editors
Festivals of 2024: 60th Venice Biennale By HG Masters
Festivals of 2024: Gwangju Biennale By The Editors
Exhibitions of 2024: “The Imaginary Institution
of India: Art 1975–1998” By The Editors
Exhibitions of 2024: Yin Xiuzhen’s “Piercing the Sky” By The Editors
Exhibitions of 2024: An-My Lê’s “Between Two Rivers” By The Editors
Exhibitions of 2024: William Kentridge By The Editors
Exhibitions of 2024: Mandy El-Sayegh’s “A rose is a rose is a rose is a rose” By The Editor
Festivals of 2024: Diriyah Contemporary
Art Biennale 2024 By The Editors
The Back
2025 Major Fairs and Festivals By The Editors
Up Next: 2025 By The Editors